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Zeppos erste Frau: Neue und ausgewählte Gedichte von Gail Mazur: gebraucht-
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eBay-Artikelnr.:286431641752
Artikelmerkmale
- Artikelzustand
- Publication Date
- 2005-11-01
- Pages
- 264
- ISBN
- 9780226514475
Über dieses Produkt
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226514471
ISBN-13
9780226514475
eBay Product ID (ePID)
46578331
Product Key Features
Book Title
Zeppo's First Wife : New and Selected Poems
Number of Pages
264 Pages
Language
English
Topic
General, American / General
Publication Year
2005
Genre
Poetry
Book Series
Phoenix Poets Ser.
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
18.8 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Trade
LCCN
2005-043095
Dewey Edition
22
Reviews
"Audacity and modesty: In Mazur''s work, those apparent opposites reveal their secret kinship: Modesty from its place on the sidelines can see through the conventional sham of the rules, and audacity has the confidence to embrace the plain, ordinary truth. In the face of demons or emptiness, Mazur offers a song...Part of the pleasure in these poems is their simultaneous large scope and measured, deceptively quiet voice.""-Robert Pinsky, "Poet's Choice," Washington Post, We dream of living on poetry's high ground, the giddy air and wide prospect that distance us from the drear of everyday life. Yet the brisk, eloquent, and quirky poems of Gail Mazur's Zeppo's First Wife may prove that there is more oxygen at ground level. Mazur finds a magic in the everyday, the delights and disorders that characterize a postmodern and multi-everything America., "We dream of living on poetry''s high ground, the giddy air and wide prospect that distance us from the drear of everyday life. Yet the brisk, eloquent, and quirky poems of Gail Mazur''sZeppo''s First Wifemay prove that there is more oxygen at ground level. Mazur finds a magic in the everyday, the delights and disorders that characterize a postmodern and multi-everything America."-David Gewanter,Tikkun, "A ''new and selected'' collection of poetry affords the reader many pleasures a single volume of poetry rarely does. Looming large among these is the chance to track the writer's growth as an artist. And, because of the broader canvas, one might get from a "new and selected" group of poems a firmer sense of the writer's preoccupations in theme and subject matter. Probably the greatest pleasure, however, is the chance to pin down what has drawn one to the work time and again. This became apparent to me as I read the nearly three hundred pages of "Zeppo's First Wife "by Gail Mazur, a ''new and selected'' collection that gathers twenty-two new poems and a very generous selection from Ms. Mazur's four previous books. Judging by my marginal notes and underlining, I am invariably taken by the exquisitely crafted endings of her poems. Book by book, year after year, her poems startle and move the reader with their capacity to end on a note that belongs to her and no one else. Gail Mazur, it seems, is a master of poetic closure. . . . I think the endings of Gail Mazur''s poems, no matter how sad, frightened, or perplexed, offer us a luminous quality . . . a quality that marks these new and selected poems from beginning to end."--Fred Marchant, "Provincetown Arts ", "A 'new and selected' collection of poetry affords the reader many pleasures a single volume of poetry rarely does. Looming large among these is the chance to track the writer's growth as an artist. And, because of the broader canvas, one might get from a "new and selected" group of poems a firmer sense of the writer's preoccupations in theme and subject matter. Probably the greatest pleasure, however, is the chance to pin down what has drawn one to the work time and again. This became apparent to me as I read the nearly three hundred pages of Zeppo's First Wife by Gail Mazur, a 'new and selected' collection that gathers twenty-two new poems and a very generous selection from Ms. Mazur's four previous books. Judging by my marginal notes and underlining, I am invariably taken by the exquisitely crafted endings of her poems. Book by book, year after year, her poems startle and move the reader with their capacity to end on a note