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FEMINIST FILM THEORY, A READER, Edited by Sue Thornham, NY University Press 1999
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eBay-Artikelnr.:285729179067
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780814782446
Über dieses Produkt
Product Identifiers
Publisher
New York University Press
ISBN-10
0814782442
ISBN-13
9780814782446
eBay Product ID (ePID)
910746
Product Key Features
Number of Pages
361 Pages
Language
English
Publication Name
Feminist Film Theory : a Reader
Subject
Women's Studies, Film / History & Criticism
Publication Year
1999
Type
Textbook
Subject Area
Performing Arts, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
22.9 Oz
Item Length
9.9 in
Item Width
7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
98-032118
Dewey Edition
21
Reviews
Feminist Film Theory . . .collects many of the most important contributions to feminist debates about film on both sides of the Atlantic into a well-organized anthology . . ., "Writing a succinct but comprehensive ethnographic account of early online Christian communities is a daunting task, but Robert Glenn Howard manages to pull it off with his hefty overview. . .Digital Jesusoffers insight into the ways some Christians have moved away from formal institutionalized religion toward a virtualekklesia,or online worship and fellowship space." -Brittany Shoot, Sojourners Magazine, " Feminist Film Theory . . .collects many of the most important contributions to feminist debates about film on both sides of the Atlantic into a well-organized anthology . . ." - Resources for Feminist Research ,, ( "One of the best current scholarly contributions to be found on the complex, creative, inventive, evocative world of Internet religion. Howard offers new and exciting insights on the power of non-institutional Christian Fundamentalism.…Mandatory reading for any scholar working to understand contemporary vernacular religion, as well as the ever-changing culture of religious communication. It is equally compelling for general readers trying to perceive the direction of Christianity in post9/11 America." )-(-Leonard Primiano),(Cabrini College), "Feminist Film Theory. . .collects many of the most important contributions to feminist debates about film on both sides of the Atlantic into a well-organized anthology . . ." -Resources for Feminist Research, " Feminist Film Theory . . .collects many of the most important contributions to feminist debates about film on both sides of the Atlantic into a well-organized anthology . . ." - Resources for Feminist Research, "Howard does a good job in introducing the overall practices of this brand of online Christianity. He also gives the reader a good sense of the group and many of its key members." -Paul A. Soukup, Communication Research Trends, ( "A forceful and judicious study of the doomsday predilections of Christian Fundamentalist websites. Digital Jesus is uniquely positioned as a long-term analysis that tracks affinities toward intolerance and exclusion while also highlighting online sites that incorporate a more embracive and deliberative set of beliefs." )-(-Lee Quimby),(author of Millennial Seduction: A Skeptic Confronts Apocalyptic Culture ), "Feminist Film Theory ...collects many of the most important contributions to feminist debates about film on both sides of the Atlantic into a well-organized anthology ..." -Resources for Feminist Research
Dewey Decimal
791.4/3/082
Synopsis
Maps the major developments and debates in feminist film theory For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing field-from structuralism and psychoanalysis in the 1970s, to post-colonial theory, queer theory, and postmodernism in the 1990s. Covering a wide range of topics, including oppressive images, "woman" as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field. Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams., For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing field-from structuralism and psychoanalysis in the 1970s, to post-colonial theory, queer theory, and postmodernism in the 1990s. Covering a wide range of topics, including oppressive images, "woman" as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field. Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams., For the last quarter of a century cinema has given expression to feminist debates about culture, represenation and identity. This anthology charts the history of those debates, bringing together significant essays in feminist film theory. The book examines the impact of theoretical developments on this growing field and covers a wide range of topics, including oppressive images, "woman" as "fetishized" object of desire, female spectatorship, and the cinematic pleasures of black women and lesbians., For the last quarter of a century cinema has given expression to feminist debates about culture, representation and identity. This anthology charts the history of those debates, bringing together significant essays in feminist film theory., Feminist Film Theory...collects many of the most important contributions to feminist debates about film on both sides of the Atlantic into a well-organized anthology...--Resources for Feminist ResearchFor the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing field-from structuralism and psychoanalysis in the 1970s, to post-colonial theory, queer theory, and postmodernism in the 1990s.Covering a wide range of topics, including oppressive images, woman as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field.Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams.
LC Classification Number
PN1995.9.W6F465 1999
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