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Product Identifiers
PublisherParkett Verlag A&G
ISBN-103907582136
ISBN-139783907582138
eBay Product ID (ePID)2008658
Product Key Features
Book TitleParkett No. 63 Tracey Emin, William Kentridge, Gregor Schneider : Collaborations
Number of Pages300 Pages
LanguageEnglish
Publication Year2002
TopicCriticism & Theory, General
IllustratorYes
GenreArt
AuthorWilliam Kentridge
FormatTrade Paperback
Dimensions
Item Height0.7 in
Item Weight31.6 Oz
Item Length10.1 in
Item Width8.2 in
Additional Product Features
Intended AudienceTrade
Number of Volumes1 vol.
Volume NumberNo. 63
SynopsisPresenting unique and in-depth collaborations and editions with leading contemporary artists, Parkett has been the foremost international journal on contemporary art for nearly two decades. Issue #63 features collaborations with Tracey Emin (Great Britain), William Kentridge (South Africa), and Gregor Schneider (Germany), three artists whose highly personal works affect viewers in an evocative manner, yet through strikingly different means. Emin bares her soul from the inside out, in her confessional multimedia photographs, drawings, videos, and installations. Kentridge's highly-charged films, drawings, sculptures, and theatrical productions analyze the history of his native South Africa and the implications and legacy of apartheid. And finally, Schneider's inside-out abodes turn the seemingly cozy and reassuring context of home into a haunting maze of opened and closed rooms, claustrophobic corridors and tunnels, and impenetrable windows and doors. Each of these artists draws us into their private worlds, diminishing the boundaries between artist and audience., Presenting unique and in-depth collaborations and editions with leading contemporary artists, Parkett has been the foremost international journal on contemporary art for nearly two decades. Issue No. 63 features collaborations with Tracey Emin, William Kentridge and Gregor Schneider, three artists whose highly personal works affect viewers in an evocative manner, yet through strikingly different means. Emin bares her soul from the inside out, in her confessional multimedia photographs, drawings, videos and installations. Kentridge's highly-charged films, drawings, sculptures and theatrical productions analyze the history of his native South Africa and the implications and legacy of apartheid. And finally, Schneider's inside-out abodes turn the seemingly cozy and reassuring context of "home" into a haunting maze of opened and closed rooms, claustrophobic corridors and tunnels, and impenetrable windows and doors. Each of these artists draws us into their private worlds, diminishing the boundaries between artist and audience.
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