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Wie man El Pato Pascual liest: Disneys Lateinamerika und Lateinamerikas Disney-

Ursprünglicher Text
How to Read El Pato Pascual: Disney's Latin America and Latin America's Disney
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Zuletzt aktualisiert am 26. Jun. 2025 23:24:45 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
Publication Date
2017-12-21
ISBN
9781911164722

Über dieses Produkt

Product Identifiers

Publisher
Black Dog Publishing The Limited
ISBN-10
1911164724
ISBN-13
9781911164722
eBay Product ID (ePID)
239650016

Product Key Features

Book Title
How to Read El Pato Pascual : Disney's Latin America and Latin America's Disney
Number of Pages
304 Pages
Language
English
Publication Year
2018
Topic
Film / Genres / Animated, Caribbean & Latin American, American / General, American / Hispanic American
Illustrator
Yes
Genre
Art, Performing Arts
Author
Ruben Ortiz-Torres
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
58.6 Oz
Item Length
12.2 in
Item Width
9 in

Additional Product Features

Intended Audience
Trade
LCCN
2018-400788
Dewey Edition
23
Dewey Decimal
791
Table Of Content
Contents list: How to Read El Pato Pascual 1. Foreword: It's a Small World After All...--Priscilla Fraser 2. Introduction--Rubén Ortiz-Torres and Jesse Lerner 3. The Good Neighbor Films of Walt Disney--Darlene Sadlier 4. Of Mice and Men, Women and Ducks--Jesse Lerner 5. Ducks in a Row--Nate Harrison 6. La República y El Reino--Fabian Cereijido 7. The Final Future--Carla Zaccagnini 8. Macho Mouse Remix--Rubén Ortiz-Torres 9. List of Works--including Enrique Chagoya, Minerva Cuevas, Arturo Herrera, Liliana Porter, Agustín Sabella, Daniel Santoro, Mondongo, Carlos Amorales, Dr. Lakra, José Rodolfo Loaiza Ontiveros, and Nadín Opsina, among others. 10. Introduction to "How to Read Donald Duck"--David Kunzle 11. How to Read Donald Duck (reprint)--Ariel Dorfman and Armand Mattelart 12. Conversation with Ariel Dorfman--Rodrigo Dorfman 13. Institutional descriptions and acknowledgements 14. Image credits 15. Colophon
Synopsis
With text in both English and Spanish explores the prevalent presence of the Walt Disney Company within Latin America. , to the 2013 attempt to copyright The Day of the Dead. also features a reprint of How to Read Donald Duck, the essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as being vehicles for American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Carlos Amorales and Arturo Herrera, as well as written contributions from Jesse Lerner and Rubén Ortiz-Torres, amongst others., With text in both English and Spanish Drawing upon the reach of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of the Walt Disney Company within Latin America. Examined through artworks spanning painting, photography, graphic work, drawing, sculpture, and video, as well as folk art, handcrafts and other vernacular objects, the book considers Disney's engagement within Latin America, that extends from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald , to the 2013 attempt to copyright The Day of the Dead. The reach and influence of Disney is also viewed through a series of commissioned essays, with themes including "Disney, Marx and Labor" and "he Politics of Appropriations". How to Read El Pato Pascual also features a reprint of How to Read Donald Duck, the essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as being vehicles for American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Carlos Amorales and Arturo Herrera, as well as written contributions from Jesse Lerner and Rub n Ortiz-Torres, amongst others., Investigating the reception and reuse of the imagery of one of the world's largestproduction companies, this book explores the prevalent presence of Walt Disneyin Latin America. Examined through artworks including painting, photography,graphic work, drawing, sculpture and video, as well as vernacular objects anddocumentary material. In English and Spanish., With text in both English and Spanish Drawing upon the reach of one of the world's largest production companies, How to Read El Pato Pascual explores the prevalent presence of the Walt Disney Company within Latin America. Examined through artworks spanning painting, photography, graphic work, drawing, sculpture, and video, as well as folk art, handcrafts and other vernacular objects, the book considers Disney's engagement within Latin America, that extends from Donald Duck's first featured role, the 1937 Mexican-themed short Don Donald, to the 2013 attempt to copyright The Day of the Dead. The reach and influence of Disney is also viewed through a series of commissioned essays, with themes including "Disney, Marx and Labor" and "he Politics of Appropriations". How to Read El Pato Pascual also features a reprint of How to Read Donald Duck, the essay by Ariel Dorfman and Armand Mattelart that critiques Disney comics from a Marxist point of view as being vehicles for American cultural imperialism. The book includes artistic contributions from artists including Liliana Porter, Carlos Amorales and Arturo Herrera, as well as written contributions from Jesse Lerner and Rubén Ortiz-Torres, amongst others.
LC Classification Number
N6502.5H6 2017

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