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Die Münchner Secession: Kunst und Künstler der Jahrhundertwende München-
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Standort: La Crosse, Wisconsin, USA
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eBay-Artikelnr.:255726584148
Artikelmerkmale
- Artikelzustand
- Narrative Type
- Nonfiction
- Subject
- Artists
- ISBN
- 9780691002873
Über dieses Produkt
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691002878
ISBN-13
9780691002873
eBay Product ID (ePID)
418173
Product Key Features
Number of Pages
368 Pages
Publication Name
Munich Secession : Art and Artists in Turn-Of-The-Century Munich
Language
English
Subject
European, History / General
Publication Year
1991
Type
Textbook
Subject Area
Art
Format
Trade Paperback
Dimensions
Item Weight
21.8 Oz
Item Length
7.9 in
Item Width
4.7 in
Additional Product Features
Intended Audience
College Audience
Dewey Edition
20
TitleLeading
The
Reviews
"Makela combines aesthetic analysis with institutional history, and does so very well. She has written the first thoroughly documented account of the Munich Secession in any language." -- The Art Bulletin, Makela combines aesthetic analysis with institutional history, and does so very well. She has written the first thoroughly documented account of the Munich Secession in any language.
Illustrated
Yes
Dewey Decimal
709.43/364/09034
Synopsis
In April 1892 the first art Secession in the German-speaking countries came into being in Munich, Central Europe's undisputed capital of the visual arts. Featuring the work of German painters, sculptors, and designers, as well as that of vanguard artists from around the world, the Munich Secession was a progressive force in the German art world for nearly a decade, its exhibitions regularly attended and praised by Paul Klee, Wassily Kandinsky, and other modernists at the outset of their careers. "Those artists who were not included, or who thought themselves inadequately represented in the large official exhibitions held in the major German cities, had economic as well as aesthetic reasons for creating new outlets for their work.... The first of these Secessions [is] the subject of an interesting and well-researched study by Maria Makela."--James Joll, The New York Review of Books "Makela combines aesthetic analysis with institutional history, and does so very well. She has written the first thoroughly documented account of the Munich Secession in any language." --Peter Paret, The Art Bulletin "...a carefully documented chronicle of the Munich Secession...an indispensable guide. It is a pioneering study that manages to be solid yet provocative..."--Brooks Adams, Art in America, In April 1892 the first art Secession in the German-speaking countries came into being in Munich, Central Europe's undisputed capital of the visual arts. Featuring the work of German painters, sculptors, and designers, as well as that of vanguard artists from around the world, the Munich Secession was a progressive force in the German art world for nearly a decade, its exhibitions regularly attended and praised by Paul Klee, Wassily Kandinsky, and other modernists at the outset of their careers. "Those artists who were not included, or who thought themselves inadequately represented in the large official exhibitions held in the major German cities, had economic as well as aesthetic reasons for creating new outlets for their work.... The first of these Secessions is] the subject of an interesting and well-researched study by Maria Makela."--James Joll, The New York Review of Books "Makela combines aesthetic analysis with institutional history, and does so very well. She has written the first thoroughly documented account of the Munich Secession in any language." --Peter Paret, The Art Bulletin "...a carefully documented chronicle of the Munich Secession...an indispensable guide. It is a pioneering study that manages to be solid yet provocative..."--Brooks Adams, Art in America
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