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Romane ins Film von Bluestone, George - GEBRAUCHT-
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Standort: Spotsylvania, Virginia, USA
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eBay-Artikelnr.:305989448704
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- “Cover has minimal cosmetic wear and some pages may have notes and highlighted parts”
- Binding
- Paperback
- Product Group
- Book
- Book Title
- Novels Into Film
- Weight
- 0 lbs
- IsTextBook
- No
- ISBN
- 9780801873867
Über dieses Produkt
Product Identifiers
Publisher
Johns Hopkins University Press
ISBN-10
080187386X
ISBN-13
9780801873867
eBay Product ID (ePID)
23038435981
Product Key Features
Number of Pages
251 Pages
Publication Name
Novels Into Film
Language
English
Subject
Theater / General, Semiotics & Theory, Film / History & Criticism
Publication Year
2003
Type
Textbook
Subject Area
Literary Criticism, Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
12 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2003-040267
Reviews
An excellent and stimulating study... A brilliant critical essay on the limits of the novel and the limits of the film... His most important accomplishment is to integrate the critical approach to these varying forms: one respectable, dignified, accepted; the other young, often brash, fighting for recognition. This is an approach which is extremely useful for it does not involve the traditional advocacy for one form over another. Dr. Bluestone has respect for both., Bluestone believes that the film is independent, free to add that new ending or to leave several characters on the cutting room floor. In judging the quality of any filmed novel his question is, Has the movie maker discovered visual effects that interpret rather than repeat the material of the novel? In other words, Has he created a new form'... Each film is analyzed by comparing novel and shooting script and then viewing the film with script in hand. Alterations are carefully studied in light of a broad knowledge of literature and motion picture history, and extensive research is in evidence on every page., "An excellent and stimulating study... A brilliant critical essay on the limits of the novel and the limits of the film... His most important accomplishment is to integrate the critical approach to these varying forms: one respectable, dignified, accepted; the other young, often brash, fighting for recognition. This is an approach which is extremely useful for it does not involve the traditional advocacy for one form over another. Dr. Bluestone has respect for both."-- Los Angeles Times, ""An excellent and stimulating study... A brilliant critical essay on the limits of the novel and the limits of the film... His most important accomplishment is to integrate the critical approach to these varying forms: one respectable, dignified, accepted; the other young, often brash, fighting for recognition. This is an approach which is extremely useful for it does not involve the traditional advocacy for one form over another. Dr. Bluestone has respect for both."", "Bluestone believes that the film is independent, free to add that new ending or to leave several characters on the cutting room floor. In judging the quality of any filmed novel his question is, Has the movie maker discovered visual effects that interpret rather than repeat the material of the novel? In other words, Has he created a new form'... Each film is analyzed by comparing novel and shooting script and then viewing the film with script in hand. Alterations are carefully studied in light of a broad knowledge of literature and motion picture history, and extensive research is in evidence on every page."-- American Scholar
Dewey Edition
21
Grade From
College Graduate Student
Dewey Decimal
791.4
Synopsis
First published in 1957, this seminal work of film theory analyzes the process-''the mysterious alchemy''-by which novels are transformed into films. Beginning with a discussion of the aesthetic limits of both the novel and the film, George Bluestone goes on to offer close readings of six films based on novels of serious literary merit-The ......, First published in 1957, this seminal work of film theory analyzes the process--"the mysterious alchemy"--by which novels are transformed into films. Beginning with a discussion of the aesthetic limits of both the novel and the film, George Bluestone goes on to offer close readings of six films based on novels of serious literary merit-- The Informer , Wuthering Heights , The Grapes of Wrath , Pride and Prejudice , The Ox-Bow Incident , and Madame Bovary --focusing on the additions, deletions, and other changes made by the filmmakers in adapting the source material for the screen. Based on both in-depth research into film archives and libraries and on interviews with the screenwriters, directors, and producers who worked on these films, Novels into Film concludes that because the novel lends itself to states of consciousness and the film to observed reality, the adaptation of one from the other produces a new and wholly autonomous art form., First published in 1957, this seminal work of film theory analyzes the process-''the mysterious alchemy''-by which novels are transformed into films. Beginning with a discussion of the aesthetic limits of both the novel and the film, George Bluestone goes on to offer close readings of six films based on novels of serious literary merit-The Informer, Wuthering Heights, The Grapes of Wrath, Pride and Prejudice, The Ox-Bow Incident, and Madame Bovary-focusing on the additions, deletions, and other changes made by the filmmakers in adapting the source material for the screen. Based on both in-depth research into film archives and libraries and on interviews with the screenwriters, directors, and producers who worked on these films, Novels into Films concludes that because the novel lends itself to states of consciousness and the film to observed reality, the adaptation of one from the other produces a new and wholly autonomous art form.
LC Classification Number
PN1997.85.B5 2003
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- 04. Feb. 2020
Good account of the process of turning a novel in to a motion picture.
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