The Oxford Companion to Jazz von Bill Kirchner (2000, Hardcover)-

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The Oxford Companion to Jazz by Bill Kirchner (2000, Hardcover)
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Artikelmerkmale

Artikelzustand
Neuwertig: Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine ...
Type
Novel
Era
2000s
Ex Libris
Yes
Original Language
English
Country/Region of Manufacture
United States
Intended Audience
Young Adults, Adults
Edition
First Edition
Vintage
Yes
ISBN
9780195125108
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
019512510X
ISBN-13
9780195125108
eBay Product ID (ePID)
14038254499

Product Key Features

Book Title
Oxford Companion to Jazz
Number of Pages
864 Pages
Language
English
Publication Year
2000
Topic
General, Genres & Styles / Jazz
Illustrator
Yes
Genre
Music
Author
Bill Kirchner
Format
Hardcover

Dimensions

Item Height
2.4 in
Item Weight
63.5 Oz
Item Length
7.4 in
Item Width
10.2 in

Additional Product Features

Intended Audience
Trade
LCCN
99-088598
Reviews
"More than a treatise on jazz, this book is a compilation of articles on all phases of the music, contributed by musicians and professional writers who speak for the art firsthand. Highly recommended for everyone interested in jazz."--Benny Carter "No book on jazz has ever attempted the scope of this monumental collection of 60 studies by 59 writers. Commissioned and organized by editor Bill Kirchner into an interlocking mosaic, its 800 pages examine and evaluate every aspect of the origins, ongoing development, and offshoots of jazz--and its myriad personalities--to a degree which makes this the one indispensable publication in the field. The Oxford Companion to Jazz is both a reference work for the serious scholar and a rewarding book to be dipped into by the casual reader"--George Avakian "This work is an effective single-volume device, leading current listeners to the music while including enough newer scholarship to retain the interest of connoisseurs."-- Library Journal "An ambitious panorama of genres, biographies and analyses... a durable addition to the literature of music...these essays should lead to an irresistible urge to hear more."--Nat Hentoff, Los Angeles Times Book Review " The Oxford Companion to Jazz probes every aspect of the music, from the rhythmic virtuosity of ragtime and stride piano, to the transformation of jazz from music for happy feet to cerebral bebop for the mind...Like jazz itself, The Oxford Companion to Jazz marries form and imagination." --John Mark Eberhart, The Kansas City Star, "More than a treatise on jazz, this book is a compilation o articles onall phases of the music contributed by musician and professional writers whospeak for the art firsthand. Highly recommended for everyone interested injazz."-Benny Carter, "An ambitious panorama of genres, biographies and analyses.... A durable addition to the literature of music...these essays should lead to an irresistible urge to hear more."--Nat Hentoff, Los Angeles Times Book Review, "This work is an effective single-volume device, leading current listeners to the music while including enough newer scholarship to retain the interest of connoisseurs."--Library Journal, "The Oxford Companion to Jazz probes every aspect of the music, from the rhythmic virtuosity of ragtime and stride piano, to the transformation of jazz from music for happy feet to cerebral bebop for the mind.... Like jazz itself, The Oxford Companion to Jazz marries form andimagination."--John Mark Eberhart, The Kansas City Star, "The Oxford Companion to Jazz probes every aspect of the music, from therhythmic virtuosity of ragtime and stride piano, to the transformaion of jazzfrom music for happy feet to cerebral bebop for the mind...Like jazz itself, TheOxford Companion to Jazz marries form and imagination." --John Mark Eberhart,The Kansas City Star, "An ambitious panorama of genres, biographies and analyses... a durableaddition to the literature of music...these essays should lead to anirresistible urge to hear more."--Nat Hentoff, Los Angeles Times BookReview, "Despite the wide range, the focus is clear--the unique American sound of jazz and those giants most closely associated with its creation and production."--Jeff Waggoner, The New York Times Book Review"This book contains a collection of some of the very best writing available concerning jazz."--Lee Bash, Jazz Educators Journal"A milestone among publications dedicated to jazz."