Dangerous Citizens : The Greek Left and the Terror of the State N

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Book Title
Dangerous Citizens : The Greek Left and the Terror of the State N
ISBN
9780823229680
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Über dieses Produkt

Product Identifiers

Publisher
Fordham University Press
ISBN-10
0823229688
ISBN-13
9780823229680
eBay Product ID (ePID)
66646764

Product Key Features

Number of Pages
256 Pages
Language
English
Publication Name
Dangerous Citizens : the Greek Left and the Terror of the State
Subject
Political Ideologies / Communism, Post-Communism & Socialism, Europe / Greece (See Also Ancient / Greece), Civil Rights, World / European, Anthropology / Cultural & Social
Publication Year
2009
Type
Textbook
Subject Area
Political Science, Social Science, History
Author
Neni Panourgiâ
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
18.3 Oz
Item Length
9 in
Item Width
5.9 in

Additional Product Features

Edition Number
3
Intended Audience
Scholarly & Professional
LCCN
2009-007059
Reviews
Columbia anthropology professor Neni Panourgia's new project takes the concept of an 'interactive conversation' a step further. The recent online release of Dangerous Citiznes: The Greek Left and the Terror of the State by far exceeds the publication of the book by the same name in being revolutionary. Instead of being your average Kindle e-book or online PDF, the new Website is a freely accessed interactive, multimedia text that exemplifies an exciting but problematic pathway for published scholarship. . . . An anthropological approach to the G reek state's response to the Greek left. Dangerous Citizens is a simultaneous indictment of the liberal nation-state's blithe pretensions and willful self-ignorance; of the political and discursive relegation of modern Greek history to the historical margins of the colonial civilizing mission; and of inhuman simplifications of the past everywhere. In an evocation of Oedipus that owes nothing to crass invocations of continuity with the ancient world, Neni Panourgi writes with the ethical passion of a partial witness who nonetheless claims no special privilege other than that of the common humanity denied by the state to those it repeatedly configures as its enemies. In posing this appealingly controversial challenge to the liberal self-imagination, moreover, Panourgi -- who has honed her distinctive writing idiom into a compelling mix of careful scholarship and stylistic adventurism -- calls anthropology itself to account.Michael Herzfeld, "Intimate, fascinating, and inventively analytic . . . A worthy and brilliant successor to Panourgia's much acclaimed Fragments of Death, Fables of Identity: An Athenian Anthropography." --George E. Marcus, University of California, Irvine, "Dangerous Citizensis a powerful and unforgettable book. It is at once a horrific history of nearly a century of state violence in Greece that few people may be aware of; a profound meditation on the conditions of possibility for both the idea and the reality of concentration camps; and a text that intertwines ethnography, history, and personal memoir to very powerful effect."—Sherry Ortner, University of California, Los Angeles, Columbia anthropology professor Neni Panourgia's new project takes the concept of an 'interactive conversation' a step further. The recent online release of Dangerous Citiznes: The Greek Left and the Terror of the State by far exceeds the publication of the book by the same name in being revolutionary. Instead of being your average Kindle e-book or online PDF, the new Website is a freely accessed interactive, multimedia text that exemplifies an exciting but problematic pathway for published scholarship. . . . An anthropological approach to the G reek state's response to the Greek left. Dangerous Citizens is a simultaneous indictment of the liberal nation-state's blithe pretensions and willful self-ignorance; of the political and discursive relegation of modern Greek history to the historical margins of the colonial civilizing mission; and of inhuman simplifications of the past everywhere. In an evocation of Oedipus that owes nothing to crass invocations of continuity with the ancient world, Neni Panourgi  writes with the ethical passion of a partial witness who nonetheless claims no special privilege other than that of the common humanity denied by the state to those it repeatedly configures as its enemies. In posing this appealingly controversial challenge to the liberal self-imagination, moreover, Panourgi  -- who has honed her distinctive writing idiom into a compelling mix of careful scholarship and stylistic adventurism -- calls anthropology itself to account.Michael Herzfeld, Dangerous Citizens assembles paradoxical evidence of leftist formations in Greece, long waged and suppressed. A multi-scaled history of political suffering, this fascinating text is plain-spoken yet