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Reading Lolita in Tehran : A Memoir in Books by Azar Nafisi (2003, Trade...
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eBay-Artikelnr.:255716870982
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780812971064
Über dieses Produkt
Product Identifiers
Publisher
Random House Publishing Group
ISBN-10
081297106X
ISBN-13
9780812971064
eBay Product ID (ePID)
17038906984
Product Key Features
Book Title
Reading Lolita in Tehran : a Memoir in Books
Number of Pages
384 Pages
Language
English
Publication Year
2003
Topic
Women, Personal Memoirs, Women's Studies, American / General, Middle East / Iran, Educators, Books & Reading, European / English, Irish, Scottish, Welsh
Genre
Literary Criticism, Social Science, Biography & Autobiography, History
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
9.8 Oz
Item Length
8 in
Item Width
5.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2002-036724
Dewey Edition
22
Reviews
"Anyone who has ever belonged to a book group must read this book. Azar Nafisi takes us into the vivid lives of eight women who must meet in secret to explore the forbidden fiction of the West. It is at once a celebration of the power of the novel and a cry of outrage at the reality in which these women are trapped. The ayatollahs don't know it, but Nafisi is one of the heroes of the Islamic Republic." -Geraldine Brooks, author ofNine Parts of Desire "I was enthralled and moved by Azar Nafisi's account of how she defied, and helped others to defy, radical Islam's war against women. Her memoir contains important and properly complex reflections about the ravages of theocracy, about thoughtfulness, and about the ordeals of freedom-as well as a stirring account of the pleasures and deepening of consciousness that result from an encounter with great literature and with an inspired teacher."-Susan Sontag "When I first saw Azar Nafisi teach, she was standing in a university classroom in Tehran, holding a bunch of red fake poppies in one hand and a bouquet of daffodils in the other, and asking, What is kitsch? Now, mesmerizingly, she reveals the shimmering worlds she created in those classrooms, inside a revolution that was an apogee of kitsch and cruelty. Here, people think for themselves because James and Fitzgerald and Nabokov sing out against authoritarianism and repression. You will be taken inside a culture, and on a journey, that you will never forget." -Jacki Lyden, National Public Radio, author ofDaughter of the Queen of Sheba "A memoir about teaching Western literature in revolutionary Iran, with profound and fascinating insights into both. A masterpiece." -Bernard Lewis, author ofWhat Went Wrong? From the Hardcover edition., " Anyone who has ever belonged to a book group must read this book. Azar Nafisi takes us into the vivid lives of eight women who must meet in secret to explore the forbidden fiction of the West. It is at once a celebration of the power of the novel and a cry of outrage at the reality in which these women are trapped. The ayatollahs don't know it, but Nafisi is one of the heroes of the Islamic Republic." -- Geraldine Brooks, author of "Nine Parts of Desire " " I was enthralled and moved by Azar Nafisi's account of how she defied, and helped others to defy, radical Islam's war against women. Her memoir contains important and properly complex reflections about the ravages of theocracy, about thoughtfulness, and about the ordeals of freedom-- as well as a stirring account of the pleasures and deepening of consciousness that result from an encounter with great literature and with an inspired teacher." -- Susan Sontag " When I first saw Azar Nafisi teach, she was standing in a university classroom in Tehran, holding a bunch of red fake poppies in one hand and a bouquet of daffodils in the other, and asking, " What is kitsch?" Now, mesmerizingly, she reveals the shimmering worlds she created in those classrooms, inside a revolution that was an apogee of kitsch and cruelty. Here, people think for themselves because James and Fitzgerald and Nabokov sing out against authoritarianism and repression. You will be taken inside a culture, and on a journey, that you will never forget." -- Jacki Lyden, National Public Radio, author of "Daughter of the Queen of Sheba " " Amemoir about teaching Western literature in revolutionary Iran, with profound and fascinating insights into both. A masterpiece." -- Bernard Lewis, author of "The Crisis of Islam"? " [A] vividly braided memoir...anguished and glorious." - Cynthia Ozick, "The New Republic" " Stunning...a literary life raft on Iran's fundamentalist sea...All readers should read it." - Margaret Atwood " Remarkable...an eloquent brief on the transformative power of fiction." -- "The New York Times" " Certain books by our most talented essayists...carry inside their covers the heat and struggle of a life's central choice being made and the price being paid, while the writer tells us about other matters, and leaves behind a path of sadness and sparkling loss. Reading Lolita in Tehran is such a book." - Mona Simpson, "The Atlantic Monthly", "Anyone who has ever belonged to a book group must read this book. Azar Nafisi takes us into the vivid lives of eight women who must meet in secret to explore the forbidden fiction of the West. It is at once a celebration of the power of the novel and a cry of outrage at the reality in which these women are trapped. The ayatollahs don' t know it, but Nafisi is one of the heroes of the Islamic Republic." -Geraldine Brooks, author of Nine Parts of Desire "I was enthralled and moved by Azar Nafisi's account of how she defied, and helped others to defy, radical Islam's war against women. Her memoir contains important and properly complex reflections about the ravages of theocracy, about thoughtfulness, and about the ordeals of freedom-as well as a stirring account of the pleasures and deepening of consciousness that result from an