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Against the Modern : Dagnan-Bouvere t and the Transformation of the Academic...
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Standort: Farmington, Connecticut, USA
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eBay-Artikelnr.:306089671053
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780813531564
Über dieses Produkt
Product Identifiers
Publisher
Rutgers University Press
ISBN-10
081353156X
ISBN-13
9780813531564
eBay Product ID (ePID)
8038458505
Product Key Features
Number of Pages
200 Pages
Publication Name
Against the Modern : Dagnan-Bouveret and the Transformation of the Academic Tradition
Language
English
Publication Year
2002
Subject
Collections, Catalogs, Exhibitions / General, General, European
Type
Textbook
Subject Area
Art
Format
Trade Paperback
Dimensions
Item Weight
31.1 Oz
Item Length
11 in
Item Width
8.5 in
Additional Product Features
Intended Audience
College Audience
LCCN
2002-020158
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
759.4
Synopsis
The publication of this book coincides with an exhibition by the Dahesh Museum of Art in New York City of Dagnan-Bouveret's work--the first in a century. Against the Modern pays special attention to the evolution of this artist's work, and brings to the public gaze the real diversity, accessibility--and surprising modernity--that has made Dagnan-Bouveret's work of lasting value., Pascal-Adolphe-Jean Dagnan- Bouveret (1852-1929) was among a group of the most creative students of Jean Leon Gérôme, the leading French academic painter of his day. A well-established naturalist painter and an artist acknowledged worldwide during the latter half of the nineteenth century, Dagnan-Bouveret used contemporary themes and techniques to modernize the academic tradition in an attempt to meet the aesthetic changes initiated by the impressionists. Displaying real diversity, he created photographically accurate compositions inspired by daily life. His best-known pieces were mesmerizing mystical-religious compositions. Accolades at the1900 Paris Exposition Universelle and induction into the French Institute not only assured the status of his work, but also furthered his position as the upholder of the academic tradition at a time when it was coming under renewed attack by the modernists. The publication of this book coincides with an exhibition by the Dahesh Museum of Art in New York City of Dagnan-Bouveret's work--the first in a century. Against the Modern pays special attention to the evolution of this artist's work, and brings to the public gaze the real diversity, accessibility--and surprising modernity--that has made Dagnan-Bouveret's work of lasting value., Pascal-Adolphe-Jean Dagnan- Bouveret (1852-1929) was among a group of the most creative students of Jean Leon G r me, the leading French academic painter of his day. A well-established naturalist painter and an artist acknowledged worldwide during the latter half of the nineteenth century, Dagnan-Bouveret used contemporary themes and techniques to modernize the academic tradition in an attempt to meet the aesthetic changes initiated by the impressionists. Displaying real diversity, he created photographically accurate compositions inspired by daily life. His best-known pieces were mesmerizing mystical-religious compositions. Accolades at the1900 Paris Exposition Universelle and induction into the French Institute not only assured the status of his work, but also furthered his position as the upholder of the academic tradition at a time when it was coming under renewed attack by the modernists. The publication of this book coincides with an exhibition by the Dahesh Museum of Art in New York City of Dagnan-Bouveret's work--the first in a century. Against the Modern pays special attention to the evolution of this artist's work, and brings to the public gaze the real diversity, accessibility--and surprising modernity--that has made Dagnan-Bouveret's work of lasting value.
LC Classification Number
ND553.D2A4 2002
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