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Paläste in der Nacht Whistler in Venedig von Margaret F. MacDonald 2001 HB/DJ NIS-
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eBay-Artikelnr.:236071489082
Artikelmerkmale
- Artikelzustand
- Narrative Type
- Nonfiction
- Features
- 1st Edition
- ISBN
- 9780520230491
Über dieses Produkt
Product Identifiers
Publisher
University of California Press
ISBN-10
0520230493
ISBN-13
9780520230491
eBay Product ID (ePID)
1876003
Product Key Features
Book Title
Palaces in the Night : Whistler in Venice
Number of Pages
160 Pages
Language
English
Publication Year
2001
Topic
Individual Artists / General, Letters, American / General, European
Illustrator
Yes
Genre
Art, Literary Collections
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
33.7 Oz
Item Length
11.5 in
Item Width
9.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2001-269912
Dewey Edition
21
Dewey Decimal
741/.092
Synopsis
In September 1879, James McNeill Whistler boarded the Venice-bound night train in Paris. He was forty-five years old and bankrupt. What was to be a three-month stay in the Italian city--long enough to complete a set of twelve etchings--stretched to fourteen months. When Whistler returned to London, he brought back over fifty magnificent etchings and a hundred pastels, far in excess of the original commission. InPalaces in the Night,Margaret F. MacDonald looks at this key period in Whistler's career, examining his unique vision of Venice and his development of the medium of etching. She shows how he reestablished himself in the art world of London and Paris, turning disaster and disgrace into profit and prestige. Lavishly illustrated with some of the most beautiful and intriguing images Whistler ever produced, this book provides a fascinating account of a pivotal period in the artist's long and complicated career. Whistler's aim was to restore both his fortune and reputation with the Venetian etchings. To that end he included views of familiar sights like the Riva degli Schiavoni and San Marco, but he also captured quiet backwaters, secret gardens, and lantern-lit windows that did not appear in any guidebook. His selection of views and compositions, plus the expressiveness of his line and printing, differentiated his work from that of others, and MacDonald shows the process by which Whistler selected, shaped, and edited his Venetian corpus. He drew figures in distinctively Italian costume, each an individual, moving, gesturing, and interacting with other real people. An appendix of Whistler's letters from Venice provides an entertaining account of his time there and also deepens the reader's understanding of how the city challenged and inspired him., In September 1879, James McNeill Whistler boarded the Venice-bound night train in Paris. He was forty-five years old and bankrupt. What was to be a three-month stay in the Italian city--long enough to complete a set of twelve etchings--stretched to fourteen months. When Whistler returned to London, he brought back over fifty magnificent etchings and a hundred pastels, far in excess of the original commission. In Palaces in the Night, Margaret F. MacDonald looks at this key period in Whistler's career, examining his unique vision of Venice and his development of the medium of etching. She shows how he reestablished himself in the art world of London and Paris, turning disaster and disgrace into profit and prestige. Lavishly illustrated with some of the most beautiful and intriguing images Whistler ever produced, this book provides a fascinating account of a pivotal period in the artist's long and complicated career. Whistler's aim was to restore both his fortune and reputation with the Venetian etchings. To that end he included views of familiar sights like the Riva degli Schiavoni and San Marco, but he also captured quiet backwaters, secret gardens, and lantern-lit windows that did not appear in any guidebook. His selection of views and compositions, plus the expressiveness of his line and printing, differentiated his work from that of others, and MacDonald shows the process by which Whistler selected, shaped, and edited his Venetian corpus. He drew figures in distinctively Italian costume, each an individual, moving, gesturing, and interacting with other real people. An appendix of Whistler's letters from Venice provides an entertaining account of his time there and also deepens the reader's understanding of how the city challenged and inspired him.
LC Classification Number
NC139.W45A4 2001
Artikelbeschreibung des Verkäufers
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- g***u (231)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent transaction. Well packed and quick shipping, Excellent communication with seller when USPS was a little slow in the delivery.
- e***9 (55)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufPoster was packed exceeding well for shipping, 1/4" protective poster board was used. Poster was delivered damaged with a hole. (Absolutely NOT the seller's fault, life happens) But I'm still thrilled to have purchased a perfect sized original Cher movie Poster. Can't wait to have it framed, would definitely purchase from seller again.MOONSTRUCK - CHER / NICOLAS CAGE - ORIGINAL SMALL FRENCH MOVIE POSTER 16x24” (Nr. 234890289586)
- g***c (703)- Bewertung vom Käufer.Letztes JahrBestätigter KaufThe lot that I purchased was packaged extremely well and no damage was incurred in the processing of shipment. It was fast and orderly. I would definitely say that this item was as described and an excellent value. I will definitely purchase from this seller again if given the opportunity. Thanks1997 Pinnacle Certified Team Mirror Blue Red 24kt Mint Gold Terry Labonte Lot 8 (Nr. 265587253684)
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