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Sich mit unserer musikalischen Vergangenheit auseinandersetzen: Ein Essay über Mozart und Modernist...-
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“Light shelf-ware, inside pages in excellent condition. Handwritten note on the inside cover.”
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eBay-Artikelnr.:257084925669
Artikelmerkmale
- Artikelzustand
- Neuwertig
- Hinweise des Verkäufers
- “Light shelf-ware, inside pages in excellent condition. Handwritten note on the inside cover.”
- Binding
- Hardcover
- Book Title
- Coming to Terms with Our Musical Past
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9781580469302
Über dieses Produkt
Product Identifiers
Publisher
University of Rochester Medical Press
ISBN-10
1580469302
ISBN-13
9781580469302
eBay Product ID (ePID)
243030586
Product Key Features
Number of Pages
222 Pages
Publication Name
Coming to Terms with Our Musical Past : an Essay on Mozart and Modernist Aesthetics
Language
English
Publication Year
2018
Subject
Philosophy & Social Aspects, Modern / 18th Century, Genres & Styles / Classical, Genres & Styles / Chamber
Type
Textbook
Subject Area
Music, History
Series
Eastman Studies in Music Ser.
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
17.4 Oz
Item Length
10 in
Item Width
5.8 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2018-014791
Reviews
WINNER of the 2019 Marjorie Weston Emerson Award from the Mozart Society of America Exhaustively researched and documented . . . [this book] considers such concepts as intention, ambiguity, mimesis, chance, and necessity -- each with its own chapter -- in the light of modernist concepts, and with a critique as to whether that is adequate to understand Mozart's works, divorced from the magic and genius that many music lovers have long associated with him. A detailed and impressive set of arguments, concluding that the limits of modernist aesthetics are inadequate to understanding "a Mozartean beauty -- where the familiar, the superabundant, and the uncanny meet." AMERICAN RECORD GUIDE
Dewey Edition
23
Series Volume Number
147
Volume Number
Vol. 147
Illustrated
Yes
Dewey Decimal
780.92
Table Of Content
Introduction: Setting the Stage, and Then Exiting ItOn Critique; or, Two Paths through the Art-Critical WorldOn Transcendence; or, Mozart among the Neoplatonists, Present and PastOn IntentionOn BeingOn Chance and NecessityOn AmbiguityOn MimesisOn PleasureOn Concepts and CultureThe Flaws in the FinaleConclusion: An Other Modernism?NotesBibliographyIndex
Synopsis
For over a generation now, many leading performers, critics, and scholars of Mozart's music have taken a rejection of transcendence as axiomatic. This essentially modernist, antiromantic orientation attempts to neutralize the sorts of aesthetic experiences that presuppose an enchantment with Mozart's art, an engagement traditionally articulated by such terms as intention, mimesis, author, and genius. And what is true of much recent Mozart interpretation is often manifest in the interpretation of Western art music more generally. Edmund Goehring's Coming to Terms with Our Musical Past explores what gets lost when the vocabulary of enchantment is abandoned. The book then proceeds to offer an alternative vision of Mozart's works and of the wider canon of Western art music. A modernized poetics, Goehring argues, reduces art to mechanism or process. It sees less because it excludes a necessary and enlarging human presence: the generative, and receiving, "I." This fascinating new book-length essay is addressed to any reader interested in the performing arts, visual arts, and literature and their relationship to the broader culture. Goehring draws on seminal thinkers in art criticism and philosophy to propose that such works as Mozart's radiate an idealism that has human sociability both as its source and its object. Edmund J. Goehring is Professor of Music History at the University of Western Ontario., WINNER: 2019 Marjorie Weston Emerson Award from the Mozart Society of AmericaA bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans., A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans. WINNER: 2019 Marjorie Weston Emerson Award from the Mozart Society of America For over a generation now, many leading performers, critics, and scholars of Mozart's music have taken a rejection of transcendence as axiomatic. This essentially modernist, antiromantic orientation attempts to neutralize the sorts of aesthetic experiences that presuppose an enchantment with Mozart's art, an engagement traditionally articulated by such terms as intention, mimesis, author, and genius. And what is true of much recent Mozart interpretation isoften manifest in the interpretation of Western art music more generally. Edmund Goehring's Coming to Terms with Our Musical Past explores what gets lost when the vocabulary of enchantment is abandoned. The bookthen proceeds to offer an alternative vision of Mozart's works and of the wider canon of Western art music. A modernized poetics, Goehring argues, reduces art to mechanism or process. It sees less because it excludes a necessaryand enlarging human presence: the generative, and receiving, "I." This fascinating new book-length essay is addressed to any reader interested in the performing arts, visual arts, and literature and their relationship to the broader culture. Goehring draws on seminal thinkers in art criticism and philosophy to propose that such works as Mozart's radiate an idealism that has human sociability both as its source and its object. This book is available as an Open Access eBook under the Creative Commons license: CC BY-NC.
LC Classification Number
ML410.M9G648 2018
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