--Francesco Martinelli, Musica Jazz (Italy)"More than a treatise on jazz, this book is a compilation of articles on all phases of the music, contributed by musicians and professional writers who speak for the art firsthand. Highly recommended for everyone interested in jazz."--the late Benny Carter, ...Kirchner managed to enlist many of the finest writers in the field tocontribute to this volume....The joy of reading this book comes from theauthoritative essays by major writers--Dan Morgenstern, John McDonough, GuntherSchulluer, Mark Tucker, Scott DeVeaux, to mention just a representativehandful....For all serious jazz collections, both general andacademic.--Choice, "This is an effective single-volume device, leading current listeners tothe music while including enough newer scholarship to retain the interest ofconnoisseurs."--Library Journal, "Despite the wide range, the focus is clear--the unique American sound of jazz and those giants most closely associated with its creation and production."--Jeff Waggoner,The New York Times Book Review "This book contains a collection of some of the very best writing available concerning jazz."--Lee Bash,Jazz Educators Journal "A milestone among publications dedicated to jazz."--Francesco Martinelli,Musica Jazz(Italy) "More than a treatise on jazz, this book is a compilation of articles on all phases of the music, contributed by musicians and professional writers who speak for the art firsthand. Highly recommended for everyone interested in jazz."--the late Benny Carter, "More than a treatise on jazz, this book is a compilation of articles onall phases of the music, contributed by musicians and professional writers whospeak for the art firsthand. Highly recommended for everyone interested injazz."--Benny Carter, "This is an effective single-volume device, leading current listeners to the music while including enough newer scholarship to retain the interest of connoisseurs."--Library Journal, "More than a treatise on jazz, this book is a compilation of articles on all phases of the music, contributed by musicians and professional writers who speak for the art firsthand. Highly recommended for everyone interested in jazz."--Benny Carter, "An ambitious panorama of genres, biographies and analyses.... A durableaddition to the literature of music...these essays should lead to anirresistible urge to hear more."--Nat Hentoff, Los Angeles Times BookReview, "No book on jazz has ever attempted the scope of this monumental collection of 60 studies by 59 writers. Commissioned and organized by editor Bill Kirchner into an interlocking mosaic, its 800 pages examine and evaluate every aspect of the origins, ongoing development, and offshoots ofjazz--and its myriad personalities--to a degree which makes this the one indispensable publication in the field. The Oxford Companion to Jazz is both a reference work for the serious scholar and a rewarding book to be dipped into by the casual reader"--George Avakian, "Despite the wide range, the focus is clear--the unique American sound of jazz and those giants most closely associated with its creation and production."--Jeff Waggoner, The New York Times Book Review"This book contains a collection of some of the very best writing available concerning jazz."--Lee Bash, Jazz Educators Journal"A milestone among publications dedicated to jazz."--Francesco Martinelli, Musica Jazz (Italy)"More than a treatise on jazz, this book is a compilation of articles on all phases of the music, contributed by musicians and professional writers who speak for the art firsthand. Highly recommended for everyone interested in jazz."--the late Benny Carter"This book contains a collection of some of the very best writing available concerning jazz."--Dr. Lee Bash, Jazz Educators Journal"A milestone among publications dedicated to jazz." --Francesco Martinelli, Musica Jazz (Italy)"Despite the wide range, the focus is clear--the unique American sound of jazz and those giants most closely associated with its creation and production."--Jeff Waggoner, The New York Times Book Review"Probably the most effective historical panorama to date"--Richard Sudhalter, Commentary"Kirchner managed to enlist many of the finest writers in the field to contribute to this volume.... The joy of reading this book comes from the authoritative essays by major writers--Dan Morgenstern, John McDonough, Gunther Schulluer, Mark Tucker, Scott DeVeaux, to mention just a representative handful.... For all serious jazz collections, both general and academic.--Choice"This is an effective single-volume device, leading current listeners to the music while including enough newer scholarship to retain the interest of connoisseurs."