ReviewsA striking visual ode to the people and landscapes of Morocco... Gathered from the author's visits to the country beginning in the 1970s, the collection includes images of grand expanses bathed in high-intensity reds, oranges, and yellow ochres; sparsely peopled scenes that are as mysterious as a de Chirico painting; walls cast with enormous, perspective-skewing shadows that diminish the human figures next to them; and women whose faces are turned away from the camera, resulting in a wonderfully disorienting effect where silhouettes coalesce into abstract forms... It's a captivating peek into an enigmatic country., An appreciation of airports, showcasing nearly 40 years of Gruyaert's rich color photography... The crisp lines and forms of modern airport architecture provide a framework for compelling compositions... Gruyaert...was a pioneer in exploring the creative possibilities of color photography. His prowess is on full display in Last Call .--PhotoBook Journal
SynopsisWhen Harry Gruyaert first visited Morocco in 1969, it was love at first sight. On every return visit, he has tried to relive that initial feeling of enchantment, the splendid harmony between form and color, people, and nature. From the High Atlas Mountains to the desert, from rural areas to the bustling streets of Marrakech and Essaouira, Gruyaert's photographs take us on a dreamlike cinematic journey through a reality that is nonetheless highly physical, its textures shaped by light and shadow. Each image has its own power, and all of them reflect the importance of family, community, and faith to the people of Morocco, as well as Gruyaert's own innate curiosity and desire to understand different realities., New from MagnumPhotos member HarryGruyaert, a collection ofphotographs of airportsand people in transit. Alongside American photographers such as Saul Leiter, Joel Meyerowitz, Stephen Shore, and William Eggleston, Harry Gruyaert became one of the first European pioneers to explore the creative possibilities of color photography in the 1970s and 1980s. The previous decades had elevated black-and-white photography to the realms of art, relegating the use of color to advertising, press, and illustration. Gruyaert's work suggested new territory for color photography: an emotive, nonnarrative, and boldly graphic way of perceiving the world. Harry Gruyaert: Last Call highlights the photographer's signature ability to seamlessly weave texture, light, color, and architecture into a single frame with his photographs taken at airports. These photographs beautifully record these liminal, yet reliably inhabited spaces in a striking and sometimes surprising fashion.