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Lynda Barry: Mädchenheit durch den Spiegel von Susan E Kirtley: Neu-
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- Sofort-KaufenLynda Barry: Mädchenheit durch den Spiegel von Susan E Kirtley: Neu
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eBay-Artikelnr.:286225753652
Artikelmerkmale
- Artikelzustand
- Publication Date
- 2012-02-01
- Pages
- 208
- ISBN
- 9781617032349
Über dieses Produkt
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1617032344
ISBN-13
9781617032349
eBay Product ID (ePID)
111283447
Product Key Features
Book Title
Lynda Barry : Girlhood Through the Looking Glass
Number of Pages
208 Pages
Language
English
Topic
Women Authors, Techniques / Cartooning, Subjects & Themes / Women, Criticism & Theory, Artists, Architects, Photographers, Comics & Graphic Novels
Publication Year
2012
Illustrator
Yes
Genre
Literary Criticism, Art, Biography & Autobiography
Book Series
Great Comics Artists Ser.
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
11.7 Oz
Item Length
9.1 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2011-024295
Dewey Edition
23
Reviews
No one renders girlhood or reanimates memory like Lynda Barry. Susan Kirtley's new book makes a thoroughly powerful argument for devoting critical attention to Barry's work, indeed for placing Barry close to the center of our consideration of autobiography, the literature of adolescence, and the graphic novel. As Kirtley so ably demonstrates, there are many sides to Lynda Barry's career, and Lynda Barry: Girlhood through the Looking Glass is the first place where they have been assembled with the critical synthesis they deserve., "No one renders girlhood or reanimates memory like Lynda Barry. Susan Kirtley's new book makes a thoroughly powerful argument for devoting critical attention to Barry's work, indeed for placing Barry close to the center of our consideration of autobiography, the literature of adolescence, and the graphic novel. As Kirtley so ably demonstrates, there are many sides to Lynda Barry's career, and Lynda Barry: Girlhood through the Looking Glass is the first place where they have been assembled with the critical synthesis they deserve." --Isaac Cates, Department of English, University of Vermont, I thought I knew about Lynda Barry, until I read Susan Kirtley's Lynda Barry: Girlhood through the Looking Glass . In each chapter, Kirtley gives us new, provocative interpretations of such diverse Barry texts as the Naked Ladies! Naked Ladies! Naked Ladies! coloring book, The Good Times Are Killing Me play, the novel Cruddy and the graphic novel What It Is . Kirtley's writing--a combination of enviable clarity and the savvy application of narratology, comic art theory, and other ideas--does justice to Barry's kaleidoscopic take on troubled American girlhood. Anyone interested in Barry, female comics creators, or contemporary comics culture should read Kirtley's book., "I thought I knew about Lynda Barry, until I read Susan Kirtley's Lynda Barry: Girlhood through the Looking Glass . In each chapter, Kirtley gives us new, provocative interpretations of such diverse Barry texts as the Naked Ladies! Naked Ladies! Naked Ladies! coloring book, The Good Times Are Killing Me play, the novel Cruddy and the graphic novel What It Is . Kirtley's writing--a combination of enviable clarity and the savvy application of narratology, comic art theory, and other ideas--does justice to Barry's kaleidoscopic take on troubled American girlhood. Anyone interested in Barry, female comics creators, or contemporary comics culture should read Kirtley's book." --Craig Fischer, Department of English, Appalachian State University, I thought I knew about Lynda Barry, until I read Susan Kirtleys Lynda Barry: Girlhood through the Looking Glass . In each chapter, Kirtley gives us new, provocative interpretations of such diverse Barry texts as the Naked Ladies! Naked Ladies! Naked Ladies! coloring book, The Good Times Are Killing Me play, the novel Cruddy and the graphic novel What It Is . Kirtleys writinga combination of enviable clarity and the savvy application of narratology, comic art theory, and other ideasdoes justice to Barrys kaleidoscopic take on troubled American girlhood. Anyone interested in Barry, female comics creators, or contemporary comics culture should read Kirtleys book.Craig Fischer, Department of English, Appalachian State University, Kirtley brings just the right