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Product Identifiers
PublisherChicago Review Press, Incorporated
ISBN-101613737459
ISBN-139781613737453
eBay Product ID (ePID)240259705
Product Key Features
Book TitleClash on the Clash : Interviews and Encounters
Number of Pages384 Pages
LanguageEnglish
TopicGenres & Styles / Punk, Composers & Musicians, Genres & Styles / Rock, Individual Composer & Musician
Publication Year2017
GenreMusic, Biography & Autobiography
AuthorSean Egan
Book SeriesMusicians in Their Own Words Ser.
FormatHardcover
Dimensions
Item Height1 in
Item Weight22.6 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceTrade
LCCN2017-023242
TitleLeadingThe
Dewey Edition23
Reviews"A bright garland of well-selected interviews strung out across the saw-toothed time-line of one of the most truthful--as well as one of the most self-deceptive--bands of all time. . . . What you have assembled here is the true and authentic voice of Radio Clash." --Mike Laye, Clash photographer, "Throughout, Egan's excellent annotations provide context and structure to the interviews and articles. Fans of music from the original punk rock era will enjoy this title."-- Library Journal, " The Clash on The Clash returns to the heady days of '77, and confirms that the only English band that mattered made music, politics, and commerce matter like few others. Sean Egan's excellent collection of interviews ranges from the early days to the aftermath, from the dubious recollections of original guitarist Keith Levene to expanded versions of Egan's own 21st century interviews with the band members. Lester Bangs's 16,000-word love letter to the Clash is a real gem. Guttersnipes rejoice!" --Randal Doane, author of Stealing All Transmissions: A Secret History of The Clash
Series Volume Number14
Dewey Decimal782.42166092/2
SynopsisThe Clash thought they could change the world. They never did, but they created some of the greatest rock music of all time in the attempt. Clash interviews were mesmerizing. Infused with the messianic punk spirit, the Clash engaged with the press like no rock group before or since, treating interviews almost as addresses to the nation. Their pronouncements were welcomed but were hardly uncritically reported. The Clash's back pages are voluminous, crackle with controversy, and constitute a snapshot of a uniquely thoughtful and fractious period in modern history. Included in this compendium are the Clash's encounters with the most brilliant rock writers of their time, including Lester Bangs, Nick Kent, Mikal Gilmore, Chris Salewicz, Charles Shaar Murray, Mick Farren, and Lenny Kaye. Whether interviewed by punk fanzines like Sniffin' Glue and 48 Thrills, pious UK weeklies like New Musical Express, Melody Maker, Sounds, and Record Mirror, or US periodicals like Creem, Trouser Press, and Rolling Stone, the Clash consistently created copy that lived up to their sobriquet The Only Band That Matters., The Clash thought they could change the world. They never did, but they created some of the greatest rock music of all time in the attempt. Clash interviews were mesmerizing. Infused with the messianic punk spirit, the Clash engaged with the press like no rock group before or since, treating interviews almost as addresses to the nation. Their prono, The Clash thought they could change the world. They never did, but they created some of the greatest rock music of all time in the attempt. Clash interviews were mesmerizing. Infused with the messianic spirit of punk, the Clash engaged with the press like no rock group before or since, treating interviews almost as addresses to the nation. Their pronouncements were welcomed but were hardly uncritically reported. The Clash's back pages are voluminous, crackle with controversy, and constitute a snapshot of a uniquely thoughtful and fractious period in modern history. Included in this compendium are the Clash's encounters with the most brilliant music writers of their time, including Lester Bangs, Nick Kent, Mikal Gilmore, Chris Salewicz, Charles Shaar Murray, Mick Farren, Kris Needs, and Lenny Kaye. Whether it be their audience with the (mainly) simpatico likes of punk fanzine Sniffin' Glue , their testy encounters with the correspondents of pious UK weeklies like New Musical Express , Melody Maker , and Sounds , or their friendlier but no less eyebrow-raising conversations with US periodicals like Creem and Rolling Stone , the Clash consistently created copy that lived up to their sobriquet "The Only Band That Matters."
LC Classification NumberML421.C57E43 2017
