Domenico Tiepolo: A New Testament by Adelheid M Gealt: Used

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Artikelmerkmale

Artikelzustand
Neuwertig: Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine ...
ISBN
9780253348098
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Indiana University Press
ISBN-10
0253348099
ISBN-13
9780253348098
eBay Product ID (ePID)
63724438

Product Key Features

Number of Pages
888 Pages
Language
English
Publication Name
Domenico Tiepolo : a New Testament
Publication Year
2006
Subject
Individual Artists / General, Subjects & Themes / Religious, Biblical Studies / General, History / General
Type
Textbook
Author
George Knox, Adelheid M. Gealt
Subject Area
Art, Religion
Format
Hardcover

Dimensions

Item Height
2.4 in
Item Weight
7.7 Oz
Item Length
11 in
Item Width
9 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2006-299764
Reviews
Virtuosity will be in the air at some of this week's new museum shows. The Frick Colelction, for example, will roll out Domenic Tiepolo (1727--1804): A New Testament, which on Tuesday presents 60 large drawings in pen, brush, and ink by the 18th--century Venetian artist.... --New York Times ran an advance item on October 22, 2006 by Roberta Smith, "Domenico Tiepolo has languished in the shadow of his prolific and powerful father, Giambattista, master of the grand fresco cycle. The son's strength lay in a highly personal narrative, brilliantly expressed, above all, in the form of large drawings. Assembled here in close to its entirety for the first time is Domenico Tiepolo's greatest and most ambitious project, a massive series of drawings giving the history of the life of Jesus and events around that history, probably done for the artist's personal pleasure. Sold off after Domenico's death in 1804, one section is now in the Louvre; others are widely dispersed. Gealt (Indiana University Art Museum) and Knox (emer., Univ. of British Columbia) have done a Herculean job of reconstruction, scouring public and private collections, inventories, and sales catalogs. The 313 recovered drawings are presented in full-page color illustrations that convey the delicacy of the pen and layered brown wash technique. Included is a page of commentary for each drawing; a revealing section, Traditions and Sources, traverses virtually the entire history of Bible illustration. A monumental achievement that brings back a lost masterpiece, one of the most astonishing cycles of sacred history that has come down to the present. Summing Up: Essential. General readers; lower-division undergraduates through professionals.-CHOICE June 2007" -D. Pincus, National Gallery of Art, The Frick Museum's Sepcial Collection rooms don't always get a lot of attention, but they always have something interesting going on. This month is no exception. They are devoted to Domenico Tiepolo, a Venetian painter in the late 1700s. The Frick is showing his New Tesatment cycle, the drawings from which have not been exited together since 1804, when they were broken up and sold., "Virtuosity will be in the air at some of this week's new museum shows. The Frick Colelction, for example, will roll out Domenic Tiepolo (1727 -- 1804): A New Testament, which on Tuesday presents 60 large drawings in pen, brush, and ink by the 18th -- century Venetian artist...." -- New York Times ran an advance item on October 22, 2006 by Roberta Smith, "Virtuosity will be in the air at some of this week's new museum shows. The Frick Colelction, for example, will roll out Domenic Tiepolo (1727 -- 1804): A New Testament, which on Tuesday presents 60 large drawings in pen, brush, and ink by the 18th -- century Venetian artist…." -- New York Times ran an advance item on October 22, 2006 by Roberta Smith, Gealt (Indiana University Art Museum) and Knox (emer., Univ. of British Columbia) have done a Herculean job of reconstruction, scouring public and private collections, inventories, and sales catalogs.... A monumental achievement that brings back a lost masterpiece, one of the most astonishing cycles of sacred history that has come down to the present.... Essential., "Quotes for the exhibit:More than being simply lovely, this exhibition of Domenico Tiepolo is historic." -New York Post, October 27, 2006 by James Gardner, "Virtuosity will be in the air at some of this week's new museum shows. The Frick Colelction, for example, will roll out Domenic Tiepolo (1727-1804): A New Testament, which on Tuesday presents 60 large drawings in pen, brush, and ink by the 18th-century Venetian artist...." -New York Times ran an advance item on October 22, 2006 by Roberta Smith, "This book represents a contribution of the highest value to our knowledge of art and the artistic imagination at a critical moment in its history, the culmination of the long Renaissance tradition of thematic invention and variation." David Rosand, Meyer Schapiro Professor of Art History, Columbia University"A landmark in the history of art." John W. O'Malley, S.J., Weston Jesuit School of Theology"Gealt and Knox have undertaken an investigatory enterprise at once physical, intellectual, historical, and artistic, altogether rare in the recent annals of modern art history." William Barcham, Fashion Institute of Technology, "The Frick Museum's Sepcial Collection rooms don't always get a lot of attention, but they always have something interesting going on. This month is no exception. They are devoted to Domenico Tiepolo, a Venetian painter in the late 1700s. The Frick is showing his New Tesatment cycle, the drawings from which have not been exited together since 1804, when they were broken up and sold." -- A Secular Devotion by Emily Hulme, 29 AM New York, October 2, 2006, "Quotes for the exhibit:More than being simply lovely, this exhibition of Domenico Tiepolo is historic." -- New York Post, October 27, 2006 