gnomic, with adroit comparative asides to wrap non-specialist readers in drastic episodes artfully unfurled. Neni Panourgia resists sanitized geopolitical generalization; she lodges patently nationalist loci (e.g., war-waging) in radically skewed intimacies of experience. Revisiting fabled scenes of violent encounter and more-than-traumatic memory, this gifted critic offers uncompromising ethnography of manifest dissidence, everyday resilience, and specificities of terror (sometimes unwitting) endlessly difficult to fathom. -----James A. Boon, Princeton University, "Dangerous Citizensis several brilliant books at once: meditation, memoir, ethnography, an intricate political history of Modern Greece. But it has a single subject: what happens to persons who are defined by others as dangerous and yet feel themselves to be powerless, banished to a social margin. Neni Parourgiá's goal is to reconstruct and understand the daily (and nightly) lives of these persons, and to orchestrate their eloquent but all too rarely heard cries."-Michael Wood, Princeton University, Columbia anthropology professor Neni Panourgia's new project takes the concept of an 'interactive conversation' a step further. The recent online release of Dangerous Citiznes: The Greek Left and the Terror of the State by far exceeds the publication of the book by the same name in being revolutionary. Instead of being your average Kindle e-book or online PDF, the new Website is a freely accessed interactive, multimedia text that exemplifies an exciting but problematic pathway for published scholarship.. . . An anthropological approach to the G reek state's response to the Greek left.Dangerous Citizens is a simultaneous indictment of the liberal nation-state's blithe pretensions and willful self-ignorance; of the political and discursive relegation of modern Greek history to the historical margins of the colonial civilizing mission; and of inhuman simplifications of the past everywhere. In an evocation of Oedipus that owes nothing to crass invocations of continuity with the ancient world, Neni Panourgi writes with the ethical passion of a partial witness who nonetheless claims no special privilege other than that of the common humanity denied by the state to those it repeatedly configures as its enemies. In posing this appealingly controversial challenge to the liberal self-imagination, moreover, Panourgi -- who has honed her distinctive writing idiom into a compelling mix of careful scholarship and stylistic adventurism -- calls anthropology itself to account.Michael Herzfeld, A riveting ethnographic account of the experiences of dissidents of the Greek state in the course of the twentieth century. The insights of Panourgia's new book promise to change the way in which anthropologists read and engage with social theory. This book should become compulsory reading for any course in anthropology and European studies. -----Yael Navaro-Yashin, Cambridge University, "Dangerous Citizensis a powerful and unforgettable book. It is at once a horrific history of nearly a century of state violence in Greece that few people may be aware of; a profound meditation on the conditions of possibility for both the idea and the reality of concentration camps; and a text that intertwines ethnography, history, and personal memoir to very powerful effect."--Sherry Ortner, University of California, Los Angeles, Dangerous Citizensis several brilliant books at once: meditation, memoir, ethnography, an intricate political history of Modern Greece. But it has a single subject: what happens to persons who are defined by others as dangerous and yet feel themselves to be powerless, banished to a social margin. Neni Parourgiá's goal is to reconstruct and understand the daily (and nightly) lives of these persons, and to orchestrate their eloquent but all too rarely heard cries.”—Michael Wood, Princeton University, "Intimate, fascinating, and inventively analytic . . . A worthy and brilliant successor to Panourgi 's much acclaimed Fragments of Death, Fables of Identity: An Athenian Anthropography ."--George E. Marcus, University of California, Irvine, A profound anthropological insight into the cultural ethosof the Greek families, deeply divided by brutal political conflict., A most challenging reflection about the presence of the past in society, Panourgia's new book relates the singular story of the Greek Left, bringing out its multiple voices and often conflicting narratives. In this ethnography, based both on the author's past experiences and on extensive fieldwork in Athens, the narrator/anthropologist explores the tension between individual voices and collective representations and boldly confirms -again- that the writing of anthropology can always be an innovative experience. -----Maria Couroucli, Research Fellow CNRS, University of Paris-Ouest-Nanterre, A most challenging reflection about the presence of the past in society,Panourgia's new book