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Moderne und zeitgenössische Poetik Ser.: Langer Essay über das lange Gedicht : DuPlessis-
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eBay-Artikelnr.:276788826689
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780817360689
Über dieses Produkt
Product Identifiers
Publisher
University of Alabama Press
ISBN-10
0817360689
ISBN-13
9780817360689
eBay Product ID (ePID)
28058375174
Product Key Features
Number of Pages
308 Pages
Language
English
Publication Name
Long Essay on the Long Poem : Modern and Contemporary Poetics and Practices
Publication Year
2023
Subject
Poetry
Type
Textbook
Subject Area
Literary Criticism
Series
Modern and Contemporary Poetics Ser.
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
9.6 Oz
Item Length
8.9 in
Item Width
5.9 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2022-038149
Dewey Edition
23
Reviews
"I know of no other poetics of the long poem that engages such a range of questions and works. This is a must read for anyone working in the twentieth- and twenty-first-century long poem because of its numerous ways of examining its subject. DuPlessis's intuitive and reasoned understanding of just what it means to write a long poem drawn from her own experience of writing her long poem Drafts, as well as her astute reading of the poetry and poetics of an impressive array of poets, makes this book zing." --Jeanne Heuving, author of The Transmutation of Love and Avant-Garde Poetics, "I know of no other poetics of the long poem that engages such a range of questions and works. This is a must read for anyone working in the twentieth- and twenty-first-century long poem because of its numerous ways of examining its subject. DuPlessis's intuitive and reasoned understanding of just what it means to write a long poem drawn from her own experience of writing her long poem Drafts, as well as her astute reading of the poetry and poetics of an impressive array of poets, makes this book zing." --Jeanne Heuving, author of The Transmutation of Love and Avant-Garde Poetics " A Long Essay is a thought-provoking and illuminating exploration of its subject, one that neither this brief review nor a single read can do justice to." --Rupert Loydell, Tears in the Fence "Longing, and agony. I cannot think of better terms to sum up the tensions of the very long poem. DuPlessis does us all a service by making the long poem--that expansive 'site for poetic and social research' (169)--something we might be able to get our heads around at last--so long as we are willing to have the tops of our heads taken off." -- Relentless Messengers, "I know of no other poetics of the long poem that engages such a range of questions and works. This is a must read for anyone working in the twentieth- and twenty-first-century long poem because of its numerous ways of examining its subject. DuPlessis's intuitive and reasoned understanding of just what it means to write a long poem drawn from her own experience of writing her long poem Drafts, as well as her astute reading of the poetry and poetics of an impressive array of poets, makes this book zing." --Jeanne Heuving, author of The Transmutation of Love and Avant-Garde Poetics " A Long Essay is a thought-provoking and illuminating exploration of its subject, one that neither this brief review nor a single read can do justice to." --Rupert Loydell, Tears in the Fence
TitleLeading
A
Dewey Decimal
809.1
Synopsis
A masterful meditation on our most mercurial and abiding of poetic forms--the long poem For decades, Rachel Blau DuPlessis has shown readers how genres, forms, and the literal acts of writing and reception can be understood as sites of struggle. In her own words, "writing is . . . a praxis . . . in which the author disappears into a process, into a community, into discontinuities, and into a desire for discovery." It is cause for celebration, then, that we have another work of warm, incisive, exploratory writing from DuPlessis in A Long Essay on the Long Poem . Long poems, DuPlessis notes, are elusive, particularly in the slippery forms that have emerged in the postmodern mode. She cites both Nathaniel Mackey and Anne Waldman in thinking of the poem as a "box," both in the sense of a vessel that contains and as a machine that processes, an instrument on which language is played. This study's central attention is on the long poem as a sociocultural Book, distinctively envisioned by a range of authors. To reckon with these shifting and evolving forms, DuPlessis works in a polyvalent mode, a hybrid of critical analysis and speculative essay. She divides the long poem and the long poets into three genres: epics, quests, and a composite she terms "assemblages." The poets she surveys include T. S. Eliot, Ezra Pound, H.D., Louis Zukofsky, Gwendolyn Brooks, Charles Olson, Alice Notley, Nathaniel Mackey, Ron Silliman, Robert Duncan, Kamau Brathwaite, and, finally, Mallarmé and Dante. Instead of a traditional lineage, she deliberately seeks intersecting patterns of connection between poems and projects, a nexus rather than a family tree. In doing so she navigates both some challenges of long poems and her own attempt to "essay" them. The result is a fascinating and generous work that defies categorization as anything other than essential., For decades, Rachel Blau DuPlessis has shown readers how genres, forms, and the literal acts of writing and reception can be understood as sites of struggle. In her own words, "writing is … a praxis … in which the author disappears into a process, into a community, into discontinuities, and into a desire for discovery." It is cause for celebration, then, that we have another work of warm, incisive, exploratory writing from DuPlessis in A Long Essay on the Long Poem. Long poems, DuPlessis notes, are elusive, particularly in the slippery forms that have emerged in the postmodern mode. She cites both Nathaniel Mackey and Anne Waldman in thinking of the poem as a "box," both in tire sense of a vessel that contains and as a machine that processes, an instrument on which language is played. This study's central attention is on the long poem as a sociocultural book, distinctively envisioned by a range of authors. To reckon with these shifting and evolving forms, DuPlessis works in a polyvalent mode, a hybrid of critical analysis and speculative essay. She divides the long poem and the long poets into three genres: epics, quests, and a composite she terms "assemblages." Instead of a traditional lineage, she deliberately seeks intersecting patterns of connection between poems and projects, a nexus rather than a family tree. In doing so she navigates both some challenges of long poems and her own attempt to "essay" them. The result is a fascinating and generous work that defies categorization as anything other than essential.
LC Classification Number
PN1136.D87 2023
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