encounter with great literature and with an inspired teacher." -Susan Sontag "When I first saw Azar Nafisi teach, she was standing in a university classroom in Tehran, holding a bunch of red fake poppies in one hand and a bouquet of daffodils in the other, and asking, "What is kitsch?" Now, mesmerizingly, she reveals the shimmering worlds she created in those classrooms, inside a revolution that was an apogee of kitsch and cruelty. Here, people think for themselves because James and Fitzgerald and Nabokov sing out against authoritarianism and repression. You will be taken inside a culture, and on a journey, that you will never forget." -Jacki Lyden, National Public Radio, author of Daughter of the Queen of Sheba "A memoir about teaching Western literature in revolutionary Iran, with profound and fascinating insights into both. A masterpiece." -Bernard Lewis, author of The Crisis of Islam ? "[A] vividly braided memoir...anguished and glorious." Cynthia Ozick, The New Republic "Stunning...a literary life raft on Iran's fundamentalist sea...All readers should read it." Margaret Atwood "Remarkable...an eloquent brief on the transformative power of fiction." - The New York Times "Certain books by our most talented essayists...carry inside their covers the heat and struggle of a life's central choice being made and the price being paid, while the writer tells us about other matters, and leaves behind a path of sadness and sparkling loss. Reading Lolita in Tehran is such a book." Mona Simpson, The Atlantic Monthly, "Anyone who has ever belonged to a book group must read this book. Azar Nafisi takes us into the vivid lives of eight women who must meet in secret to explore the forbidden fiction of the West. It is at once a celebration of the power of the novel and a cry of outrage at the reality in which these women are trapped. The ayatollahs don' t know it, but Nafisi is one of the heroes of the Islamic Republic." -Geraldine Brooks, author of Nine Parts of Desire "I was enthralled and moved by Azar Nafisi's account of how she defied, and helped others to defy, radical Islam's war against women. Her memoir contains important and properly complex reflections about the ravages of theocracy, about thoughtfulness, and about the ordeals of freedom-as well as a stirring account of the pleasures and deepening of consciousness that result from an encounter with great literature and with an inspired teacher." -Susan Sontag "When I first saw Azar Nafisi teach, she was standing in a university classroom in Tehran, holding a bunch of red fake poppies in one hand and a bouquet of daffodils in the other, and asking, "What is kitsch?" Now, mesmerizingly, she reveals the shimmering worlds she created in those classrooms, inside a revolution that was an apogee of kitsch and cruelty. Here, people think for themselves because James and Fitzgerald and Nabokov sing out against authoritarianism and repression. You will be taken inside a culture, and on a journey, that you will never forget." -Jacki Lyden, National Public Radio, author of Daughter of the Queen of Sheba "A memoir about teaching Western literature in revolutionary Iran, with profound and fascinating insights into both. A masterpiece." -Bernard Lewis, author of The Crisis of Islam? "[A] vividly braided memoir...anguished and glorious." Cynthia Ozick, The New Republic "Stunning...a literary life raft on Iran's fundamentalist sea...All readers should read it." Margaret Atwood "Remarkable...an eloquent brief on the transformative power of fiction." -The New York Times "Certain books by our most talented essayists...carry inside their covers the heat and struggle of a life's central choice being made and the price being paid, while the writer tells us about other matters, and leaves behind a path of sadness and sparkling loss. Reading Lolita in Tehran is such a book." Mona Simpson, The Atlantic Monthly, "Anyone who has ever belonged to a book group must read this book. Azar Nafisi takes us into the vivid lives of eight women who must meet in secret to explore the forbidden fiction of the West. It is at once a celebration of the power of the novel and a cry of outrage at the reality in which these women are trapped. The ayatollahs don't know it, but Nafisi is one of the heroes of the Islamic Republic." --Geraldine Brooks, author of "Nine Parts of Desire " "I was enthralled and moved by Azar Nafisi's account of how she defied, and helped others to defy, radical Islam's war against women. Her memoir contains important and properly complex reflections about the ravages of theocracy, about thoughtfulness, and about the ordeals of freedom--as well as a stirring account of the pleasures and deepening of consciousness that result from an encounter with great literature and with an inspired teacher." --Susan Sontag "When I first saw Azar Nafisi teach, she was standing in a university classroom in Tehran, holding a bunch of red fake poppies in one hand and a bouquet of daffodils in the other, and asking, "What is kitsch?" Now, mesmerizingly, she reveals the shimmering worlds she created in those classrooms, inside a revolution that was an apogee of kitsch and cruelty. Here, people think for themselves because James and Fitzgerald and Nabokov sing out against authoritarianism and repression. You will be taken inside a culture, and on a journey, that you will never forget." --Jacki Lyden, National Public Radio, author of "Daughter of the Queen of Sheba " "A memoir about teaching Western literature in revolutionary Iran, with profound and fascinating insights into both. A masterpiece." --Bernard Lewis, author of "The Crisis of Islam"? "[A] vividly braided memoir...anguished and glorious." -Cynthia Ozick, "The New Republic" "Stunning...a literary life raft on Iran's fundamentalist sea...All readers should read it." -Margaret Atwood "Remarkable...an eloquent brief on the transformative power of fiction." --"The New York Times" "Certain books by our most talented essayists...carry inside their covers the heat and struggle of a life's central choice being made and the price being paid, while the writer tells us about other matters, and leaves behind a path of sadness and sparkling loss. Reading Lolita in Tehran is such a book." -Mona Simpson, "The Atlantic Monthly"