--Library Journal"More than a treatise on jazz, this book is a compilation of articles on all phases of the music, contributed by musicians and professional writers who speak for the art firsthand. Highly recommended for everyone interested in jazz."--Benny Carter"No book on jazz has ever attempted the scope of this monumental collection of 60 studies by 59 writers. Commissioned and organized by editor Bill Kirchner into an interlocking mosaic, its 800 pages examine and evaluate every aspect of the origins, ongoing development, and offshoots of jazz--and its myriad personalities--to a degree which makes this the one indispensable publication in the field. The Oxford Companion to Jazz is both a reference workfor the serious scholar and a rewarding book to be dipped into by the casual reader"--George Avakian"This work is an effective single-volume device, leading current listeners to the music while including enough newer scholarship to retain the interest of connoisseurs."--Library Journal"An ambitious panorama of genres, biographies and analyses.... A durable addition to the literature of music...these essays should lead to an irresistible urge to hear more."--Nat Hentoff, Los Angeles Times Book Review"The Oxford Companion to Jazz probes every aspect of the music, from the rhythmic virtuosity of ragtime and stride piano, to the transformation of jazz from music for happy feet to cerebral bebop for the mind.... Like jazz itself, The Oxford Companion to Jazz marries form and imagination."--John Mark Eberhart, The Kansas City Star, Kirchner managed to enlist many of the finest writers in the field tocontribute to this volume.... The joy of reading this book comes from theauthoritative essays by major writers--Dan Morgenstern, John McDonough, GuntherSchulluer, Mark Tucker, Scott DeVeaux, to mention just a representativehandful.... For all serious jazz collections, both general andacademic.--Choice|9780195125108|, "No book on jazz has ever attempted the scope of this monumentalcollection of 60 studies by 59 writers. Commissioned and organized by editorBill Kirchner into an interlocking mosaic, its 800 pages examine and evaluateevery aspect of the origins, ongoing development, and offshoots of jazz--and itsmyriad personalities--to a degree which makes this the one indispensablepublication in the field. The Oxford Companion to Jazz is both a reference workfor the serious scholar and a rewarding book to be dipped into by the casualreader"-George Avakian, Kirchner managed to enlist many of the finest writers in the field to contribute to this volume.... The joy of reading this book comes from the authoritative essays by major writers--Dan Morgenstern, John McDonough, Gunther Schulluer, Mark Tucker, Scott DeVeaux, to mention just arepresentative handful.... For all serious jazz collections, both general and academic.--Choice|9780195125108|, "Despite the wide range, the focus is clear--the unique American sound of jazz and those giants most closely associated with its creation and production."--Jeff Waggoner, The New York Times Book Review "This book contains a collection of some of the very best writing available concerning jazz."--Lee Bash, Jazz Educators Journal "A milestone among publications dedicated to jazz."--Francesco Martinelli, Musica Jazz (Italy) "More than a treatise on jazz, this book is a compilation of articles on all phases of the music, contributed by musicians and professional writers who speak for the art firsthand. Highly recommended for everyone interested in jazz."--the late Benny Carter, "This work is an effective single-volume device, leading current listenersto the music while including enough newer scholarship to retain the interest ofconnoisseurs."--Library Journal
Dewey Edition
21
TitleLeading
The
Dewey Decimal
781.65/09
Synopsis
This is a unique reference book on jazz. It brings together 60 essays that cover every aspect of jazz history: pre-history, New Orleans jazz, swing, bebop, more recent jazz. There are also essays on individual jazz figures from Louis Armstrong to John Coltrane, on jazz instruments and singers, jazz outside the United States, and a range of subjects such as jazz criticism, jazz in literature and film and TV, and jazz dance. Each entry was commissioned for this book., Jazz and its colorful, expansive history resonate in this unique collection of 60 essays specially-commissioned from today's top jazz performers, writers, and scholars. Contributors include such jazz insiders as Bill Crow, Samuel A. Floyd Jr., Ted Gioia, Gene Lees, Dan Morgenstern, Gunther Schuller, Richard M. Sudhalter, and Patricia Willard. Both