Eating Stone: Imagination and the Loss of the Wild

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Standort: Albuquerque, New Mexico, USA
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eBay-Artikelnr.:267503460661

Artikelmerkmale

Artikelzustand
Neuwertig: Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine ...
ISBN
9780375422164
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Knopf Doubleday Publishing Group
ISBN-10
0375422161
ISBN-13
9780375422164
eBay Product ID (ePID)
44676547

Product Key Features

Book Title
Eating Stone : Imagination and the Loss of the Wild
Number of Pages
352 Pages
Language
English
Topic
Animals / Mammals, Animal & Comparative Psychology, Animals / General
Publication Year
2005
Illustrator
Yes
Genre
Nature, Psychology
Author
Ellen Meloy
Format
Hardcover

Dimensions

Item Height
1.2 in
Item Weight
18.8 Oz
Item Length
8.5 in
Item Width
5.8 in

Additional Product Features

Intended Audience
Trade
LCCN
2004-061210
Dewey Edition
22
Reviews
"Ellen Meloy'sEating Stoneis an incomparable work of power, beauty, wisdom, tenderness, and great humor. This book reminds me of what it is I love about reading great books: time stops, and a deeper understanding, a deeper way of being, inhabits the reader. Ellen is missed deeply, and all the more so when reflected in the beauty of these pages." Rick Bass, author ofCaribou Rising "In nearly every writer's life, one book stands out from the others. While all of the books might be fine, one proclaims the writer's energy and passion, all of her heart and all of her soul.Eating Stoneis that book for Ellen Meloy. It is her prayer, her elegy, her song for mountain sheep and for all of life in this wondrous, breakable world." Nora Gallagher, author ofPracticing Resurrection andThings Seen and Unseen "If you are lucky enough to glimpse the bighorn sheep, invisible and nearly invisible along the ledges and against the rocky hillsides, and if you are watching from a very great distance, you may see her, a lanky wind-whipped woman, moving among the herd, touching flanks, taking notes. And when we have lost the bighorn sheep foreverthrough destruction of habitat and other thievesthey will still reside here, as shimmering holograms in Ellen Meloy's moving story of the Blue Door Band." Jo Ann Beard, author ofThe Boys of My Youth "Through the lens of mountain sheep, Ellen Meloy looked on the earth and saw that it was good. About her fellow humans, she was less pleased, yet compassionate and wry. There's fire in this prose, the energy of a writer in love with language and with our stony, watery planet." Scott Russell Sanders, author ofHunting for Hope "In telling the story of a lost flock of mountain sheep, Meloy leads us through that 'spellbound threshold between humanity and the rest of nature.' There, in the radiance of her patient, enthralling observation, we encounter the mortality of the natural world, that increasingly familiar place where 'deep landscape falls farther and farther away, always at the point of loss.' " Honor Moore, author ofRed Shoes, "Ellen Meloy's Eating Stone is an incomparable work of power, beauty, wisdom, tenderness, and great humor. This book reminds me of what it is I love about reading great books: time stops, and a deeper understanding, a deeper way of being, inhabits the reader. Ellen is missed deeply, and all the more so when reflected in the beauty of these pages." Rick Bass, author of Caribou Rising "In nearly every writer's life, one book stands out from the others. While all of the books might be fine, one proclaims the writer's energy and passion, all of her heart and all of her soul. Eating Stone is that book for Ellen Meloy. It is her prayer, her elegy, her song for mountain sheep and for all of life in this wondrous, breakable world." Nora Gallagher, author of Practicing Resurrection and Things Seen and Unseen "If you are lucky enough to glimpse the bighorn sheep, invisible and nearly invisible along the ledges and against the rocky hillsides, and if you are watching from a very great distance, you may see her, a lanky wind-whipped woman, moving among the herd, touching flanks, taking notes. And when we have lost the bighorn sheep foreverthrough destruction of habitat and other thievesthey will still reside here, as shimmering holograms in Ellen Meloy's moving story of the Blue Door Band." Jo Ann Beard, author of The Boys of My Youth "Through the lens of mountain sheep, Ellen Meloy looked on the earth and saw that it was good. About her fellow humans, she was less pleased, yet compassionate and wry. There's fire in this prose, the energy of a writer in love with language and with our stony, watery planet." Scott Russell Sanders, author of Hunting for Hope "In telling the story of a lost flock of mountain sheep, Meloy leads us through that 'spellbound threshold between humanity and the rest of nature.' There, in the radiance of her patient, enthralling observation, we encounter the mortality of the natural world, that increasingly familiar place where 'deep landscape falls farther and farther away, always at the point of loss.' " Honor Moore, author of Red Shoes, "Ellen Meloy's "Eating Stone" is an incomparable