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ÖFFENTLICHE SKULPTUR VON EDINBURGH: VOL. 1 DIE ALTE STADT UND DER SÜDEN EDINBURGH (2018) {E5-

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PUBLIC SCULPTURE OF EDINBURGH: VOL. 1 THE OLD TOWN AND SOUTH EDINBURGH (2018){E5
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Artikelmerkmale

Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Narrative Type
Nonfiction
ISBN
9781786941107

Über dieses Produkt

Product Identifiers

Publisher
Liverpool University Press
ISBN-10
1786941104
ISBN-13
9781786941107
eBay Product ID (ePID)
16038490170

Product Key Features

Book Title
Public Sculpture of Edinburgh : the Old Town and South Edinburgh
Number of Pages
538 Pages
Language
English
Publication Year
2018
Topic
Sculpture & Installation, History / Contemporary (1945-), European
Illustrator
Yes
Genre
Art
Author
Ray Mckenzie
Book Series
Public Sculpture of Britain Ser.
Format
Trade Paperback

Dimensions

Item Height
1 in
Item Weight
12.3 Oz
Item Length
8.5 in
Item Width
9.8 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
' Public Sculpture of Edinburgh is a triumph. It will be impossible to surpass, surely, by whatever measure one may care to adduce. In scholarshipand in meticulous attention to detail (on the one hand) and (on the other) in lively discussion of, or trenchant opinion on, individual works of sculpture or the sculptural programmes which adorn the city's grander buildings and public spaces it could not conceivably be bettered. No more significant work on the fabric of Scotland's capital city has appeared in recent times.' Iain Gordon Brown, Scottish Archives, "The Depth of detail, the lavish use of black and white photographs and the helpful indices and artists' biographies are exemplary... These two handsome volumes will be key reference works for years to come but they are also of great interest to the public." Fiona Pearson, Journal of the Scottish Society for Art History, "The Depth of detail, the lavish use of black and white photographs and the helpful indices and artists' biographies are exemplary... These two handsome volumes will be key reference works for years to come but they are also of great interest to the public." Fiona Pearson, Journal of the Scottish Society for Art History"Public Sculpture of Edinburgh is a triumph. It will be impossible to surpass, surely, by whatever measure one may care to adduce. In scholarship and in meticulous attention to detail (on the one hand) and (on the other) in lively discussion of, or trenchant opinion on, individual works of sculpture or the sculptural programmes which adorn the city's grander buildings and public spaces it could not conceivably be bettered. No more significant work on the fabric of Scotland's capital city has appeared in recent times." Iain Gordon Brown, Scottish Archives "These lovely books are all that anyone could ask for, and more. [...] Overall, Public Sculpture of Edinburgh is a remarkable achievement and a superb testament to the vitality of this great city and its public art." William S. Rodner, SCOTIA: Interdisciplinary Journal of Scottish Studies, "The Depth of detail, the lavish use of black and white photographs and the helpful indices and artists' biographies are exemplary... These two handsome volumes will be key reference works for years to come but they are also of great interest to the public." Fiona Pearson, Journal of the Scottish Society for Art History "Public Sculpture of Edinburgh is a triumph. It will be impossible to surpass, surely, by whatever measure one may care to adduce. In scholarship and in meticulous attention to detail (on the one hand) and (on the other) in lively discussion of, or trenchant opinion on, individual works of sculpture or the sculptural programmes which adorn the city's grander buildings and public spaces it could not conceivably be bettered. No more significant work on the fabric of Scotland's capital city has appeared in recent times." Iain Gordon Brown, Scottish Archives "These lovely books are all that anyone could ask for, and more. [...] Overall, Public Sculpture of Edinburgh is a remarkable achievement and a superb testament to the vitality of this great city and its public art." William S. Rodner, SCOTIA: Interdisciplinary Journal of Scottish Studies, 'The Depth of detail, the lavish use of black and white photographs and the helpful indices and artists' biographies are exemplary... These two handsome volumes will be key reference works for years to come but they are also of great interest to the public.' Fiona Pearson, Journal of the Scottish Society for Art History, "The Depth of detail, the lavish use of black and white photographs and the helpful indices and artists' biographies are exemplary... These two handsome volumes will be key reference works for years to come but they are also of great interest to the public." Fiona Pearson, Journal of the Scottish Society for Art History "Public Sculpture of Edinburgh is a triumph. It will be impossible to surpass, surely, by whatever measure one may care to adduce. In scholarship and in meticulous attention to detail (on the one hand) and (on the other) in lively discussion of, or trenchant opinion on, individual works of sculpture or the sculptural programmes which adorn the city's grander buildings and public spaces it could not conceivably be bettered. No more significant work on the fabric of Scotland's capital city has appeared in recent times." Iain Gordon Brown, Scottish Archives
Series Volume Number
20
Volume Number
Vol. 1
Dewey Decimal
730.94134
Synopsis
This is the first of two volumes documenting the entire spectrum of public sculpture in Edinburgh, including free-standing commemorative monuments, architectural sculptures, and contemporary site-specific interventions, all presented in both their art-historical and social contexts. The focus here is on the historic Old Town, and the suburbs to the south., This is the twentieth volume in the Public Sculpture of Britain series, the ambitious collaboration between Liverpool University Press and the Public Monuments and Sculpture Association that will eventually document the outdoor sculptural heritage of the whole of the UK. Public sculpture is defined in this context as any work of three-dimensional art located in an unregulated public space, typically consisting of free-standing commemorative monuments, architectural carvings and statues attached to buildings, and contemporary site-specific interventions. A subject that was until recently overlooked as a matter of marginal relevance to the history of art, public sculpture has been shown through the Liverpool University Press series to offer a range of important insights into the built environment, enriching our understanding of architecture and city planning, and raising many challenging issues relating to the development of society as a whole. This is nowhere better illustrated than in Edinburgh, where the richness of its history as a capital city, and the dramatic power of its urban topography, have combined to create a uniquely fertile breeding ground for public sculpture of every kind. With the coverage divided between two companion volumes, the study begins appropriately with the historic Old Town, and the various suburbs extending from it to the south.

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