Tee mit Milch von Allen Say-

Ursprünglicher Text
Tea with Milk by Allen Say
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Zuletzt aktualisiert am 23. Nov. 2024 23:33:40 MEZAlle Änderungen ansehenAlle Änderungen ansehen

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Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Binding
Paperback
Product Group
Book
Weight
0 lbs
IsTextBook
No
ISBN
9780547237473
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
HarperCollins
ISBN-10
0547237472
ISBN-13
9780547237473
eBay Product ID (ePID)
71116418

Product Key Features

Book Title
Tea with Milk
Number of Pages
32 Pages
Language
English
Publication Year
2009
Topic
Love & Romance, Family / Parents, Art & Architecture, People & Places / Asia, General
Illustrator
Yes
Genre
Juvenile Fiction
Author
Allen Say
Format
Trade Paperback

Dimensions

Item Height
0.1 in
Item Weight
5.5 Oz
Item Length
10.8 in
Item Width
9.8 in

Additional Product Features

Intended Audience
Juvenile Audience
Dewey Edition
21
Reviews
"Continuing to explore place and home, Say tells the story of his mother, first introduced to readers in TREE OF CRANES. Born in California to Japanese immigrants, Masako is miserable when she moves to Japan with her parents after high school. The illustrations capture Masako's unhappiness and also her eventual contentment as she learns to combine two cultures." Horn Book In describing how his parents met, Say continues to explore the ways that differing cultures can harmonize; raised near San Francisco and known as May everywhere except at home, where she is Masako, the child who will grow up to be Say's mother becomes a misfit when her family moves back to Japan. Rebelling against attempts to force her into the mold of a traditional Japanese woman, she leaves for Osaka, finds work as a department store translator, and meets Joseph, a Chinese businessman who not only speaks English, but prefers tea with milk and sugar, and persuades her that ''home isn't a place or a building that's ready-made or waiting for you, in America or anywhere else.'' Painted with characteristic control and restraint, Say's illustrations, largely portraits, begin with a sepia view of a sullen child in a kimono, gradually take on distinct, subdued color, and end with a formal shot of the smiling young couple in Western dress. A stately cousin to Ina R. Friedman's How My Parents Learned To Eat (1984), also illustrated by Say. Kirkus Reviews, Kindergarten-Grade 6-Continuing the story he started in Grandfather's Journey (Houghton, 1993), Say explores familiar themes of cultural connection and disconnection. He focuses on his mother Masako, or May, as she prefers to be called, who, after graduating from high school in California, unwillingly moves with her parents to their native Japan. She is homesick for her native country and misses American food. She rebels against her parents, who force her to repeat high school so that she can learn "her own language"; the other students tease her for being "gaijin" or a foreigner. Masako leaves home and obtains a job in a department store in Osaka, a city that reminds her of her beloved San Francisco. Her knowledge of English quickly makes her a valued employee and brings her into contact with her future husband, Joseph, a Japanese man who was educated at an English boarding school in Shanghai. They decide that together they can make a life anywhere, and choose to remain in Japan. Say's many fans will be thrilled to have another episode in his family saga, which he relates with customary grace and elegance. The pages are filled with detailed drawings featuring Japanese architecture and clothing, and because of the artist's mastery at drawing figures, the people come to life as authentic and sympathetic characters. This is a thoughtful and poignant book that will appeal to a wide range of readers, particularly our nation's many immigrants who grapple with some of the same challenges as May and Joseph, including feeling at home in a place that is not their own. Ellen Fader, Multnomah County Library, Portland, OR  , Painted with characteristic control and restraint, Say's illustrations, largely portraits, begin with a sepia view of a sullen child in a kimono, gradually take on distinct, subdued color, and end with a formal shot of the smiling young couple in Western dress. A stately cousin to Ina R. Friedman's How My Parents Learned To Eat (1984), also illustrated by Say., * 2000 ALA Notable Book for Children* 1999 SLJ Best books of the Year"[Say's] exquisite, spare portraits convey emotions that lie close to the surface and flow easily from page to reader...Through choice words and scrupulously choreographed paintings, Say's story communicates both the heart's yearning for individuality and freedom and how love and friendship can bridge cultural chasms.", Say's masterfully executed watercolors tell as much of this story about a young woman's challenging transition from America to Japan as his eloquent, economical prose. Raised near San Francisco, Masako (her American friends called her May) is uprooted after high school when her parents return to their Japanese homeland. In addition to repeating high school to learn Japanese, she must learn the arts of a "proper Japanese lady"Aflower arranging, calligraphy and the tea ceremonyAand is expected to marry well. Declaring "I'd rather have a turtle than a husband," the independent-minded Masako heads for the city of Osaka and gets a job in a department store. With his characteristic subtlety, Say sets