McGrady, Patrick J.

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Unmarked. Factory sealed. Catalog for an exhibition of the same name. Focuses on the printmaking ... Mehr erfahrenÜber den Artikelzustand
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Hinweise des Verkäufers
“Unmarked. Factory sealed. Catalog for an exhibition of the same name. Focuses on the printmaking ...
Topic
Art History
Genre
Art & Culture
Book Title
McGrady, Patrick J.
Country/Region of Manufacture
United States
ISBN
9780911209679
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Palmer Museum of Art
ISBN-10
0911209670
ISBN-13
9780911209679
eBay Product ID (ePID)
69572496

Product Key Features

Number of Pages
40 Pages
Language
English
Publication Name
Manet and Friends
Subject
Individual Artists / General, History / Modern (Late 19th Century to 1945), European
Publication Year
2008
Type
Textbook
Subject Area
Art
Author
Patrick J. Mcgrady
Format
Trade Paperback

Dimensions

Item Height
0.1 in
Item Weight
4 Oz
Item Length
10.9 in
Item Width
8.4 in

Additional Product Features

Intended Audience
Scholarly & Professional
Illustrated
Yes
Synopsis
Manet and Friends accompanies an exhibition of the same name organized by the Palmer Museum of Art in memory of the Manet scholar and Penn State distinguished professor of art history George Mauner, who passed away in 2004. The catalogue focuses on the printmaking milieu of Paris during the 1860s and early 1870s, when Édouard ......, Manet and Friends accompanies an exhibition of the same name organized by the Palmer Museum of Art in memory of the Manet scholar and Penn State distinguished professor of art history George Mauner, who passed away in 2004. The catalogue focuses on the printmaking milieu of Paris during the 1860s and early 1870s, when Édouard Manet produced the majority of his graphic works. Seventeen of Manet's etchings and lithographs are discussed, as are an equal number of prints by several of his colleagues and associates, including Félix Bracquemond, Alphonse Legros, and Marcellin Desboutin. Nancy Locke's feature essay examines Manet's prints in light of the French concept of les moeurs --customs, habits, or manners, but also ethics--about which mid-nineteenth-century writers and artists were deeply concerned. In discussing the confrontational manner in which Manet regularly posed his subjects, Locke speculates on how the viewer might have been expected to respond to such portrayals. The catalogue entries were written by Patrick McGrady., Manet and Friends accompanies an exhibition of the same name organized by the Palmer Museum of Art in memory of the Manet scholar and Penn State distinguished professor of art history George Mauner, who passed away in 2004. The catalogue focuses on the printmaking milieu of Paris during the 1860s and early 1870s, when Édouard Manet produced the majority of his graphic works. Seventeen of Manet's etchings and lithographs are discussed, as are an equal number of prints by several of his colleagues and associates, including Félix Bracquemond, Alphonse Legros, and Marcellin Desboutin. Nancy Locke's feature essay examines Manet's prints in light of the French concept of les moeurs--customs, habits, or manners, but also ethics--about which mid-nineteenth-century writers and artists were deeply concerned. In discussing the confrontational manner in which Manet regularly posed his subjects, Locke speculates on how the viewer might have been expected to respond to such portrayals. The catalogue entries were written by Patrick McGrady., Manet and Friends accompanies an exhibition of the same name organized by the Palmer Museum of Art in memory of the Manet scholar and Penn State distinguished professor of art history George Mauner, who passed away in 2004. The catalogue focuses on the printmaking milieu of Paris during the 1860s and early 1870s, when douard Manet produced the majority of his graphic works. Seventeen of Manet's etchings and lithographs are discussed, as are an equal number of prints by several of his colleagues and associates, including F lix Bracquemond, Alphonse Legros, and Marcellin Desboutin. Nancy Locke's feature essay examines Manet's prints in light of the French concept of les moeurs --customs, habits, or manners, but also ethics--about which mid-nineteenth-century writers and artists were deeply concerned. In discussing the confrontational manner in which Manet regularly posed his subjects, Locke speculates on how the viewer might have been expected to respond to such portrayals. The catalogue entries were written by Patrick McGrady.

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