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John Waters: Interviews von John Waters: Gebraucht-
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eBay-Artikelnr.:285114594402
Artikelmerkmale
- Artikelzustand
- Publication Date
- 2011-11-07
- Pages
- 224
- ISBN
- 9781617031816
Über dieses Produkt
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
161703181X
ISBN-13
9781617031816
eBay Product ID (ePID)
26038393244
Product Key Features
Book Title
John Waters-Interviews
Number of Pages
224 Pages
Language
English
Publication Year
2011
Topic
Film / General, Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production, Film / History & Criticism
Genre
Performing Arts, Biography & Autobiography
Book Series
Conversations with Filmmakers Ser.
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
15.7 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2011-015420
Synopsis
The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Buñuel and Salvador Dali's Un Chien Andalou . In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition. Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos . This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films, his star Divine would consistently challenge gender definitions. With Polyester , Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, Hairspray , told the story of Baltimore's televised sock-hop program, The Corny Collins Show , and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town. From Serial Mom and Pecker to Cecil B. Demented , Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world., Interviews with the man responsible for such films as Hairspray , Serial Mom , and Cecil B. Demented, As a film director, artist, and personality, John Waters (b. 1946) has worked at the forefront of American cinema for nearly forty years. Waters began making films in his hometown of Baltimore in 1964. His first shorts such as Hag in a Black Leather Jacket and Mondo Trasho demonstrated an innate talent at capturing the hideous and crude and elevating it to art. His cast of actors, the Dreamlanders, were featured in every subsequent film. The Dreamlanders would include his diva and partner-in-film, Divine, who would go on to star in Waters's most familiar works. Waters broke through to national acclaim with his "trash trio," Pink Flamingos (1972), Female Trouble (1974), and Desperate Living (1977). These films showcased poor taste, obscene cinema, and transformative approaches to politics, gender, and art. The films cemented Waters's status as a cult favorite and continue to play at college campuses and art house theaters to this day. Waters soon entered the mainstream with Polyester, the first movie filmed in a revolutionary new process: smell-o-vision. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, Hairspray (1988) told the story of Baltimore's televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town. Waters would continue to write and direct films that pleased the mainstream but also showcased his unique approach to filmmaking. These would include Cry-Baby, Serial Mom, and Pecker. His recent work, such as A Dirty Shame, has veered toward his earlier obsessions with trash and obscenity. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004 and shown at galleries around the world., The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition.Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films, his star Divine would consistently challenge gender definitions.With Polyester, Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, Hairspray, told the story of Baltimore's televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town.From Serial Mom and Pecker to Cecil B. Demented, Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world.
LC Classification Number
PN1998.3.W38A3 2011
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- 0***g (380)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent purchase. Was able to get all three items from the one seller. Seller was able to bundle all three items together into one package. Items as described and arrived in perfect condition. Good communication around shipping and tracking as items delayed and not able to be delivered by original estimate. Thanks to shipping updates I was able to track the items arriving before the extended delivery time. Thank you for making these items available on EBay.
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