off his cultural metaphor from the very start, contrasting the green tea Masako has for breakfast in her home, with the "tea with milk and sugar" she drinks at her friends' houses in America. Later, when she meets a young Japanese businessman who also prefers tea with milk and sugar to green tea, readers will know that she's met her match. Say reveals on the final page that the couple are his parents. Whether the subject is food ("no more pancakes or omelets, fried chicken or spaghetti" in Japan) or the deeper issues of ostracism (her fellow students call Masako "gaijin"Aforeigner) and gender expectations, Say provides gentle insights into human nature as well as East-West cultural differences. His exquisite, spare portraits convey emotions that lie close to the surface and flow easily from page to reader: with views of Masako's slumping posture and mask-like face as she dons her first kimono, or alone in the schoolyard, it's easy to sense her dejection. Through choice words and scrupulously choreographed paintings, Say's story communicates both the heart's yearning for individuality and freedom and how love and friendship can bridge cultural chasms. Ages 4-8.  , "Continuing to explore place and home, Say tells the story of his mother, first introduced to readers in TREE OF CRANES. Born in California to Japanese immigrants, Masako is miserable when she moves to Japan with her parents after high school. The illustrations capture Masako's unhappiness and also her eventual contentment as she learns to combine two cultures." Horn Book In describing how his parents met, Say continues to explore the ways that differing cultures can harmonize; raised near San Francisco and known as May everywhere except at home, where she is Masako, the child who will grow up to be Say's mother becomes a misfit when her family moves back to Japan. Rebelling against attempts to force her into the mold of a traditional Japanese woman, she leaves for Osaka, finds work as a department store translator, and meets Joseph, a Chinese businessman who not only speaks English, but prefers tea with milk and sugar, and persuades her that home isn't a place or a building that's ready-made or waiting for you, in America or anywhere else.' Painted with characteristic control and restraint, Say's illustrations, largely portraits, begin with a sepia view of a sullen child in a kimono, gradually take on distinct, subdued color, and end with a formal shot of the smiling young couple in Western dress. A stately cousin to Ina R. Friedman's How My Parents Learned To Eat (1984), also illustrated by Say. Kirkus Reviews, The pages are filled with detailed drawings featuring Japanese architecture and clothing, and because of the artist's mastery at drawing figures, the people come to life as authentic and sympathetic characters. This is a thoughtful and poignant book that will appeal to a wide range of readers, particularly our nation's many immigrants who grapple with some of the same challenges as May and Joseph, including feeling at home in a place that is not their own.
Grade From
Preschool
Dewey Decimal
E
Grade To
Third Grade
Synopsis
At home in San Francisco, May speaks Japanese and the family eats rice and miso soup and drinks green tea. When she visits her friends' homes, she eats fried chicken and spaghetti. May plans someday to go to college and live in an apartment of her own. But when her family moves back to Japan, she soon feels lost and homesick for America. In Japan everyone calls her by her Japanese name, Masako. She has to wear kimonos and sit on the floor. Poor May is sure that she will never feel at home in this country. Eventually May is expected to marry and a matchmaker is hired. Outraged at the thought, May sets out to find her own way in the big city of Osaka. With elegant watercolors reminiscent of Grandfather's Journey , Allen Say has created a moving tribute to his parents and their path to discovering where home really is. The accompanying story of his mother and her journey as a young woman is heartfelt. Tea with Milk vividly portrays and effectively captures the graceful formality of Japan., The author shares the story of his mother's childhood in San Francisco, her problems upon returning to Japan, and how she met his father., With elegant watercolors, Allen Say's beautiful picture book is a moving tribute to his parents and their path to discovering where home really is. At home in San Francisco, May speaks Japanese and the family eats rice and miso soup and drinks green tea. When she visits her friends' homes, she eats fried chicken and spaghetti. May plans someday to go to college and live in an apartment of her own. But when her family moves back to Japan, she soon feels lost and homesick for America. In Japan everyone calls her by her Japanese name, Masako. She has to wear kimonos and sit on the floor. Poor May is sure that she will never feel at home in this country. Eventually May is expected to marry and a matchmaker is hired. Outraged at the thought, May sets out to find her own way in the big city of Osaka. The accompanying story of his mother and her journey as a young woman is heartfelt. Tea with Milk vividly portrays the graceful formality of Japan and captures the struggle between two cultures as May strives to live out her own life. Alongside his Caldecott Medal-winning Grandfather's Journey, in Tea with Milk, master storyteller Allen Say continues to chronicle his family's history between Japan and California.

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