combination of wit, wisdom and creative quirkiness to this important first academic study of the witty, wise and mercurial Lynda Barry. Focusing on Barry's lifelong engagement with the inner lives of girls across various graphic forms--comic strips, illustrated novels, graphic memoirs, and autobiographical workshop texts--Kirtley brilliantly avoids the trap of trying to pin Barry down within either comics or American literary history, instead allowing Barry's career as an 'image-wrangler' to define its own rules and ultimately its own canon., "Kirtley brings just the right combination of wit, wisdom and creative quirkiness to this important first academic study of the witty, wise and mercurial Lynda Barry. Focusing on Barry's lifelong engagement with the inner lives of girls across various graphic forms--comic strips, illustrated novels, graphic memoirs, and autobiographical workshop texts--Kirtley brilliantly avoids the trap of trying to pin Barry down within either comics or American literary history, instead allowing Barry's career as an 'image-wrangler' to define its own rules and ultimately its own canon." --Jared Gardner, author of Projections: Comics and the History of 21st-Century Storytelling, Kirtley brings just the right combination of wit, wisdom and creative quirkiness to this important first academic study of the witty, wise and mercurial Lynda Barry. Focusing on Barrys lifelong engagement with the inner lives of girls across various graphic formscomic strips, illustrated novels, graphic memoirs, and autobiographical workshop textsKirtley brilliantly avoids the trap of trying to pin Barry down within either comics or American literary history, instead allowing Barrys career as an image-wranglerto define its own rules and ultimately its own canon.Jared Gardner, author of Projections: Comics and the History of 21st-Century Storytelling, No one renders girlhood or reanimates memory like Lynda Barry. Susan Kirtleys new book makes a thoroughly powerful argument for devoting critical attention to Barrys work, indeed for placing Barry close to the center of our consideration of autobiography, the literature of adolescence, and the graphic novel. As Kirtley so ably demonstrates, there are many sides to Lynda Barrys career, and Lynda Barry: Girlhood through the Looking Glass is the first place where they have been assembled with the critical synthesis they deserve.Isaac Cates, Department of English, University of Vermont
Dewey Decimal
741.5/973 B
Synopsis
Best known for her long-running comic strip Ernie Pook's Comeek, illustrated fiction (Cruddy, The Good Times Are Killing Me), and graphic novels (One Hundred Demons ), the art of Lynda Barry (b. 1956) has branched out to incorporate plays, paintings, radio commentary, and lectures. With a combination of simple, raw drawings and mature, eloquent text, Barry's oeuvre blurs the boundaries between fiction and memoir, comics and literary fiction, and fantasy and reality. Her recent volumes What It Is (2008) and Picture This (2010) fuse autobiography, teaching guide, sketchbook, and cartooning into coherent visions. In Lynda Barry: Girlhood through the Looking Glass, author Susan E. Kirtley examines the artist's career and contributions to the field of comic art and beyond. The study specifically concentrates on Barry's recurring focus on figures of young girls, in a variety of mediums and genres. Barry follows the image of the girl through several lenses--from text-based novels to the hybrid blending of text and image in comic art, to art shows and coloring books. In tracing Barry's aesthetic and intellectual development, Kirtley reveals Barry's work to be groundbreaking in its understanding of femininity and feminism., Best known for her long-running comic strip Ernie Pook's Comeek , illustrated fiction ( Cruddy, The Good Times Are Killing Me ), and graphic novels ( One! Hundred! Demons! ), the art of Lynda Barry (b. 1956) has branched out to incorporate plays, paintings, radio commentary, and lectures. With a combination of simple, raw drawings and mature, eloquent text, Barry's oeuvre blurs the boundaries between fiction and memoir, comics and literary fiction, and fantasy and reality. Her recent volumes What It Is (2008) and Picture This (2010) fuse autobiography, teaching guide, sketchbook, and cartooning into coherent visions. In Lynda Barry: Girlhood through the Looking Glass , author Susan E. Kirtley examines the artist's career and