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Sounds of Two Eyes Opening von Ryan Richardson (2014, Hardcover)-

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Sounds of Two Eyes Opening by Ryan Richardson (2014, Hardcover)
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Zuletzt aktualisiert am 28. Jun. 2025 05:16:22 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
ISBN
9781938265105

Über dieses Produkt

Product Identifiers

Publisher
Sinecure Books, LLC
ISBN-10
1938265106
ISBN-13
9781938265105
eBay Product ID (ePID)
177563505

Product Key Features

Book Title
Sounds of Two Eyes Opening
Number of Pages
276 Pages
Language
English
Topic
Genres & Styles / Punk, Subjects & Themes / Street Photography, Subjects & Themes / Lifestyles, General, Skateboarding, United States / West / Pacific (Ak, CA, Hi, Or, Wa)
Publication Year
2014
Illustrator
Yes
Genre
Music, Travel, Sports & Recreation, Photography
Author
Ryan Richardson
Format
Hardcover

Dimensions

Item Weight
0 Oz
Item Length
10.8 in
Item Width
8.2 in

Additional Product Features

LCCN
2014-906338
Reviews
Among the images are recognizable faces and moments. And in the scenes of pure abandonment - of skaters in the middle of a hand plant, or briefly airborne; of smoke and sweat visibly emanating from a crowded show - Spot's pictures feel almost audible, full of noise and freedom, what it must have felt like to have been there.
Photographed by
Spot
Synopsis
Spot landed in Hermosa Beach, CA in the mid-1970s. A serious musician, he helped build Media Art Recording Studio and stumbled into photojournalism via Easy Reader , the local news weekly. Hermosa proved to be a crossroads abounding with oddball roller skaters who were mostly overshadowed by Venice disco rollers and the Dogtown-inspired leaps into professional skateboarding (never mind that the first skateboard competition ever was in Hermosa in 1963). Then, in the late 70s, a cultural shift hit, fueled largely by music. This time the South Bay was in the vanguard. Spot became the in-house producer and engineer at SST Records--the label founded in 1978 by Greg Ginn as a vehicle for Black Flag, the band that defined LA hardcore. Between 1979 and 1985, he recorded, mixed, produced or co-produced most of SST's pivotal acts, working on all of Black Flag's greatest releases, and on classic albums by the Minutemen, Meat Puppets, Saint Vitus, Descendents, Big Boys, Hüsker Dü, The Dicks, Subhumans and Misfits. Throughout this period, Spot remained a master photographer who documented various Los Angeles subcultures in intelligently composed black-and-white photographs. As this volume reveals, there was no distinction between the musical and the visual--he heard what he saw; saw what he heard--hence, the title of this collection. Spanning the late 1960s through the early 1980s, Sounds of Two Eyes Opening offers an amazing portrait of Southern California beach life, set against the dark clubs and rehearsal spaces of the burgeoning punk scene., Spot landed in Hermosa Beach, CA in the mid-1970s. A serious musician, he helped build Media Art Recording Studio and stumbled into photojournalism via Easy Reader , the local news weekly. Hermosa proved to be a crossroads abounding with oddball roller skaters who were mostly overshadowed by Venice disco rollers and the Dogtown-inspired leaps into professional skateboarding (never mind that the first skateboard competition ever was in Hermosa in 1963). Then, in the late 70s, a cultural shift hit, fueled largely by music. This time the South Bay was in the vanguard. Spot became the in-house producer and engineer at SST Records--the label founded in 1978 by Greg Ginn as a vehicle for Black Flag, the band that defined LA hardcore. Between 1979 and 1985, he recorded, mixed, produced or co-produced most of SST's pivotal acts, working on all of Black Flag's greatest releases, and on classic albums by the Minutemen, Meat Puppets, Saint Vitus, Descendents, Big Boys, H sker D , The Dicks, Subhumans and Misfits. Throughout this period, Spot remained a master photographer who documented various Los Angeles subcultures in intelligently composed black-and-white photographs. As this volume reveals, there was no distinction between the musical and the visual--he heard what he saw; saw what he heard--hence, the title of this collection. Spanning the late 1960s through the early 1980s, Sounds of Two Eyes Opening offers an amazing portrait of Southern California beach life, set against the dark clubs and rehearsal spaces of the burgeoning punk scene.
LC Classification Number
TR659.8S657 2014

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