relates the singular story of the Greek Left,bringing out its multiple voices and often conflicting narratives. In thisethnography, based both on the author's past experiences and on extensivefieldwork in Athens, the narrator/anthropologist explores the tensionbetween individual voices and collective representations and boldlyconfirms -again- that the writing of anthropology can always be aninnovative experience., "A most challenging reflection about the presence of the past in society, Panourgia's new book relates the singular story of the Greek Left, bringing out its multiple voices and often conflicting narratives. In this ethnography, based both on the author's past experiences and on extensive fieldwork in Athens, the narrator/anthropologist explores the tension between individual voices and collective representations and boldly confirms -again- that the writing of anthropology can always be an innovative experience."-Maria Couroucli, Research Fellow CNRS, University of Paris-Ouest-Nanterre, A riveting ethnographic account of the experiences of dissidents of the Greek state in the course of the twentieth century. The insights of Panourgia's new book promise to change the way in which anthropologists read and engage with social theory. This book should become compulsory reading for any course in anthropology and European studies., "Intimate, fascinating, and inventively analytic . . . A worthy and brilliant successor to Panourgiá's much acclaimedFragments of Death, Fables of Identity: An Athenian Anthropography."--George E. Marcus, University of California, Irvine, "Dangerous Citizensis several brilliant books at once: meditation, memoir, ethnography, an intricate political history of Modern Greece. But it has a single subject: what happens to persons who are defined by others as dangerous and yet feel themselves to be powerless, banished to a social margin. Neni Parourgiá's goal is to reconstruct and understand the daily (and nightly) lives of these persons, and to orchestrate their eloquent but all too rarely heard cries."--Michael Wood, Princeton University, " Dangerous Citizens assembles paradoxical evidence of leftist formations in Greece, long waged and suppressed. A multi-scaled history of political suffering, this fascinating text is plain-spoken yet gnomic, with adroit comparative asides to wrap non-specialist readers in drastic episodes artfully unfurled. Neni Panourgia resists sanitized geopolitical generalization; she lodges patently nationalist loci (e.g., war-waging) in radically skewed intimacies of experience. Revisiting fabled scenes of violent encounter and more-than-traumatic memory, this gifted critic offers uncompromising ethnography of manifest dissidence, everyday resilience, and specificities of terror (sometimes unwitting) endlessly difficult to fathom."--James A. Boon, Princeton University, "A most challenging reflection about the presence of the past in society, Panourgia's new book relates the singular story of the Greek Left, bringing out its multiple voices and often conflicting narratives. In this ethnography, based both on the author's past experiences and on extensive fieldwork in Athens, the narrator/anthropologist explores the tension between individual voices and collective representations and boldly confirms -again- that the writing of anthropology can always be an innovative experience."--Maria Couroucli, Research Fellow CNRS, University of Paris-Ouest-Nanterre, Dangerous Citizens assembles paradoxical evidence of leftist formations in Greece, long waged and suppressed. A multi-scaled history of political suffering, this fascinating text is plain-spoken yet gnomic, with adroit comparative asides to wrap non-specialist readers in drastic episodes artfully unfurled. Neni Panourgia resists sanitized geopolitical generalization; she lodges patently nationalist loci (e.g., war-waging) in radically skewed intimacies of experience. Revisiting fabled scenes of violent encounter and more-than-traumatic memory, this gifted critic offers uncompromising ethnography of manifest dissidence, everyday resilience, and specificities of terror (sometimes unwitting) endlessly difficult to fathom., "A most challenging reflection about the presence of the past in society, Panourgia's new book relates the singular story of the Greek Left, bringing out its multiple voices and often conflicting narratives. In this ethnography, based both on the author's past experiences and on extensive fieldwork in Athens, the narrator/anthropologist explores the tension between individual voices and collective representations and boldly confirms -again- that the writing of anthropology can always be an innovative experience."—Maria Couroucli, Research Fellow CNRS, University of Paris-Ouest-Nanterre, " Dangerous Citizens is a powerful and unforgettable book. It is at once a horrific history of nearly a century of state violence in Greece that few people may be aware of; a profound meditation on the conditions of possibility for both the idea and the reality of concentration camps; and a text that intertwines ethnography, history, and personal memoir to very powerful effect."