MOMENTAN AUSVERKAUFT
Über dieses Produkt
Product Identifiers
PublisherLars Muller Publishers
ISBN-10303778587X
ISBN-139783037785874
eBay Product ID (ePID)12038544120
Product Key Features
Original LanguageGerman
Book TitleLászló Moholy-Nagy: Painting, Photography, Film : Bauhausbücher 8
Number of Pages134 Pages
LanguageEnglish
TopicHistory / Contemporary (1945-), General, Aesthetics, History, Film & Video
Publication Year2019
IllustratorYes
GenreArt, Philosophy, Photography
AuthorAstrid Bhr
FormatHardcover
Dimensions
Item Height0.5 in
Item Weight16.8 Oz
Item Length9 in
Item Width7.2 in
Additional Product Features
Intended AudienceTrade
Synopsis"It is these authentic writings, the Bauhaus' original publications, that illuminate its legacy in the most accurate way."- Daniellaondesign Offered a position at the Weimar Bauhaus in 1923, László Moholy-Nagy (1895-1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the Bauhausbücher series. In addition to designing and editing the Bauhausbücher , Moholy-Nagy produced a title of his own: the legendary Painting, Photography, Film . In this book, Moholy-Nagy's efforts to have photography and filmmaking recognized as art forms on the same level as painting are propounded and explained at length. The artist makes the case for a radical rethinking of the visual arts and the further development of photographic design to keep pace with a radically changing technological modernity. Alongside theoretical and technical approaches and forays into the nature of the medium, Moholy-Nagy uses an extensive appendix of illustrations to provide a thorough survey of the numerous possibilities that photography and film could offer--from press photography and scientific imagery to Moholy-Nagy's own abstract photograms and New Vision photographs. This English translation of Painting, Photography, Film is based in content and design on the 1925 German first edition, making the latter available to an international readership for the first time. The publication includes a brief scholarly text providing crucial contextual information and reflecting on the history and legacy of Moholy-Nagy's book., "It is these authentic writings, the Bauhaus' original publications, that illuminate its legacy in the most accurate way." Daniellaondesign Offered a position at the Weimar Bauhaus in 1923, László Moholy-Nagy (1895 1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the Bauhausbücher series. In addition to designing and editing the Bauhausbücher , Moholy-Nagy produced a title of his own: the legendary Painting, Photography, Film . In this book, Moholy-Nagy s efforts to have photography and filmmaking recognized as art forms on the same level as painting are propounded and explained at length. The artist makes the case for a radical rethinking of the visual arts and the further development of photographic design to keep pace with a radically changing technological modernity. Alongside theoretical and technical approaches and forays into the nature of the medium, Moholy-Nagy uses an extensive appendix of illustrations to provide a thorough survey of the numerous possibilities that photography and film could offer from press photography and scientific imagery to Moholy-Nagy s own abstract photograms and New Vision photographs. This English translation of Painting, Photography, Film is based in content and design on the 1925 German first edition, making the latter available to an international readership for the first time. The publication includes a brief scholarly text providing crucial contextual information and reflecting on the history and legacy of Moholy-Nagy s book., "It is these authentic writings, the Bauhaus' original publications, that illuminate its legacy in the most accurate way."- Daniellaondesign Offered a position at the Weimar Bauhaus in 1923, Lszl Moholy-Nagy (1895-1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the Bauhausbcher series. In addition to designing and editing the Bauhausbcher , Moholy-Nagy produced a title of his own: the legendary Painting, Photography, Film . In this book, Moholy-Nagy's efforts to have photography and filmmaking recognized as art forms on the same level as painting are propounded and explained at length. The artist makes the case for a radical rethinking of the visual arts and the further development of photographic design to keep pace with a radically changing technological modernity. Alongside theoretical and technical approaches and forays into the nature of the medium, Moholy-Nagy uses an extensive appendix of illustrations to provide a thorough survey of the numerous possibilities that photography and film could offer from press photography and scientific imagery to Moholy-Nagy's own abstract photograms and New Vision photographs. This English translation of Painting, Photography, Film is based in content and design on the 1925 German first edition, making the latter available to an international readership for the first time. The publication includes a brief scholarly text providing crucial contextual information and reflecting on the history and legacy of Moholy-Nagy's book., Moholy-Nagy's efforts to have photography and filmmaking recognized as means of artistic design on the same level as painting are propounded and explained at length. The use of artistic instruments is thus radically reformed. The Hungarian artist makes the case for a functional transformation within the visual arts and for the further development of photographic design options.Alongside theoretical and technical approaches as well as detailed forays into the broad field of the medium of photography, Moholy-Nagy uses an extensive appendix of illustrations to provide a thorough survey of the numerous possibilities that photographic and cinematic work had in store as early as 1925.This English edition appears in original design and with separate commentary., Offered a position at the Weimar Bauhaus in 1923, L szl Moholy-Nagy (1895-1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the Bauhausb cher series. In addition to designing and editing the Bauhausb cher , Moholy-Nagy produced a title of his own: the legendary Painting, Photography, Film . In this book, Moholy-Nagy's efforts to have photography and filmmaking recognized as art forms on the same level as painting are propounded and explained at length. The artist makes the case for a radical rethinking of the visual arts and the further development of photographic design to keep pace with a radically changing technological modernity. Alongside theoretical and technical approaches and forays into the nature of the medium, Moholy-Nagy uses an extensive appendix of illustrations to provide a thorough survey of the numerous possibilities that photography and film could offer--from press photography and scientific imagery to Moholy-Nagy's own abstract photograms and New Vision photographs. This English translation of Painting, Photography, Film is based in content and design on the 1925 German first edition, making the latter available to an international readership for the first time. The publication includes a brief scholarly text providing crucial contextual information and reflecting on the history and legacy of Moholy-Nagy's book.
