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The Photograph Graham Clarke
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Standort: Mishawaka, Indiana, USA
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eBay-Artikelnr.:277092175280
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- Special Attributes
- EX-LIBRARY
- Publication Name
- Oxford University Press, Incorporated
- ISBN
- 9780192842008
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0192842005
ISBN-13
9780192842008
eBay Product ID (ePID)
1019419
Product Key Features
Book Title
Photograph
Number of Pages
246 Pages
Language
English
Publication Year
1997
Topic
General, History
Illustrator
Yes
Genre
Photography
Book Series
Oxford History of Art Ser.
Format
Uk-Trade Paper
Dimensions
Item Height
0.6 in
Item Weight
20.8 Oz
Item Length
9.4 in
Item Width
6.6 in
Additional Product Features
Intended Audience
Trade
LCCN
96-047645
Reviews
'An engaging, image-studded survey... Clarke is particularly good at playing two images off against one another to emphasise the cultural assumptions underlying each... Clarke raises fascinating questions about how the portrait seeks to encode social identity. In his representation oflandscape, he deftly covers both the picturesque tradition and its opposite, the scientific orientation that viewed photography as a means of mapping and administering land.'V. Penelope Pelizzon, British Journal for the Philosophy of Science Vol.40 No.2, 'A readable text discusses the way in which we see and interpret photographs.'The Bookseller'Fully and often surprisingly illustrated, carefully annotated and captioned, each combines a historical overview with a nicely opinionated individual approach.'Independent on Sunday'Read this book and you will never look at a photograph in the same way again.'House & Garden'concise yet comprehensive, and wonderful value'The Irish Times (Dublin)'An engaging, image-studded survey... Clarke is particularly good at playing two images off against one another to emphasise the cultural assumptions underlying each... Clarke raises fascinating questions about how the portrait seeks to encode social identity. In his representation of landscape, he deftly covers both the picturesque tradition and its opposite, the scientific orientation that viewed photography as a means of mapping and administeringland.'V. Penelope Pelizzon, British Journal for the Philosophy of Science Vol.40 No.2'Clarke does an admirable job of condensing theoretical debates concerning the reading of images'Yorkshire Post (Leeds)'An important part of the Oxford History of Art series ... It's an enormous subject, but it's tackled in a tremendously accessible manner. A must for anyone interested in taking seriously good pictures.'Swansea South Wales Evening Post'a superb piece of publishing'Rupert Christiansen, Spectator, 'Fully and often surprisingly illustrated, carefully annotated and captioned, each combines a historical overview with a nicely opinionated individual approach.'Independent on Sunday, 'An important part of the Oxford History of Art series ... It's an enormous subject, but it's tackled in a tremendously accessible manner. A must for anyone interested in taking seriously good pictures.'Swansea South Wales Evening Post, 'Clarke does an admirable job of condensing theoretical debates concerning the reading of images'Yorkshire Post (Leeds), "For more than 170 years, photographs have redefined the way people see themselves and the world they inhabit. The story of how this happened is revealed in insightful words, but most of all, marvellous pictures, in The Photograph" Kitchener-Waterloo Record, 'Fully and often surprisingly illustrated, carefully annotated andcaptioned, each combines a historical overview with a nicely opinionatedindividual approach.'Independent on Sunday, 'An engaging, image-studded survey... Clarke is particularly good atplaying two images off against one another to emphasise the cultural assumptionsunderlying each... Clarke raises fascinating questions about how the portraitseeks to encode social identity. In his representation of landscape, he deftlycovers both the picturesque tradition and its opposite, the scientificorientation that viewed photography as a means of mapping and administeringland.'V. Penelope Pelizzon, British Journal for the Philosophy of Science Vol.40No.2, "For more than 170 years, photographs have redefined the way people seethemselves and the world they inhabit. The story of how this happened isrevealed in insightful words, but most of all, marvellous pictures, in ThePhotograph" Kitchener-Waterloo Record
Dewey Edition
21
TitleLeading
The
Dewey Decimal
770
Table Of Content
Introduction Chapter 1: What is a Photograph? Chapter 2: How Do We Read a Photograph? Chapter 3: Photography and the Nineteenth Century Chapter 4: Landscape in Photography Chapter 5: The City in Photography Chapter 6: The Portrait in Photography Chapter 7: The Body in Photography Chapter 8: Documentary Photography Chapter 9: The Photograph as Fine Art Chapter 10: The Photograph Manipulated Chapter 11: The Cabinet of Infinite Curiosities Notes List of Illustrations Bibliographic Essay Timeline Glossary Index
Synopsis
How do we read a photograph? Graham Clarke gives a clear and incisive account of the photograph's historical development from Joseph Nicéphore Niépce's early 'heliograph' to the classic compositions of Cartier-Bresson and Alfred Steiglitz, to the striking post-modern strategies of Robert Mapplethorpe, Cindy Sherman, and Victor Burgin. This book is a ground-breaking examination of the main subject areas - landscape, the city, portraiture, the body, and reportage - with detailed analysis of exemplary images in terms of their cultural and ideological contexts., From the first misty 'heliograph' taken by Joseph Nicephore Niepce in 1826 to the classic compositions of Cartier-Bresson and Alfred Steiglitz, to the striking postmodern strategies of Robert Mapplethorpe, Cindy Sherman and Victor Burgin, the history of photography is a record of dazzling and penetrating images. But photographs are also the most pervasive images of our time, infinite in their capacity to record and make moments significant, granting status to everything they touch. So how do we read a photograph? In a series of brilliant discussions of major themes and genres, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most interesting thinkers on the subject such as Roland Barthes and Susan Sontag. At the heart of the book is his ground-breaking examination of the main subject areas - landscape, the city, portraiture, the body, and reportage - and his detailed analysis of exemplary images in terms of their cultural and ideological contexts., How do we read a photograph? In this rich and fascinating work, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most engaging thinkers on the subject, such as Roland Barthes and Susan Sontag. From the first misty "heliograph" taken by Joseph Nicephore Niepce in 1826 to the classic compositions of Cartier-Bresson and Alfred Steiglitz and the striking postmodern strategies of Robert Mapplethorpe, Clarke provides a groundbreaking examination of photography's main subject areas--landscape, the city, portraiture, the body, and reportage--as well as a detailed analysis of exemplary images in terms of their cultural and ideological contexts. With over 130 illustrations, The Photograph offers a series of discussions of major themes and genres providing an up-to-date introduction to the history of photography and creating a record of the most dazzling, penetrating, and pervasive images of our time.
LC Classification Number
TR15.C566 1997
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- 20. Jul. 2021
A new look at the photograph
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