--Sherry Ortner, University of California, Los Angeles, "Intimate, fascinating, and inventively analytic . . . A worthy and brilliant successor to Panourgiá's much acclaimedFragments of Death, Fables of Identity: An Athenian Anthropography."-George E. Marcus, University of California, Irvine, " Dangerous Citizens is several brilliant books at once: meditation, memoir, ethnography, an intricate political history of Modern Greece. But it has a single subject: what happens to persons who are defined by others as dangerous and yet feel themselves to be powerless, banished to a social margin. Neni Parourgi 's goal is to reconstruct and understand the daily (and nightly) lives of these persons, and to orchestrate their eloquent but all too rarely heard cries."--Michael Wood, Princeton University, Dangerous Citizens is several brilliant books at once: meditation, memoir, ethnography, an intricate political history of Modern Greece. But it has a single subject: what happens to persons who are defined by others as dangerous and yet feel themselves to be powerless, banished to a social margin. Neni Parourgia's goal is to reconstruct and understand the daily (and nightly) lives of these persons, and to orchestrate their eloquent but all too rarely heard cries. -----Michael Wood, Princeton University, "Dangerous Citizensassembles paradoxical evidence of leftist formations in Greece, long waged and suppressed. A multi-scaled history of political suffering, this fascinating text is plain-spoken yet gnomic, with adroit comparative asides to wrap non-specialist readers in drastic episodes artfully unfurled. Neni Panourgia resists sanitized geopolitical generalization; she lodges patently nationalist loci (e.g., war-waging) in radically skewed intimacies of experience. Revisiting fabled scenes of violent encounter and more-than-traumatic memory, this gifted critic offers uncompromising ethnography of manifest dissidence, everyday resilience, and specificities of terror (sometimes unwitting) endlessly difficult to fathom."—James A. Boon, Princeton University, Dangerous Citizens is a simultaneous indictment of the "liberal" nation-state's blithe pretensions and willful self-ignorance; of the political and discursive relegation of modern Greek history to the historical margins of the colonial "civilizing mission"; and of inhuman simplifications of the past everywhere. In an evocation of Oedipus that owes nothing to crass invocations of continuity with the ancient world, Neni Panourgiá writes with the ethical passion of a partial witness who nonetheless claims no special privilege other than that of the common humanity denied by the state to those it repeatedly configures as its enemies. In posing this appealingly controversial challenge to the liberal self-imagination, moreover, Panourgiá -- who has honed her distinctive writing idiom into a compelling mix of careful scholarship and stylistic adventurism -- calls anthropology itself to account. -----Michael Herzfeld, Harvard University, Intimate, fascinating, and inventively analytic . . . A worthy and brilliant successor to Panourgia's much acclaimed Fragments of Death, Fables of Identity: An Athenian Anthropography. -----George E. Marcus, University of California, Irvine, Dangerous Citizens is a powerful and unforgettable book. It is at once a horrific history of nearly a century of state violence in Greece that few people may be aware of; a profound meditation on the conditions of possibility for both the idea and the reality of concentration camps; and a text that intertwines ethnography, history, and personal memoir to very powerful effect. -----Sherry Ortner, University of California, Los Angeles, " Dangerous Citizens is a simultaneous indictment of the 'liberal' nation-state's blithe pretensions and willful self-ignorance; of the political and discursive relegation of modern Greek history to the historical margins of the colonial 'civilizing mission'; and of inhuman simplifications of the past everywhere. In an evocation of Oedipus that owes nothing to crass invocations of continuity with the ancient world, Neni Panourgi writes with the ethical passion of a partial witness who nonetheless claims no special privilege other than that of the common humanity denied by the state to those it repeatedly configures as its enemies. In posing this appealingly controversial challenge to the liberal self-imagination, moreover, Panourgi --who has honed her distinctive writing idiom into a compelling mix of careful scholarship and stylistic adventurism--calls anthropology itself to account."