a reference book and an engaging read, the Companion surveys the evolution of jazz from its roots in Africa and Europe until the present. Along the way, each distinctive style and period is profiled by an expert in the field. Whether your preference is ragtime, the blues, bebop, or fusion, you will find the chief characteristics and memorable performances illuminated here with a thoroughness found in no other single-volume jazz reference. The Oxford Companion to Jazz features individual biographies of the most memorable characters of this relatively young art form. Sidney Bechet, King Oliver, Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, Bessie Smith, Duke Ellington, Coleman Hawkins, Lester Young, Charlie Parker, Miles Davis, Thelonious Monk, Charles Mingus, John Coltrane, and the divas of jazz song--Ella Fitzgerald, Billie Holiday, and Sarah Vaughan--come to life in thoughtful considerations of their influences, often turbulent personal lives, and signature styles. In addition, this book looks at the impact of jazz on American culture-in literature, film, television, and dance-and explores the essential instruments of jazz and their most memorable players. The Oxford Companion to Jazz will provide a quick reference source as well as a dynamic and broad overview for all lovers of jazz, from novices to aficionados., This is a unique jazz reference book that covers jazz with much more range and depth than other jazz histories or reference books. Most of the major critics in jazz today have written articles for the book. The 60 entries cover jazz in all its aspects. Entries include all the historical periods of jazz - from its African and European roots, its progenitors in blues and ragtime, and its major periods and styles: New Orleans, The Swing Era, Bebop, and Modern Jazz. There are separate pieces on the major figures - from Louis Armstrong to John Coltrane - and on singers, pianists, and big bands and jazz composition in each period. Each jazz instrument, from saxophone to drums, has its own history. Separate entries cover jazz around the world: Latin Jazz, Europe, Britain and the Commonwealth, Brazil, Japan, and Africa. The book ranges over such topics as jazz dance, criticism, education, and jazz in literature and films and television.This is both a reading book and a reference book. Each entry is comprehensive in itself - ranging in length from 3,500 to 5,000 words - but it also fits its subject into the larger picture of jazz. Many of these essays represent definitive statements on their subjects. Each entry in the collection was commissioned specifically for the book., Jazz and its colorful, expansive history resonate in this unique collection of 60 essays specially-commissioned from today's top jazz performers, writers, and scholars, including Bill Crow, Gerald Early, Samuel A. Floyd Jr., Ted Gioia, Gene Lees, Max Morath, Dan Morgenstern, Gunther Schuller, Richard M. Sudhalter, and Patricia Willard. Both a reference book and an engaging read, this Companion surveys the evolution of jazz from its roots in Africa and Europe to today. Along the way, each distinctive style and period is profiled by an expert in the field. Whether your preference is ragtime, the blues, bebop, or fusion, you will find the chief characteristics and memorable performances illuminated here with a thoroughness found in no other single-volume jazz reference. The Oxford Companion to Jazz features individual biographies of the most memorable characters of this relatively young art form. Sidney Bechet, King Oliver, Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, Bessie Smith, Duke Ellington, Coleman Hawkins, Lester Young, Charlie Parker, Miles Davis, Thelonious Monk, Charles Mingus, John Coltrane, and the divas of jazz song--Ella Fitzgerald, Billie Holiday, and Sarah Vaughan--come to life in thoughtful considerations of their influences, often turbulent personal lives, and signature styles. In addition, this book looks at the impact of jazz on American culture--literature, film, television, and dance--and explores the essential instruments of jazz and their most memorable players. Looking beyond the U.S., the commissioned jazz authorities also consider its profound interaction with the music of Brazil, Latin America, Europe, Japan, Africa, and Canada and Australia. Authoritative and concise, The Oxford Companion to Jazz provides a quick reference source as well as a dynamic and broad overview for all lovers of jazz, from novices to aficionados.
LC Classification Number
ML3507.O94 2000

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