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ENDGÜLTIGER SCHNITT: KUNSTGELD UND EGO BEI DER HERSTELLUNG DES HIMMELTORS von STEVEN BACH-

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FINAL CUT: ART MONEY AND EGO IN THE MAKING OF HEAVENS GATE By STEVEN BACH
marybeth becker
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Artikelmerkmale

Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
ISBN
9781557043740
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
HarperCollins
ISBN-10
1557043744
ISBN-13
9781557043740
eBay Product ID (ePID)
440790

Product Key Features

Edition
2
Book Title
Final Cut : Art, Money, and Ego in the Making of Heaven's Gate, the Film That Sank United Artists
Number of Pages
432 Pages
Language
English
Topic
Film / Guides & Reviews, Film / Direction & Production, Film / History & Criticism
Publication Year
1999
Genre
Performing Arts
Author
Steven Bach
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
20.7 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
99-034001
Reviews
"The best account of American moviemaking in the age of conglomerate control of the studios." - Pauline Kael,The New Yorker "A landmark book on movies…must reading!" -Kirkus Reviews "A compulsively readable account of adventures in the film trade. An intimate view of what goes on in the corridors of Hollywood power…distinguished by its awesome objectivity." -David Brown, The Zanuck Brown Co. "Buffs will love this one…inside and fascinating looks at Woody Allen, Francis Ford Coppola, Peter Sellers, writer William Goldman, Dino De Laurentiis, Truman Capote, Martin Scorsese, et al." -Newsday "A riveting, witty and essentially heartbreaking chronicle of a catastrophe…" -Peter Bogdanovich, director ofThe Last Picture Show "One of the few indispensable books about Hollywood." -Jack Kroll,Newsweek, "The best account of American moviemaking in the age of conglomerate control of the studios." - Pauline Kael, The New Yorker "A landmark book on movies&must reading!" - Kirkus Reviews "A compulsively readable account of adventures in the film trade. An intimate view of what goes on in the corridors of Hollywood power&distinguished by its awesome objectivity." -David Brown, The Zanuck Brown Co. "Buffs will love this one&inside and fascinating looks at Woody Allen, Francis Ford Coppola, Peter Sellers, writer William Goldman, Dino De Laurentiis, Truman Capote, Martin Scorsese, et al." - Newsday "A riveting, witty and essentially heartbreaking chronicle of a catastrophe&" -Peter Bogdanovich, director of The Last Picture Show "One of the few indispensable books about Hollywood." -Jack Kroll, Newsweek, "The best account of American moviemaking in the age of conglomerate control of the studios." - Pauline Kael, The New Yorker "A landmark book on movies…must reading!" - Kirkus Reviews "A compulsively readable account of adventures in the film trade. An intimate view of what goes on in the corridors of Hollywood power…distinguished by its awesome objectivity." -David Brown, The Zanuck Brown Co. "Buffs will love this one…inside and fascinating looks at Woody Allen, Francis Ford Coppola, Peter Sellers, writer William Goldman, Dino De Laurentiis, Truman Capote, Martin Scorsese, et al." - Newsday "A riveting, witty and essentially heartbreaking chronicle of a catastrophe…" -Peter Bogdanovich, director of The Last Picture Show "One of the few indispensable books about Hollywood." -Jack Kroll, Newsweek
Edition Description
Reprint,Revised edition
Synopsis
Heaven's Gate is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that its title has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the film that brought down one of Hollywood's major studios--United Artists, the company founded in 1919 by Douglas Fairbanks, Mary Pickford, D. W. Griffith, and Charlie Chaplin. Steven Bach was senior vice president and head of worldwide production for United Artists at the time of the filming of Heaven's Gate , and apart from the director and producer, the only person to witness the film's evolution from beginning to end. Combining wit, extraordinary anecdotes, and historical perspective, he has produced a landmark book on Hollywood and its people, and in so doing, tells a story of human absurdity that would have made Chaplin proud., Heaven's Gate is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that its title has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the film that brought down one of Hollywood's major studios--United Artists, the company founded in 1919 by Douglas Fairbanks, Mary Pickford, D. W. Griffith, and Charlie Chaplin. Steven Bach was senior vice president and head of worldwide production for United Artists at the time of the filming of Heaven's Gate, and apart from the director and producer, the only person to witness the film's evolution from beginning to end. Combining wit, extraordinary anecdotes, and historical perspective, he has produced a landmark book on Hollywood and its people, and in so doing, tells a story of human absurdity that would have made Chaplin proud., "What altered Hollywood irrevocably was the notorious 1980 filmHeaven's Gate." -Irwin Winkler,The New York Times(January 14, 1999) Heaven's Gateis probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the '80s-not for its cinematic qualities, but for its effect on Hollywood and the way movies were and were not made for years afterward. For Michael Cimino'sHeaven's Gatedid not merely fail; the film did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists-the company founded in 1919 by Douglas Fairbanks, Mary Pickford, D. W. Griffith, and Charlie Chaplin-for all practical purposes ceased to exist. What happened? Why? How? In answering these questions, combining wit, extraordinary anecdotes, and historical perspective, Steven Bach has produced a landmark book on Hollywood and its people, and in so doing, tells a story of human absurdity that would have made Chaplin proud.
LC Classification Number
PN1997.H4153B3 1999

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