--Michael Herzfeld, Harvard University, "Dangerous Citizensis a powerful and unforgettable book. It is at once a horrific history of nearly a century of state violence in Greece that few people may be aware of; a profound meditation on the conditions of possibility for both the idea and the reality of concentration camps; and a text that intertwines ethnography, history, and personal memoir to very powerful effect."-Sherry Ortner, University of California, Los Angeles, "Dangerous Citizensis a simultaneous indictment of the 'liberal' nation-state's blithe pretensions and willful self-ignorance; of the political and discursive relegation of modern Greek history to the historical margins of the colonial 'civilizing mission'; and of inhuman simplifications of the past everywhere. In an evocation of Oedipus that owes nothing to crass invocations of continuity with the ancient world, Neni Panourgiá writes with the ethical passion of a partial witness who nonetheless claims no special privilege other than that of the common humanity denied by the state to those it repeatedly configures as its enemies. In posing this appealingly controversial challenge to the liberal self-imagination, moreover, Panourgiá—who has honed her distinctive writing idiom into a compelling mix of careful scholarship and stylistic adventurism—calls anthropology itself to account."—Michael Herzfeld, Harvard University, "Intimate, fascinating, and inventively analytic . . . A worthy and brilliant successor to Panourgiá's much acclaimedFragments of Death, Fables of Identity: An Athenian Anthropography."—George E. Marcus, University of California, Irvine
Illustrated
Yes
Synopsis
This book simultaneously tells a story--or rather, stories--and a history. The stories are those of Greek Leftists as paradigmatic figures of abjection, given that between 1929 and 1974 tens of thousands of Greek dissidents were detained and tortured in prisons, places of exile, and concentration camps. They were sometimes held for decades, in subhuman conditions of toil and deprivation. The history is that of how the Greek Left was constituted by the Greek state as a zone of danger. Legislation put in place in the early twentieth century postulated this zone. Once the zone was created, there was always the possibility--which came to be a horrific reality after the Greek Civil War of 1946 to 1949--that the state would populate it with its own citizens. Indeed, the Greek state started to do so in 1929, by identifying ever-increasing numbers of citizens as "Leftists" and persecuting them with means extending from indefinite detention to execution. In a striking departure from conventional treatments, Neni Panourgi places the Civil War in a larger historical context, within ruptures that have marked Greek society for centuries. She begins the story in 1929, when the Greek state set up numerous exile camps on isolated islands in the Greek archipelago. The legal justification for these camps drew upon laws reaching back to 1871--originally directed at controlling "brigands"--that allowed the death penalty for those accused and the banishment of their family members and anyone helping to conceal them. She ends with the 2004 trial of the Revolutionary Organization 17 November. Drawing on years of fieldwork, Panourgi uses ethnographic interviews, archival material, unpublished personal narratives, and memoirs of political prisoners and dissidents to piece together the various microhistories of a generation, stories that reveal how the modern Greek citizen was created as a fraught political subject. Her book does more than give voice to feelings and experiences suppressed for decades. It establishes a history for the notion of indefinite detention that appeared as a legal innovation with the Bush administration. Part of its roots, Panourgi shows, lie in the laboratory that Greece provided for neo-colonialism after the Truman Doctrine and under the Marshall Plan., This book is a riveting, theoretically astute, and eloquently written account of collaboration, betrayal, and endurance. Only an author herself a member of Greek society could hear so well the silences, glimpse so well odd appearances (of, say, a man, carrying Leftist books, who appears at a door without warning, wearing clothes twenty years out of date), and recognize the partiality of stories that reveal the scars left on society by the peremptory roundups and sometimes decades-long detentions whereby more and more Greek citzens were confined in concentration camps following the Greek Civil War.In a striking departure from conventional treatments of the Civil War and its effects, the book begins by placing the conflict within a larger historical context. Its story begins in 1929, when the Greek state set up numerous exile camps in the Greek archipelago. It extends to the 2004 trial of the revolutionary organization 17 November. Drawing on ethnographic interviews, archival material, unpublished personal narratives, and memoirs of political prisoners and dissidents, the book examines the various tortured microhistories that have