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Buddha Geist in der zeitgenössischen Kunst-
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eBay-Artikelnr.:256936177094
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “Cover slightly bumped, otherwise as new.”
- ISBN
- 9780520243460
Über dieses Produkt
Product Identifiers
Publisher
University of California Press
ISBN-10
0520243463
ISBN-13
9780520243460
eBay Product ID (ePID)
30793569
Product Key Features
Book Title
Buddha Mind in Contemporary Art
Number of Pages
264 Pages
Language
English
Topic
Buddhism / General (See Also Philosophy / Buddhist), General, American / General, Subjects & Themes / Religious
Publication Year
2004
Illustrator
Yes
Genre
Art, Religion
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
40.1 Oz
Item Length
9.8 in
Item Width
7.6 in
Additional Product Features
Intended Audience
Trade
LCCN
2004-053678
Dewey Edition
22
Dewey Decimal
709/.73/0904
Table Of Content
Contributors: Laurie Anderson, Jacquelynn Baas, Linda Bamber, Stephen Batchelor, Carol Becker, Arthur Danto, Mark Epstein, Mary Jane Jacob, Suzanne Lacy, Kay Larson, Charng Jiunn Lee, Yvonne Rand, Eleanor Rosch, Marcia Tucker Artists interviewed: Marina Abramovic, Sanford Biggers, Ann Hamilton, Kimsooja, Lee Mingwei, Mariko Mori, Ernesto Pujol, Michael Rotondi, Rirkrit Tiravanija, Bill Viola, Zhang Huan
Synopsis
Buddha Mind in Contemporary Art documents the growing presence of Buddhist perspectives in contemporary culture. This shift began in the nineteenth century and is now pervasive in many aspects of everyday experience. In the arts especially, the increasing importance of process over product has promoted a profound change in the relationship between artist and audience. But while artists have been among the most perceptive interpreters of Buddhism in the West, art historians and critics have been slow to develop the intellectual tools to analyze the impact of Buddhist concepts. This timely, multi-faceted volume explores the relationships between Buddhist practice and the contemporary arts in lively essays by writers from a range of disciplines and in revealing interviews with some of the most influential artists of our time. Elucidating the common ground between the creative mind, the perceiving mind, and the meditative mind, the contributors tackle essential questions about the relationship of art and life. Among the writers are curators, art critics, educators, and Buddhist commentators in psychology, literature, and cognitive science. They consider the many Western artists today who recognize the Buddhist notion of emptiness, achieved through focused meditation, as a place of great creative potential for the making and experiencing of art. The artists featured in the interviews, all internationally recognized, include Bill Viola, and Ann Hamilton. Extending earlier twentieth-century aesthetic interests in blurring the boundaries of art and life, the artists view art as a way of life, a daily practice, in ways parallel to that of the Buddhist practitioner. Their works, woven throughout the book, richly convey how Buddhism has been both a source for and a lens through which we now perceive art., "Buddha Mind in Contemporary Art "documents the growing presence of Buddhist perspectives in contemporary culture. This shift began in the nineteenth century and is now pervasive in many aspects of everyday experience. In the arts especially, the increasing importance of process over product has promoted a profound change in the relationship between artist and audience. But while artists have been among the most perceptive interpreters of Buddhism in the West, art historians and critics have been slow to develop the intellectual tools to analyze the impact of Buddhist concepts. This timely, multi-faceted volume explores the relationships between Buddhist practice and the contemporary arts in lively essays by writers from a range of disciplines and in revealing interviews with some of the most influential artists of our time. Elucidating the common ground between the creative mind, the perceiving mind, and the meditative mind, the contributors tackle essential questions about the relationship of art and life. Among the writers are curators, art critics, educators, and Buddhist commentators in psychology, literature, and cognitive science. They consider the many Western artists today who recognize the Buddhist notion of emptiness, achieved through focused meditation, as a place of great creative potential for the making and experiencing of art. The artists featured in the interviews, all internationally recognized, include Bill Viola, and Ann Hamilton. Extending earlier twentieth-century aesthetic interests in blurring the boundaries of art and life, the artists view art as a way of life, a daily practice, in ways parallel to that of the Buddhist practitioner. Their works, woven throughout the book, richly convey how Buddhism has been both a source for and a lens through which we now perceive art.
LC Classification Number
2004053678
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