that belongs to her and no one else. Gail Mazur, it seems, is a master of poetic closure. . . . I think the endings of Gail Mazur's poems, no matter how sad, frightened, or perplexed, offer us a luminous quality . . . a quality that marks these new and selected poems from beginning to end.", Audacity and modesty: In Mazur's work, those apparent opposites reveal their secret kinship: Modesty from its place on the sidelines can see through the conventional sham of the rules, and audacity has the confidence to embrace the plain, ordinary truth. In the face of demons or emptiness, Mazur offers a song...Part of the pleasure in these poems is their simultaneous large scope and measured, deceptively quiet voice.", "Audacity and modesty: In Mazur''s work, those apparent opposites reveal their secret kinship: Modesty from its place on the sidelines can see through the conventional sham of the rules, and audacity has the confidence to embrace the plain, ordinary truth. In the face of demons or emptiness, Mazur offers a song...Part of the pleasure in these poems is their simultaneous large scope and measured, deceptively quiet voice.""-Robert Pinsky, "Poet's Choice,"WashingtonPost , "We dream of living on poetry''s high ground, the giddy air and wide prospect that distance us from the drear of everyday life. Yet the brisk, eloquent, and quirky poems of Gail Mazur''s Zeppo''s First Wife may prove that there is more oxygen at ground level. Mazur finds a magic in the everyday, the delights and disorders that characterize a postmodern and multi-everything America."-David Gewanter, Tikkun, "A ''new and selected'' collection of poetry affords the reader many pleasures a single volume of poetry rarely does. Looming large among these is the chance to track the writer's growth as an artist. And, because of the broader canvas, one might get from a "new and selected" group of poems a firmer sense of the writer's preoccupations in theme and subject matter. Probably the greatest pleasure, however, is the chance to pin down what has drawn one to the work time and again. This became apparent to me as I read the nearly three hundred pages of Zeppo's First Wife by Gail Mazur, a ''new and selected'' collection that gathers twenty-two new poems and a very generous selection from Ms. Mazur's four previous books. Judging by my marginal notes and underlining, I am invariably taken by the exquisitely crafted endings of her poems. Book by book, year after year, her poems startle and move the reader with their capacity to end on a note that belongs to her and no one else. Gail Mazur, it seems, is a master of poetic closure. . . . I think the endings of Gail Mazur''s poems, no matter how sad, frightened, or perplexed, offer us a luminous quality . . . a quality that marks these new and selected poems from beginning to end."-Fred Marchant, Provincetown Arts
Dewey Decimal
811/.54
Table Of Content
Acknowledgments New Poems Enormously Sad Blue Umbrella American Ghazal Acadia At First, They Queenie Dana Street, December The Swamp Trail Now: The Mission Cape Air Cemetery Road Night Visitation September Black Ducks A Small Door To Whoever May Be Concerned: Rudy's Tree To X Seven Sons Waterlilies Zeppo's First Wife They Can't Take That Away From Me (2001) Five Poems Entitled "Questions" Maybe It's Only the Monotony Not Crying Evening I Wish I Want I Need Young Apple Tree, December The Weskit Penumbra Last Night My Dream After Mother Breaks Her Hip They Can't Take That Away from Me Hypnosis At the Ear, Nose, and Throat Clinic Girl in a Library Twenty Lines before Breakfast Wakeful before Tests Shangri-la Two Bedrooms Poems Michelangelo: To Giovanni da Pistoia When the Author Was Painting the Vault of the Sistine Chapel Air Drawing Leah's Dream Then Right Now Keep Going The Beach Low Tide To Begin This Way Every Day Three Provincetown Mornings Insomnia at Daybreak The Common (1995) Two Worlds: A Bridge The Acorn I'm a Stranger Here Myself Mensch in the Morning In Houston Whatever They Want Desire Bedroom at Arles Poem for Christian, My Student May, Home after a Year Away Bluebonnets Fracture Santa Monica The Idea of Florida during a Winter Thaw Snake in the Grass Blue Why You Travel After the Storm, August A Green Watering Can Maternal Ware's Cove Ice Traces Phonic Pennies from