contributions to the field of comic art and beyond. The study specifically concentrates on Barry's recurring focus on figures of young girls, in a variety of mediums and genres. Barry follows the image of the girl through several lenses?from text-based novels to the hybrid blending of text and image in comic art, to art shows and coloring books. In tracing Barry's aesthetic and intellectual development, Kirtley reveals Barry's work to be groundbreaking in its understanding of femininity and feminism., Best known for her long-running comic strip Ernie Pook's Comeek , illustrated fiction ( Cruddy, The Good Times Are Killing Me ), and graphic novels ( One! Hundred! Demons! ), the art of Lynda Barry (b. 1956) has branched out to incorporate plays, paintings, radio commentary, and lectures. With a combination of simple, raw drawings and mature, eloquent text, Barry's oeuvre blurs the boundaries between fiction and memoir, comics and literary fiction, and fantasy and reality. Her recent volumes What It Is (2008) and Picture This (2010) fuse autobiography, teaching guide, sketchbook, and cartooning into coherent visions. In Lynda Barry: Girlhood through the Looking Glass , author Susan E. Kirtley examines the artist's career and contributions to the field of comic art and beyond. The study specifically concentrates on Barry's recurring focus on figures of young girls, in a variety of mediums and genres. Barry follows the image of the girl through several lenses--from text-based novels to the hybrid blending of text and image in comic art, to art shows and coloring books. In tracing Barry's aesthetic and intellectual development, Kirtley reveals Barry's work to be groundbreaking in its understanding of femininity and feminism., Best known for her long-running comic strip Ernie Pook's Comeek, illustrated fiction (Cruddy, The Good Times Are Killing Me), and graphic novels (One! Hundred! Demons!), the art of Lynda Barry (b. 1956) has branched out to incorporate plays, paintings, radio commentary, and lectures. With a combination of simple, raw drawings and mature, eloquent text, Barry's oeuvre blurs the boundaries between fiction and memoir, comics and literary fiction, and fantasy and reality. Her recent volumes What It Is (2008) and Picture This (2010) fuse autobiography, teaching guide, sketchbook, and cartooning into coherent visions.In Lynda Barry: Girlhood through the Looking Glass, author Susan E. Kirtley examines the artist's career and contributions to the field of comic art and beyond. The study specifically concentrates on Barry's recurring focus on figures of young girls, in a variety of mediums and genres. Barry follows the image of the girl through several lenses--from text-based novels to the hybrid blending of text and image in comic art, to art shows and coloring books. In tracing Barry's aesthetic and intellectual development, Kirtley reveals Barry's work to be groundbreaking in its understanding of femininity and feminism.
LC Classification Number
NX512.B37K57 2012
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AlibrisBooks
98,6% positive Bewertungen•2,0 Mio. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (516.147)
- m***m (2314)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufI’m thrilled with my recent purchase . The website was user-friendly, and the product descriptions were accurate. Customer service was prompt and helpful, answering all my questions. My order arrived quickly, well-packaged, and the product exceeded my expectations in quality. I’m impressed with the attention to detail and the overall experience. I’ll definitely shop here again and highly recommend from this seller to others. Thank you for a fantastic experience!
- a***n (54)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufMistakenly ordered a paperback that I thought was a hardcover, not sellers fault; it was described properly on the listing. Seller still processed a refund the day I went to return the item and let me keep the item anyway. A+++ service. Book arrived quickly in great condition and for a great price. Thank you so much! Amazing seller!
- n***c (97)- Bewertung vom Käufer.Letzte 6 MonateBestätigter Kaufseller was communicative about my shipment, media mail took a while and tracking wasn't updated frequently, but seller communicated to me very quickly on status. the item came new and wrapped as described, though the packaging in it was packed wasn't sturdy and falling apart when it got to me.