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Warum Rot nicht wie eine Glocke klingt: Das Gefühl des Bewusstseins verstehen...-
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Standort: Edgecomb, Maine, USA
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eBay-Artikelnr.:286850308629
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780199775224
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199775222
ISBN-13
9780199775224
eBay Product ID (ePID)
102853426
Product Key Features
Number of Pages
224 Pages
Language
English
Publication Name
Whyred Doesn't Sound like a Bell : Understanding the Feel of Consciousness
Subject
Mind & Body, General, Cognitive Psychology & Cognition, Ophthalmology, Testing & Measurement
Publication Year
2011
Type
Textbook
Subject Area
Philosophy, Education, Psychology, Medical
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
14.1 Oz
Item Length
6.3 in
Item Width
9.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2010-042381
Reviews
For readers of Perception, O'Regan's Why Red Doesn't Sound Like a Bell provides for a well-argued criticism of and a strong alternative to deterministic perspectives on perception and its role in consciousness.
Dewey Edition
22
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
612.8/2
Table Of Content
Part 1: The Feel of Seeing1. The catastrophe of the eye2. A new view of seeing3. Applying the new view of seeing4. The illusion of seeing everything5. Some contentious pointsPart 2: The Feel of Consciousness6. Towards consciousness7. Types of consciousness8. Phenomenal consciousness, raw feel, and why they're hard9. Squeeze a sponge, drive a Porsche: a sensorimotor account of feel10. Consciously experiencing a feel11. The sensorimotor approach to color12. Sensory substitution13. The localization of touch14. The phenomenality plot15. Consciousness
Synopsis
This book proposes a novel view to explain how we as humans - contrary to current robots - can have the impression of consciously feeling things: for example the red of a sunset, the smell of a rose, the sound of a symphony, or a pain.The book starts off by looking at visual perception. Our ability to see turns out to be much more mysterious than one might think. The eye contains many defects which should seriously interfere with vision. Yet we have the impression of seeing the world in glorious panavision and technicolor. Explaining how this can be the case leads to a new idea about what seeing really is. Seeing is not passively receiving information in the brain, but rather a way of interacting with the world. The role of the brain is not to create visual sensation, but to enable the necessary interactions with the world.This new approach to seeing is extended in the second part of the book to encompass the other senses: hearing, touch, taste and smell. Taking sensory experiences to be modes of interacting with the world explains why these experiences are different in the way they are. It also explains why thoughts or automatic functions in the body, and indeed the vast majority brain functions, are not accompanied by any real feeling.The "sensorimotor" approach is not simply a philosophical argument: It leads to scientifically verifiable predictions and new research directions. Among these are the phenomena of change blindness, sensory substitution, "looked but failed to see", as well as results on color naming and color perception and the localisation of touch on the body. The approach is relevant to the question of what animals and babies can feel, and to understanding what will be necessary for robots to become conscious., This book proposes a novel view to explain how we as humans -- contrary to current robots -- can have the impression of consciously feeling things: for example the red of a sunset, the smell of a rose, the sound of a symphony, or a pain.The book starts off by looking at visual perception. Our ability to see turns out to be much more mysterious than one might think. The eye contains many defects which should seriously interfere with vision. Yet we have the impression of seeing the world in glorious panavision and technicolor. Explaining how this can be the case leads to a new idea about what seeing really is. Seeing is not passively receiving information in the brain, but rather a way of interacting with the world. The role of the brain is not to create visual sensation, but to enable the necessary interactions with the world.This new approach to seeing is extended in the second part of the book to encompass the other senses: hearing, touch, taste and smell. Taking sensory experiences to be modes of interacting with the world explains why these experiences are different in the way they are. It also explains why thoughts or automatic functions in the body, and indeed the vast majority brain functions, are not accompanied by any real feeling.The "sensorimotor" approach is not simply a philosophical argument: It leads to scientifically verifiable predictions and new research directions. Among these are the phenomena of change blindness, sensory substitution, "looked but failed to see", as well as results on color naming and color perception and the localisation of touch on the body. The approach is relevant to the question of what animals and babies can feel, and to understanding what will be necessary for robots to become conscious., The book starts by analyzing the problem of how we can see so well despite what, to an engineer, might seem like horrendous defects of our eyes. An explanation is provided by a new way of thinking about seeing, the "sensorimotor" approach. In the second part of the book the sensorimotor approach is extended to all sensory experience. It is used to elucidate an outstanding mystery of consciousness, namely why, unlike today's robots, humans actually can feel things. The approach makes predictions and opens research avenues, among them the phenomena of change blindness, sensory substitution, and "looked but failed to see", as well as results on color naming and color perception and the localisation of touch on the body., This book proposes a novel view to explain how we as humans -- contrary to current robots -- can have the impression of consciously feeling things: for example the red of a sunset, the smell of a rose, the sound of a symphony, or a pain. The book starts off by looking at visual perception. Our ability to see turns out to be much more mysterious than one might think. The eye contains many defects which should seriously interfere with vision. Yet we have the impression of seeing the world in glorious panavision and technicolor. Explaining how this can be the case leads to a new idea about what seeing really is. Seeing is not passively receiving information in the brain, but rather a way of interacting with the world. The role of the brain is not to create visual sensation, but to enable the necessary interactions with the world. This new approach to seeing is extended in the second part of the book to encompass the other senses: hearing, touch, taste and smell. Taking sensory experiences to be modes of interacting with the world explains why these experiences are different in the way they are. It also explains why thoughts or automatic functions in the body, and indeed the vast majority brain functions, are not accompanied by any real feeling. The "sensorimotor" approach is not simply a philosophical argument: It leads to scientifically verifiable predictions and new research directions. Among these are the phenomena of change blindness, sensory substitution, "looked but failed to see", as well as results on color naming and color perception and the localisation of touch on the body. The approach is relevant to the question of what animals and babies can feel, and to understanding what will be necessary for robots to become conscious.
LC Classification Number
QP411.O74 2011
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