Heaven Another Tree Revenant Yahrzeit Family Plot Foliage The Common At Boston Garden, the First Night of War, 1991 Poem Ending with Three Lines of Wordsworth's Lilacs on Brattle Street A Small Plane from Boston to Montpelier From The Pose of Happiness (1986) Mashpee, 1979 Mashpee, 1952 After the Fire Ruins Mashpee Wine Reading Akhmatova Next Door Fallen Angels In the Dark Our Story In the Garment District A Deck of Cards Teeth Being Sick Elementary Education The Horizontal Man Jewelweed Pears Early Winter Anomie Norumbega Park Daylight Hurricane Watch Dog Days, Sweet Everlasting Longfellow Park, August Dutch Tulips Listening to Baseball in the Car Two Months in the Country Graves Afterward To RTSL, 1985 Spring Planting From Nightfire (1978) Baseball
Synopsis
from Enormously Sad . . . Sad, so sad-compared to what? To your earlier more oblivious state? It never was oblivious enough- always those presentiments of sadness prickling the limbic. Now a voice says, Get outside yourself, go walk on the flats. The tide's gone out-- but your little metal detector will detect little metallic coins of enormous sadness in the teeming wet sand, and then, the tide will come back, erasing, cleansing And you, standing there in the salty scouring air- will you still be enormously sad , While the other world, outside your tiny purview, struck by iron, reels? World of intentional iron, pure savage organized iron of the world, it hasn't the time that you have for your puny enormous sadness. Widely acclaimed for expanding the stylistic boundaries of both the narrative and meditative lyric, Gail Mazur's poetry crackles with verbal invention as she confronts the inevitable upheavals of a lived life. Zeppo's First Wife , which includes excerpts from Mazur's four previous books, as well as twenty-two new poems, is epitomized by the worldly longing of the title poem, with its searching poignancy and comic bravura. Mazur's explorations of "this fallen world, this loony world" are deeply moving acts of empathy by a singular moral sensibility--evident from the earliest poem included here, the much-anthologized "Baseball," a stunning bird's-eye view of human foibles and passions. Clear-eyed, full of paradoxical griefs and appetites, her poems brave the most urgent subjects--from the fraught luscious Eden of the ballpark, to the fragility of our closest human ties, to the implications for America in a world where power and war are cataclysmic for the strong as well as the weak., from Enormously Sad . . . Sad, so sad-compared to what? To your earlier more oblivious state? It never was oblivious enough- always those presentiments of sadness prickling the limbic. Now a voice says, Get outside yourself, go walk on the flats. The tide's gone out-- but your little metal detector will detect little metallic coins of enormous sadness in the teeming wet sand, and then, the tide will come back, erasing, cleansing! And you, standing there in the salty scouring air- will you still be enormously sad , While the other world, outside your tiny purview, struck by iron, reels? World of intentional iron, pure savage organized iron of the world, it hasn't the time that you have for your puny enormous sadness. Widely acclaimed for expanding the stylistic boundaries of both the narrative and meditative lyric, Gail Mazur's poetry crackles with verbal invention as she confronts the inevitable upheavals of a lived life. Zeppo's First Wife , which includes excerpts from Mazur's four previous books, as well as twenty-two new poems, is epitomized by the worldly longing of the title poem, with its searching poignancy and comic bravura. Mazur's explorations of "this fallen world, this loony world" are deeply moving acts of empathy by a singular moral sensibility--evident from the earliest poem included here, the much-anthologized "Baseball," a stunning bird's-eye view of human foibles and passions. Clear-eyed, full of paradoxical griefs and appetites, her poems brave the most urgent subjects--from the fraught luscious Eden of the ballpark, to the fragility of our closest human ties, to the implications for America in a world where power and war are cataclysmic for the strong as well as the weak.
LC Classification Number
PS3563.A987Z34 2005
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