Droppers : America's First Hippie Commune, Drop City by Mark Matthews (2010, Trade Paperback) online kaufen

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Product Identifiers

PublisherUniversity of Oklahoma Press

ISBN-100806140585

ISBN-139780806140582

eBay Product ID (ePID)80461916

Product Key Features

Book TitleDroppers : America's First Hippie Commune, Drop City

Number of Pages248 Pages

LanguageEnglish

Publication Year2010

TopicUnited States / State & Local / West (Ak, CA, Co, Hi, Id, Mt, Nv, Ut, WY), United States / 20th Century, Sociology / General, Popular Culture, United States / 21st Century

GenreSocial Science, History

AuthorMark Matthews

FormatTrade Paperback

Dimensions

Item Height0.6 in

Item Weight11.9 Oz

Item Length8.5 in

Item Width5.5 in

Additional Product Features

Intended AudienceTrade

LCCN2008-053776

Dewey Edition22

Dewey Decimal307.77/40869

SynopsisRecounts the rise and fall of this famous 1960s community Sex, drugs, and rock 'n' roll. In popular imagination, these words seem to capture the atmosphere of 1960s hippie communes. Yet when the first hippie commune was founded in 1965 outside Trinidad, Colorado, the goal wasn't one long party but rather a new society that integrated life and art. In Droppers, Mark Matthews chronicles the rise and fall of this utopian community, exploring the goals behind its creation and the factors that eventually led to its dissolution. Seeking refuge from enforced social conformity, the turmoil of racial conflict, and the Vietnam War, artist Eugene Bernofsky and other founders of Drop City sought to create an environment that would promote both equality and personal autonomy. These high ideals became increasingly hard to sustain, however, in the face of external pressures and internal divisions. In a rollicking, fast-paced style, Matthews vividly describes the early enthusiasm of Drop City's founders, as Bernofsky and his friends constructed a town in the desert literally using the "detritus of society." Over time, Drop City suffered from media attention, the distraction of visitors, and the arrival of new residents who didn't share the founders' ideals. Matthews bases his account on numerous interviews with Bernofsky and other residents as well as written sources. Explaining Drop City in the context of the counterculture's evolution and the American tradition of utopian communities, he paints an unforgettable picture of a largely misunderstood phenomenon in American history. A former wildland firefighter and freelance journalist, Mark Matthews is the author of Smoke Jumping on the Western Fire Line: Conscientious Objectors during World War II and A Great Day to Fight Fire: Mann Gulch, 1949., Sex, drugs, and rock 'n' roll. In popular imagination, these words seem to capture the atmosphere of 1960s hippie communes. Yet when the first hippie commune was founded in 1965 outside Trinidad, Colorado, the goal wasn't one long party but rather a new society that integrated life and art. In Droppers , Mark Matthews chronicles the rise and fall of this utopian community, exploring the goals behind its creation and the factors that eventually led to its dissolution., Sex, drugs, and rock 'n' roll. In popular imagination, these words seem to capture the atmosphere of 1960s hippie communes. Yet when the first hippie commune was founded in 1965 outside Trinidad, Colorado, the goal wasn't one long party but rather a new society that integrated life and art. In Droppers , Mark Matthews chronicles the rise and fall of this utopian community, exploring the goals behind its creation and the factors that eventually led to its dissolution. Seeking refuge from enforced social conformity, the turmoil of racial conflict, and the Vietnam War, artist Eugene Bernofsky and other founders of Drop City sought to create an environment that would promote both equality and personal autonomy. These high ideals became increasingly hard to sustain, however, in the face of external pressures and internal divisions. In a rollicking, fast-paced style, Matthews vividly describes the early enthusiasm of Drop City's founders, as Bernofsky and his friends constructed a town in the desert literally using the "detritus of society." Over time, Drop City suffered from media attention, the distraction of visitors, and the arrival of new residents who didn't share the founders' ideals. Matthews bases his account on numerous interviews with Bernofsky and other residents as well as written sources. Explaining Drop City in the context of the counterculture's evolution and the American tradition of utopian communities, he paints an unforgettable picture of a largely misunderstood phenomenon in American history.

LC Classification NumberHQ971.5.C6M38 2009