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Adaptation Studies: New Approaches by Christa Albrecht-Crane : New
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eBay-Artikelnr.:284386686905
Artikelmerkmale
- Artikelzustand
- Publication Date
- 2010-07-31
- Pages
- 306
- ISBN
- 9780838642627
Über dieses Produkt
Product Identifiers
Publisher
Fairleigh Dickinson University Press
ISBN-10
0838642624
ISBN-13
9780838642627
eBay Product ID (ePID)
102896749
Product Key Features
Book Title
Adaptation Studies : New Approaches
Number of Pages
306 Pages
Language
English
Topic
Film / Reference, Film / History & Criticism
Publication Year
2010
Illustrator
Yes
Genre
Performing Arts
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
17.8 Oz
Item Length
1.1 in
Item Width
1.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2009-045506
Dewey Edition
22
Reviews
"There are a number of interesting essays in the book; some that take novel approaches.... The contributions seem to make real moves toward a more theoretically muscular approach to the field of [adaptation]." -- Journal of American Studies of Turkey, There are a number of interesting essays in the book; some that take novel approaches.... The contributions seem to make real moves toward a more theoretically muscular approach to the field of [adaptation].
Dewey Decimal
808.2/3071
Synopsis
This collection of essays offers a sustained, theoretically rigorous rethinking of various issues at work in film and other media adaptations. The essays in the volume as a whole explore the reciprocal, intertextual quality of adaptations that permeate the contemporary media experience--from books, to films, to music, to graphic novels. The central argument in this book is that texts in various media always borrow, rework, and adapt each other in complex ways; in addition, the authors in this volume explore the specific forces (social, economic, historical, and authorial) that are at work in particular texts and intertexts. Together, the fourteen essays emphasize that adaptations, in the intersections they create across different media, inhabit a sort of cross-fertilization that is both artistically productive and affirmative of difference. The volume takes as its starting point the assumption that adapters cannot simply "transpose" or transfer one particular text from one medium to another. They must interpret, re-work, and re-imagine the precursor text in order to choose the various meanings and sensations they find most compelling (or most cost-effective); then, they create scenes, characters, plot elements, etc., that match their interpretation. These very relationships are the subject matter this collection seeks to explore. Poststructural theory is an ideal place to begin a rigorous and theoretically sound investigation of adaptation. As adaptation studies adopts a poststructuralist lens and defines this richer notion of intertextuality, some of its key assumptions will change. Adaptation scholars will recognize that all film adaptations are intertextual by definition, mutlivocal by necessity, and adaptive by their nature. This book brings together innovative, original work from fourteen scholars in the fields of adaptation studies, media studies, and critical theory. It includes essays of theoretical concern in adaptation studies as well as essays that engage with specific single and multi-source adaptations (among them, film adaptations of Jane Austen and James Joyce's fiction, Ang Lee's Brokeback Mountain, David Lynch's Lost Highway, and George Romero's Night of the Living Dead). The volume is divided into three interrelated sections: Fidelity, Ethics, and Intertextuality; Literature, Film Adaptations, and Beyond; and Adaptation as Departure. Overall, it promises to help move the study of adaptation from the fringe of critical studies to the more central role it can and should fulfill in the complex contemporary media landscape., This collection of essays offers a sustained, theoretically rigorous rethinking of various issues at work in film and other media adaptations. The essays in the volume as a whole explore the reciprocal, intertextual quality of adaptations that permeate the contemporary media experience--from books, to films, to music, to graphic novels. The central argument in this book is that texts in various media always borrow, rework, and adapt each other in complex ways; in addition, the authors in this volume explore the specific forces (social, economic, historical, and authorial) that are at work in particular texts and intertexts. Together, the fourteen essays emphasize that adaptations, in the intersections they create across different media, inhabit a sort of cross-fertilization that is both artistically productive and affirmative of difference.
LC Classification Number
PN1997.85.A319 2010
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