work of power, beauty, wisdom, tenderness, and great humor. This book reminds me of what it is I love about reading great books: time stops, and a deeper understanding, a deeper way of being, inhabits the reader. Ellen is missed deeply, and all the more so when reflected in the beauty of these pages." -Rick Bass, author of "Caribou Rising" "In nearly every writer's life, one book stands out from the others. While all of the books might be fine, one proclaims the writer's energy and passion, all of her heart and all of her soul. "Eating Stone" is that book for Ellen Meloy. It is her prayer, her elegy, her song for mountain sheep and for all of life in this wondrous, breakable world." -Nora Gallagher, author of "Practicing Resurrection " and "Things Seen and Unseen" "If you are lucky enough to glimpse the bighorn sheep, invisible and nearly invisible along the ledges and against the rocky hillsides, and if you are watching from a very great distance, you may see her, a lanky wind-whipped woman, moving among the herd, touching flanks, taking notes. And when we have lost the bighorn sheep forever-through destruction of habitat and other thieves-they will still reside here, as shimmering holograms in Ellen Meloy's moving story of the Blue Door Band." -Jo Ann Beard, author of "The Boys of My Youth" "Through the lens of mountain sheep, Ellen Meloy looked on the earth and saw that it was good. About her fellow humans, she was less pleased, yet compassionate and wry. There's fire in this prose, the energy of a writer in love with language and with our stony, watery planet." -Scott Russell Sanders, author of "Huntingfor Hope" "In telling the story of a lost flock of mountain sheep, Meloy leads us through that 'spellbound threshold between humanity and the rest of nature.' There, in the radiance of her patient, enthralling observation, we encounter the mortality of the natural world, that increasingly familiar place where 'deep landscape falls farther and farther away, always at the point of loss.'" -Honor Moore, author of "Red Shoes"
Dewey Decimal
599.649/7/0979
Synopsis
An inspired reflection on the bond between wild creatures and the human imagination, told as a chronicle of four seasons with a band of rare desert bighorn sheep. Among the steep cliffs of Utah's canyonlands a band of rare desert bighorn sheep simply vanished. Although the word extinct was bandied about, their passing seemed to fit the downward spiral of native wildlife in the Southwest that began in the early twentieth century. Remote, isolated, and elusive, this band slipped through the cracks. The bighorns were gone. Then they came back. We have allowed ourselves few places and scant ways to witness other species in their own world, Ellen Meloy writes, an estrangement that has left us lonely and spiritually hungry. Now, with generous empathy and wry humor, the award-winning author of The Anthropology of Turquoise describes the mystery of the bighorns' self-rescue. In the role of an amiable, nosy neighbor, Meloy matches her seasonal geography to theirs, observing cycles of breeding and birth, predators and death, the exquisite match of animal to place, of blood and bone to a magnificent redrock canyon. On backcountry hikes, downriver floats, and travels to Mexico, the Great Basin, and the Chihuahuan Desert, Meloy roams the rugged habitat of these intriguing and precarious natives. Throughout, we revel with her in the air, light, and dazzling colors of the high desert. Most of all, we come to understand why she finds that watching wild animals intensely is very much like prayer., An inspired reflection on the bond between wild creatures and the human imagination, told as a chronicle of four seasons with a band of rare desert bighorn sheep. Among the steep cliffs of Utah's canyonlands a band of rare desert bighorn sheep simply vanished. Although the word "extinct" was bandied about, their passing seemed to fit the downward spiral of native wildlife in the Southwest that began in the early twentieth century. Remote, isolated, and elusive, this band slipped through the cracks. The bighorns were gone. Then they came back. We have allowed ourselves few places and scant ways to witness other species in their own world, Ellen Meloy writes, an estrangement that has left us lonely and spiritually hungry. Now, with generous empathy and wry humor, the award-winning author of The Anthropology of Turquoise describes the mystery of the bighorns' self-rescue. In the role of an "amiable, nosy neighbor," Meloy matches her seasonal geography to theirs, observing cycles of breeding and birth, predators and death, the exquisite match of animal to place, of blood and bone to a magnificent redrock canyon. On backcountry hikes, downriver floats, and travels to Mexico, the Great Basin, and the Chihuahuan Desert, Meloy roams the rugged habitat of these intriguing and precarious natives. Throughout, we revel with her in the air, light, and dazzling colors of the high desert. Most of all, we come to understand why she finds that watching wild animals intensely is very much like prayer.
LC Classification Number
QL737.U53M44 2005

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