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Becoming-Matisse: Zwischen Malerei und Architektur (Bild rückgängig machen 2) (Ur...-

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Becoming-Matisse: Between Painting and Architecture (Undoing the Image 2) (Ur...
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ISBN
9781916405202

Über dieses Produkt

Product Identifiers

Publisher
Urbanomic
ISBN-10
1916405207
ISBN-13
9781916405202
eBay Product ID (ePID)
23050413968

Product Key Features

Book Title
Becoming-Matisse : between Painting and Architecture (Undoing the Image 2)
Number of Pages
128 Pages
Language
English
Publication Year
2019
Topic
Individual Artists / General, Criticism & Theory, Individual Artists / Monographs, Aesthetics
Illustrator
Yes
Genre
Art, Philosophy
Author
Eric Alliez
Book Series
Urbanomic / Art Editions Ser.
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
6.8 Oz
Item Length
9.7 in
Item Width
7.1 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
"The requisite productive tension between the history of art and philosophical concerns is nothing less than inspiring." --Jae Emerling, Critical Inquiry
Dewey Decimal
759.4
Synopsis
A reevaluation of Matisse that reveals the complex function of his work and thought in contemporary art's escape from the image, from traditional forms of art, and even from the art form itself. Accused by his contemporaries of both arid overtheorisation and a hedonistic abandon to the pleasures of color, decried for a preoccupation with the merely decorative, retrospectively consigned to a subsidiary role in an official History of Art that sees the liberation of color from iconic conventions and symbolic associations as the inevitable precursor to the purified color of modernist formalis, Matisse, with his untimely singularity, his break with the History of Art, and the part he played in undoing the image is ripe for the reevaluation undertaken here with great panache by ric Alliez and Jean-Claude Bonne, who with this volume restore Matisse to his place within the prehistory of contemporary art, while continuing to transform our understanding of the latter. It was Matisse who, with his understanding of the construction of colours as a means of vital expression, continued to exacerbate the fauves' decisive break with Form; in doing so, he also opened up painting to its outside, by cutting out color, and releasing it onto the walls and into architecture by way of a decorativity virtually generalized to the whole environment. With a series of detailed and compelling extended analyses of Matisse's works, we learn how "Matisse-thought" arrived at the magic formula expression=construction=decoration. This volume, the second "case study" in Alliez and Bonne's Undoing the Image , gives us a new Matisse extracted from cliches and stereotypes both popular and learned, revealing the complex function of his work and thought in contemporary art's escape from the image, from traditional forms of art, and even from the art form itself., A reevaluation of Matisse that reveals the complex function of his work and thought in contemporary art's escape from the image, from traditional forms of art, and even from the art form itself. Accused by his contemporaries of both arid overtheorisation and a hedonistic abandon to the pleasures of color, decried for a preoccupation with the merely decorative, retrospectively consigned to a subsidiary role in an official History of Art that sees the liberation of color from iconic conventions and symbolic associations as the inevitable precursor to the purified color of modernist formalis, Matisse, with his untimely singularity, his break with the History of Art, and the part he played in undoing the image is ripe for the reevaluation undertaken here with great panache by ric Alliez and Jean-Claude Bonne, who with this volume restore Matisse to his place within the prehistory of contemporary art, while continuing to transform our understanding of the latter. It was Matisse who, with his understanding of the construction of colours as a means of vital expression, continued to exacerbate the fauves' decisive break with Form; in doing so, he also opened up painting to its outside, by cutting out color, and releasing it onto the walls and into architecture by way of a decorativity virtually generalized to the whole environment. With a series of detailed and compelling extended analyses of Matisse's works, we learn how "Matisse-thought" arrived at the magic formula expression=construction=decoration. This volume, the second "case study" in Alliez and Bonne's Undoing the Image , gives us a new Matisse extracted from clich s and stereotypes both popular and learned, revealing the complex function of his work and thought in contemporary art's escape from the image, from traditional forms of art, and even from the art form itself.
LC Classification Number
ND553

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