created the modern Greek citizen as a fraught political subject., This book simultaneously tells a story--or rather, stories--and a history. The stories are those of Greek Leftists as paradigmatic figures of abjection, given that between 1929 and 1974 tens of thousands of Greek dissidents were detained and tortured in prisons, places of exile, and concentration camps. They were sometimes held for decades, in subhuman conditions of toil and deprivation. The history is that of how the Greek Left was constituted by the Greek state as a zone of danger. Legislation put in place in the early twentieth century postulated this zone. Once the zone was created, there was always the possibility--which came to be a horrific reality after the Greek Civil War of 1946 to 1949--that the state would populate it with its own citizens. Indeed, the Greek state started to do so in 1929, by identifying ever-increasing numbers of citizens as "Leftists" and persecuting them with means extending from indefinite detention to execution. In a striking departure from conventional treatments, Neni Panourgiá places the Civil War in a larger historical context, within ruptures that have marked Greek society for centuries. She begins the story in 1929, when the Greek state set up numerous exile camps on isolated islands in the Greek archipelago. The legal justification for these camps drew upon laws reaching back to 1871--originally directed at controlling "brigands"--that allowed the death penalty for those accused and the banishment of their family members and anyone helping to conceal them. She ends with the 2004 trial of the Revolutionary Organization 17 November. Drawing on years of fieldwork, Panourgiá uses ethnographic interviews, archival material, unpublished personal narratives, and memoirs of political prisoners and dissidents to piece together the various microhistories of a generation, stories that reveal how the modern Greek citizen was created as a fraught political subject. Her book does more than give voice to feelings and experiences suppressed for decades. It establishes a history for the notion of indefinite detention that appeared as a legal innovation with the Bush administration. Part of its roots, Panourgiá shows, lie in the laboratory that Greece provided for neo-colonialism after the Truman Doctrine and under the Marshall Plan., WINNER OF THE 2011 VICTOR TURNER PRIZE, Society for Humanistic Anthropology WINNER OF THE 2011 EDMUND KEELEY BOOK PRIZE, Modern Greek Studies Association HONORABLE MENTION IN ARCHEOLOGY & ANTHROPOLOGY, 2009 Prose Awards This book simultaneously tells a story-or rather, stories-and a history. The stories are those of Greek Leftists as paradigmatic figures of abjection, given that between 1929 and 1974 tens of thousands of Greek dissidents were detained and tortured in prisons, places of exile, and concentration camps. They were sometimes held for decades, in subhuman conditions of toil and deprivation.The history is that of how the Greek Left was constituted by the Greek state as a zone of danger. Legislation put in place in the early twentieth century postulated this zone. Once the zone was created, there was always the possibility-which came to be a horrific reality after the Greek Civil War of 1946 to 1949-that the state would populate it with its own citizens. Indeed, the Greek state started to do so in 1929, by identifying ever-increasing numbers of citizens as Leftistsand persecuting them with means extending from indefinite detention to execution. In a striking departure from conventional treatments, Neni Panourgi\~ places the Civil War in a larger historical context, within ruptures that have marked Greek society for centuries. She begins the story in 1929, when the Greek state set up numerous exile camps on isolated islands in the Greek archipelago. The legal justification for these camps drew upon laws reaching back to 1871-originally directed at controlling brigands-that allowed the death penalty for those accused and the banishment of their family members and anyone helping to conceal them. She ends with the 2004 trial of the Revolutionary Organization 17 November.Drawing on years of fieldwork, Panourgi\~ uses ethnographic interviews, archival material, unpublished personal narratives, and memoirs of political prisoners and dissidents to piece together the various microhistories of a generation, stories that reveal how the modern Greek citizen was created as a fraught political subject.Her book does more than give voice to feelings and experiences suppressed for decades. It establishes a history for the notion of indefinite detention that appeared as a legal innovation with the Bush administration. Part of its roots, Panourgi\~ shows, lie in the laboratory that Greece provided for neo-colonialism after the Truman Doctrine and under the Marshall Plan.
LC Classification Number
DF949.P36 2009

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