Sinn machen durch Musik: Wahrnehmungen des Heiligen beim Festival Musica Sacr...-

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Making Sense Through Music: Perceptions of the Sacred at Festival Musica Sacr...
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ISBN
9783110558241
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Product Identifiers

Publisher
DE Gruyter Gmbh, Walter
ISBN-10
3110558246
ISBN-13
9783110558241
eBay Product ID (ePID)
22038670426

Product Key Features

Number of Pages
289 Pages
Language
English
Publication Name
Resonating Sacralities : Dynamics between Religion and the Arts in Postsecular Netherlands
Publication Year
2022
Subject
General, Sociology of Religion
Type
Textbook
Subject Area
Art, Religion, Social Science
Author
Lieke Wijnia
Series
Religion and Society Ser.
Format
Hardcover

Dimensions

Item Weight
19.2 Oz
Item Length
9.1 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2021-947451
Dewey Edition
23
Grade From
College Graduate Student
Series Volume Number
80
Illustrated
Yes
Dewey Decimal
201/.6709492
Grade To
College Graduate Student
Synopsis
In modernity, music has received an almost religious status while liturgical music has been increasingly regarded as art. This study of the unique Dutch festival Musica Sacra Maastricht demonstrates how this dual development leads to new frameworks for meaning-making. These frameworks provide traditional religions relevance in secularized contexts and emphasize the ritual qualities of music. Many visitors value the festival's focus on the sacred, which it maintains in a program of both religious and non-religious music, from Gregorian chant to art music. The framework of sacrality transgresses the strongly-embedded boundary between the religious and the secular, displaying the multiplicity of contemporary sense-making practices. The ethnographic data of this study is situated in a discussion of the sacred's theoretical potential. It draws attention to the values people attribute to music, whether or not it is religious. This study argues for a broad approach to the attribution of non-negotiable value. Such attribution results from experiences that connect everyday life with the non-ordinary reality of musical performance, evoking memories, feelings of recognition and homecoming, or the opposite feelings of discovery of the unknown., The series Religion and Society (RS) contributes to the exploration of religions as social systems- both in Western and non-Western societies; in particular, it examines religions in their differentiation from, and intersection with, other cultural systems, such as art, economy, law and politics. Due attention is given to paradigmatic case or comparative studies that exhibit a clear theoretical orientation with the empirical and historical data of religion and such aspects of religion as ritual, the religious imagination, constructions of tradition, iconography, or media. In addition, the formation of religious communities, their construction of identity, and their relation to society and the wider public are key issues of this series., In The Netherlands, the arts have gained a sacralized status, while religion is increasingly viewed through the lens of heritage. The dynamic resonance of sacred forms this results in, is exemplary for the postsecular. Exploring this resonance, this book offers a strong counterweight to the popular trope of the arts having replaced religion in secularized societies. Instead it approaches artistic performance, religion, and its heritage as mutually engaging sacred forms. Lieke Wijnia thoroughly connects theoretical perspectives on the sacred with ethnographic research at the annual festival Musica Sacra Maastricht. She explores the continued relevance of a broad conceptual approach to the sacred, as well as the practical side to negotiating the sacred at the festival. The resulting analyses shed new light on topics like musical performance as generator of the sacred, how art and heritage impact the continuity of religion in secularized societies, and the fragility of artistic performance in the contemporary fragmented framework of the sacred. This book offers an innovative and interdisciplinary interpretation of the continuing significant role of art and religion in postsecular societies.
LC Classification Number
N72.R4

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