Dewey Decimal
820.9 B
Synopsis
Every Thursday morning for two years in the Islamic Republic of Iran, a bold and inspired teacher named Azar Nafisi secretly gathered seven of her most committed female students to read forbidden Western classics. As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi's living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov. In this extraordinary memoir, their stories become intertwined with the ones they are reading. "Reading Lolita in Tehran" is a remarkable exploration of resilience in the face of tyranny and a celebration of the liberating power of literature., Every Thursday morning for two years in the Islamic Republic of Iran, a bold and inspired teacher named Azar Nafisi secretly gathered seven of her most committed female students to read forbidden Western classics. As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi's living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov. In this extraordinary memoir, their stories become intertwined with the ones they are reading. Reading Lolita in Tehran is a remarkable exploration of resilience in the face of tyranny and a celebration of the liberating power of literature., #1 NEW YORK TIMES BESTSELLER * We all have dreams--things we fantasize about doing and generally never get around to. This is the story of Azar Nafisi's dream and of the nightmare that made it come true. A KIRKUS REVIEWS BEST NONFICTION BOOK OF THE CENTURY For two years before she left Iran in 1997, Nafisi gathered seven young women at her house every Thursday morning to read and discuss forbidden works of Western literature. They were all former students whom she had taught at university. Some came from conservative and religious families, others were progressive and secular; several had spent time in jail. They were shy and uncomfortable at first, unaccustomed to being asked to speak their minds, but soon they began to open up and to speak more freely, not only about the novels they were reading but also about themselves, their dreams and disappointments. Their stories intertwined with those they were reading--Pride and Prejudice, Washington Square, Daisy Miller and Lolita--their Lolita, as they imagined her in Tehran. Nafisi's account flashes back to the early days of the revolution, when she first started teaching at the University of Tehran amid the swirl of protests and demonstrations. In those frenetic days, the students took control of the university, expelled faculty members and purged the curriculum. When a radical Islamist in Nafisi's class questioned her decision to teach The Great Gatsby, which he saw as an immoral work that preached falsehoods of "the Great Satan," she decided to let him put Gatsby on trial and stood as the sole witness for the defense. Azar Nafisi's luminous tale offers a fascinating portrait of the Iran-Iraq war viewed from Tehran and gives us a rare glimpse, from the inside, of women's lives in revolutionary Iran. It is a work of great passion and poetic beauty, written with a startlingly original voice., #1 NEW YORK TIMES BESTSELLER - We all have dreams--things we fantasize about doing and generally never get around to. This is the story of Azar Nafisi's dream and of the nightmare that made it come true. A KIRKUS REVIEWS BEST NONFICTION BOOK OF THE CENTURY For two years before she left Iran in 1997, Nafisi gathered seven young women at her house every Thursday morning to read and discuss forbidden works of Western literature. They were all former students whom she had taught at university. Some came from conservative and religious families, others were progressive and secular; several had spent time in jail. They were shy and uncomfortable at first, unaccustomed to being asked to speak their minds, but soon they began to open up and to speak more freely, not only about the novels they were reading but also about themselves, their dreams and disappointments. Their stories intertwined with those they were reading--Pride and Prejudice, Washington Square, Daisy Miller and Lolita--their Lolita, as they imagined her in Tehran. Nafisi's account flashes back to the early days of the revolution, when she first started teaching at the University of Tehran amid the swirl of protests and demonstrations. In those frenetic days, the students took control of the university, expelled faculty members and purged the curriculum. When a radical Islamist in Nafisi's class questioned her decision to teach The Great Gatsby, which he saw as an immoral work that preached falsehoods of "the Great Satan," she decided to let him put Gatsby on trial and stood as the sole witness for the defense. Azar Nafisi's luminous tale offers a fascinating portrait of the Iran-Iraq war viewed from Tehran and gives us a rare glimpse, from the inside, of women's lives in revolutionary Iran. It is a work of great passion and poetic beauty, written with a startlingly original voice.
LC Classification Number
PE64.N34A3 2003
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Thorn Tree Vintage
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- l***a (218)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufA+seller! Love this shirt, exactly as described. Thank you so much for fast shipping and secure packaging. 100% recommended seller!
- o***s (27)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufFast shipping. Item as describe. Luckily arrived ok, packaging was a little wonky. The purse was a great price.
- 4***e (256)- Bewertung vom Käufer.Letztes JahrBestätigter KaufGreat price and fast shipping! Book came exactly how described and pictured.The Secret of You and Me : A Novel by Melissa Lenhardt (2020, Paperback) (Nr. 256466479426)