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Tropical Renditions: Musikszenen machen in Filipino America... (Taschenbuch)-
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eBay-Artikelnr.:305768744085
Artikelmerkmale
- Artikelzustand
- Book Title
- Tropical Renditions: Making Musical Scenes in Filipino America (R
- Artist
- ExcelDna.Integration.ExcelEmpty
- ISBN
- 0822360012
Über dieses Produkt
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822360012
ISBN-13
9780822360018
eBay Product ID (ePID)
217140830
Product Key Features
Number of Pages
256 Pages
Language
English
Publication Name
Tropical Renditions : Making Musical Scenes in Filipino America
Subject
Ethnomusicology, Ethnic Studies / Asian American Studies, Emigration & Immigration
Publication Year
2016
Type
Textbook
Subject Area
Music, Social Science
Series
Refiguring American Music Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
12.8 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2015-038470
Dewey Edition
23
Reviews
Balance's book is a major contribution to a flowering of contemporary scholarship on the Filipino diaspora and musical performance. . . . From DJing and karaoke to performance art and indie Pinoise rock, Balance's book draws out the rich implications of such musical scenes, and in doing so, shows how Filipino America has been made, and made uniquely meaningful, through music., In this stunningly refreshing take on the musicological and performative dimensions of Filipino American historical and cultural experiences, Christine Bacareza Balance makes intricate and superb sonic connections between seemingly separate realms such as colonialism, migration, youth culture, leisure, and labor. Standing alone in its incisive cultural critique and superb interpretive readings of a culture and a people spanning thousands of miles, Tropical Renditions makes a pioneering contribution to Asian American studies and performance studies., A gift to the fields of Asian studies, sound studies, and cultural studies, speaking between and across each in order to posit a theory of sound that is attuned to the affective and sociopolitical contours of the Filipinx diasporic experience. . . . Seminal in its theorizing of the social conditions that dictate how the Filipinx performing body is consumed., Tropical Renditions is an ambitious and exhilarating study that beckons us to listen carefully to the underground sound of Filipino and Filipino American 'translocal' cultures. Christine Bacareza Balance takes her readers to a range of sonic 'scenes' in the Filipino diaspora--from karaoke house parties to Pinoy indie rock shows to the experimental performance spaces of Jessica Hagedorn and the West Coast Gangster Choir, in turn showcasing an insurgent musicality that speaks back to and, in many ways, sings through and against the long roll of imperial violence. Like a radical postcolonial mixtape, Balance's book captures the urgency of Filipino identity in sonic motion., With her careful survey of ethnographic texts and implicit use of ethnographic research techniques, Balance sets a new standard for accounts of popular music culture in performance studies., "Balance's book is a major contribution to a flowering of contemporary scholarship on the Filipino diaspora and musical performance. . . . From DJing and karaoke to performance art and indie Pinoise rock, Balance's book draws out the rich implications of such musical scenes, and in doing so, shows how Filipino America has been made, and made uniquely meaningful, through music." -- Victor Bascara Pacific Affairs "With her careful survey of ethnographic texts and implicit use of ethnographic research techniques, Balance sets a new standard for accounts of popular music culture in performance studies." -- Neal Matherne Ethnomusicology " Tropical Renditions offers a script from which to begin rehearsing a multiscalar phonography of place, race, and music that is . . . relentlessly and productively disobedient." -- Anjeline de Dios Southeast Asian Studies "A gift to the fields of Asian studies, sound studies, and cultural studies, speaking between and across each in order to posit a theory of sound that is attuned to the affective and sociopolitical contours of the Filipinx diasporic experience. . . . Seminal in its theorizing of the social conditions that dictate how the Filipinx performing body is consumed." -- Casey Mecija Journal of the Society for American Music, Tropical Renditions offers a script from which to begin rehearsing a multiscalar phonography of place, race, and music that is . . . relentlessly and productively disobedient., In this stunningly refreshing take on the musicological and performative dimensions of Filipino American historical and cultural experiences, Christine Bacareza Balance makes intricate and superb sonic connections between seemingly separate realms such as colonialism, migration, youth culture, leisure, and labor. Standing alone in its incisive cultural critique and superb interpretive readings of a culture and a people spanning thousands of miles, Tropical Renditions makes a pioneering contribution to Asian American Studies and performance studies.
Illustrated
Yes
Dewey Decimal
780.89/9921073
Table Of Content
Acknowledgments ix Flip the Beat: An Introduction 1 1. Sonic Fictions 31 2. The Serious Work of Karaoke 56 3. Jessica Hagedorn's Gangster Routes 87 4. Pinoise Rock 123 Epilogue: Rakenrol Itineraries 155 Notes 187 Bibliography 207 Index 219
Synopsis
In Tropical Renditions Christine Bacareza Balance examines how the performance and reception of post-World War II Filipino and Filipino American popular music provide crucial tools for composing Filipino identities, publics, and politics. To understand this dynamic, Balance advocates for a "disobedient listening" that reveals how Filipino musicians challenge dominant racialized U.S. imperialist tropes of Filipinos as primitive, childlike, derivative, and mimetic. Balance disobediently listens to how the Bay Area turntablist DJ group the Invisibl Skratch Piklz bear the burden of racialized performers in the United States and defy conventions on musical ownership; to karaoke as affective labor, aesthetic expression, and pedagogical instrument; to how writer and performer Jessica Hagedorn's collaborative and improvisational authorial voice signals the importance of migration and place; and how Pinoy indie rock scenes challenge the relationship between race and musical genre by tracing the alternative routes that popular music takes. In each instance Filipino musicians, writers, visual artists, and filmmakers work within and against the legacies of the U.S./Philippine imperial encounter, and in so doing, move beyond preoccupations with authenticity and offer new ways to reimagine tropical places., In Tropical Renditions Christine Bacareza Balance examines how the performance and reception of post-World War II Filipino and Filipino American popular music provide crucial tools for composing Filipino identity, publics, and politics as well as challenge dominant racial stereotypes.
LC Classification Number
ML3560
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