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Online Afterlives: Unsterblichkeit, Erinnerung und Trauer in der digitalen Kultur-

Ursprünglicher Text
Online Afterlives: Immortality, Memory, and Grief in Digital Culture
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Zuletzt aktualisiert am 22. Jul. 2025 13:58:11 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Neuwertig: Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine ...
Artist
Sisto, Davide
ISBN
9780262539395

Über dieses Produkt

Product Identifiers

Publisher
MIT Press
ISBN-10
026253939X
ISBN-13
9780262539395
eBay Product ID (ePID)
14050025748

Product Key Features

Book Title
Online Afterlives : Immortality, Memory, and Grief in Digital Culture
Number of Pages
216 Pages
Language
English
Publication Year
2020
Topic
Death & Dying, Sociology / General
Genre
Social Science
Author
Davide Sisto
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
8.4 Oz
Item Length
7.9 in
Item Width
5.4 in

Additional Product Features

Intended Audience
Trade
LCCN
2019-058436
Reviews
" Online Afterlives offers a vivid philosophical meditation on the ways that digital media are changing people's relationship to mortality. Combining profound theoretical insights with examples from popular culture, Sisto eloquently shows how 'digital ghosts' make it harder to deny death itself." - Tamara Kneese, Assistant Professor of Media Studies, University of San Francisco "Sisto takes the reader on a whirlwind journey through philosophical concepts, fictions, legal cases and digital data service providers that all combine to create the contemporary fascination with death, legacy, and immortality! A must-read for the curious mind." - Stacey Pitsillides, Vice-Chancellor's Senior Research Fellow, School of Design, Northumbria University
Table Of Content
Introduction Digital Immortality Death and Social Networks Digital inheritance and hi-tech funeral rites Afterword Acknowledgements Notes Index
Synopsis
How digital technology-from Facebook tributes to QR codes on headstones-is changing our relationship to death. Facebook is the biggest cemetery in the world, with countless acres of cyberspace occupied by snapshots, videos, thoughts, and memories of people who have shared their last status updates. Modern society usually hides death from sight, as if it were a character flaw and not an ineluctable fact. But on Facebook and elsewhere on the internet, we can't avoid death; digital ghosts-electronic traces of the dead-appear at our click or touch. On the Internet at least, death has once again become a topic for public discourse. In Online Afterlives , Davide Sisto considers how digital technology is changing our relationship to death. Sisto describes the various modes of digital survival after biological death-including Facebook tributes, chatbots programmed to speak in the voice of a dead person, and QR codes on headstones-and discusses their philosophical ramifications. Sisto reports on such phenomena as the Tweet Hereafter, a website that collects people's last tweets; the intimacy of sending a WhatsApp message to someone who has died; and digital cremation, the deactivation of a dead person's account. Because we can mingle with the dead online almost as we mingle with the living, he warns, we may find it difficult to distinguish communication at a distance from communication with the dead. The digital afterlife has restored the communal dimension of death, rescuing both mourners and the mourned from social isolation. A society willing to engage with death and mortality, Sisto argues, is a more balanced and mature society., How digital technology--from Facebook tributes to QR codes on headstones--is changing our relationship to death. Facebook is the biggest cemetery in the world, with countless acres of cyberspace occupied by snapshots, videos, thoughts, and memories of people who have shared their last status updates. Modern society usually hides death from sight, as if it were a character flaw and not an ineluctable fact. But on Facebook and elsewhere on the internet, we can't avoid death; digital ghosts--electronic traces of the dead--appear at our click or touch. On the Internet at least, death has once again become a topic for public discourse. In Online Afterlives , Davide Sisto considers how digital technology is changing our relationship to death. Sisto describes the various modes of digital survival after biological death--including Facebook tributes, chatbots programmed to speak in the voice of a dead person, and QR codes on headstones--and discusses their philosophical ramifications. Sisto reports on such phenomena as the Tweet Hereafter, a website that collects people's last tweets; the intimacy of sending a WhatsApp message to someone who has died; and digital cremation, the deactivation of a dead person's account. Because we can mingle with the dead online almost as we mingle with the living, he warns, we may find it difficult to distinguish communication at a distance from communication with the dead. The digital afterlife has restored the communal dimension of death, rescuing both mourners and the mourned from social isolation. A society willing to engage with death and mortality, Sisto argues, is a more balanced and mature society., "An extended essay exploring how modern digital culture-especially social media-has changed our understanding and experience of death, memory and grieving"--, How digital technology--from Facebook tributes to QR codes on headstones--is changing our relationship to death. Facebook is the biggest cemetery in the world, with countless acres of cyberspace occupied by snapshots, videos, thoughts, and memories of people who have shared their last status updates. Modern society usually hides death from sight, as if it were a character flaw and not an ineluctable fact. But on Facebook and elsewhere on the internet, we can't avoid death; digital ghosts--electronic traces of the dead--appear at our click or touch. On the Internet at least, death has once again become a topic for public discourse. In Online Afterlives, Davide Sisto considers how digital technology is changing our relationship to death.
LC Classification Number
HQ1073.S5413 2020

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