by James Gardner, "Gealt (Indiana University Art Museum) and Knox (emer., Univ. of British Columbia) have done a Herculean job of reconstruction, scouring public and private collections, inventories, and sales catalogs.... A monumental achievement that brings back a lost masterpiece, one of the most astonishing cycles of sacred history that has come down to the present.... Essential." -- Choice, ... To this reviewer, this work elicits awe: for the wonder engendered by Domenico's deep and erudite piety and the authors' meticulous work in revealing it. -Eighteenth Century, "... To this reviewer, this work elicits awe: for the wonder engendered by Domenico's deep and erudite piety and the authors' meticulous work in revealing it. -- Eighteenth Century" -- Century Studies 40:4 2007, "The Frick Museum's Sepcial Collection rooms don't always get a lot of attention, but they always have something interesting going on. This month is no exception. They are devoted to Domenico Tiepolo, a Venetian painter in the late 1700s. The Frick is showing his New Tesatment cycle, the drawings from which have not been exited together since 1804, when they were broken up and sold." -A Secular Devotion by Emily Hulme, 29 AM New York, October 2, 2006, Quotes for the exhibit:More than being simply lovely, this exhibition of Domenico Tiepolo is historic., "Domenico Tiepolo has languished in the shadow of his prolific and powerful father, Giambattista, master of the grand fresco cycle. The son's strength lay in a highly personal narrative, brilliantly expressed, above all, in the form of large drawings. Assembled here in close to its entirety for the first time is Domenico Tiepolo's greatest and most ambitious project, a massive series of drawings giving the history of the life of Jesus and events around that history, probably done for the artist's personal pleasure. Sold off after Domenico's death in 1804, one section is now in the Louvre; others are widely dispersed. Gealt (Indiana University Art Museum) and Knox (emer., Univ. of British Columbia) have done a Herculean job of reconstruction, scouring public and private collections, inventories, and sales catalogs. The 313 recovered drawings are presented in full -- page color illustrations that convey the delicacy of the pen and layered brown wash technique. Included is a page of commentary for each drawing; a revealing section, Traditions and Sources, traverses virtually the entire history of Bible illustration. A monumental achievement that brings back a lost masterpiece, one of the most astonishing cycles of sacred history that has come down to the present. Summing Up: Essential. General readers; lower -- division undergraduates through professionals. -- CHOICE June 2007" -- D. Pincus, National Gallery of Art, "Gealt (Indiana University Art Museum) and Knox (emer., Univ. of British Columbia) have done a Herculean job of reconstruction, scouring public and private collections, inventories, and sales catalogs.... A monumental achievement that brings back a lost masterpiece, one of the most astonishing cycles of sacred history that has come down to the present.... Essential." - Choice, Virtuosity will be in the air at some of this week's new museum shows. The Frick Colelction, for example, will roll out Domenic Tiepolo (1727-1804): A New Testament, which on Tuesday presents 60 large drawings in pen, brush, and ink by the 18th-century Venetian artist...., "... To this reviewer, this work elicits awe: for the wonder engendered by Domenico's deep and erudite piety and the authors' meticulous work in revealing it. -Eighteenth Century" -Century Studies 40:4 2007
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
741.945
Table Of Content
Preface and Acknowledgments An Introductory Note on Domenico Tiepolo (1727-1804) I. The History of the Material George Knox II. The Visual Sources George Knox III. The Literary Sources George Knox IV. Drawing Conclusions: Domenico Tiepolo as Narrator of the New Testament Adelheid M. Gealt V. The Drawings Chapter Summaries and Commentary by Adelheid M. Gealt Entries by George Knox VI. Traditions and Sources George Knox List of Subjects Illustrated and Subjects Omitted List of Exhibitions Bibliography Index
Synopsis
A stunning presentation of the 18th-century Venetian artist Domenico Tiepolo's drawings of the New Testament, This book represents a contribution of the highest value to our knowledge of art and the artistic imagination at a critical moment in its history, the culmination of the long Renaissance tradition of thematic invention and variation. --David Rosand, Meyer Schapiro Professor of Art History, Columbia University A landmark in the history of art. --John W. O'Malley, S.J., Weston Jesuit School of Theology Gealt and Knox have undertaken an investigatory enterprise at once physical, intellectual, historical, and artistic, altogether rare in the recent annals of modern art history. --William Barcham, Fashion Institute of Technology In this major new work of art history, Adelheid M. Gealt and George Knox assemble, present, and document for the first time a cycle of 313 drawings of scenes from the New Testament by the 18th-century Venetian draftsman Domenico Tiepolo (1727-1804). When Domenico died in 1804, the drawings were dispersed among various purchasers. Locating, identifying, and documenting them required years of detective work by Gealt and Knox. This book presents the fruit of their labors and is a treasure that any art lover will wish to own. The book will accompany an exhibition to open October 2006 at The Frick Collection in New York. Introductory chapters by Knox and Gealt provide a history of the drawings and a discussion of the literary and pictorial traditions in which Domenico worked and the complexities of his narrative approach. The heart of the book is a catalog of full-color reproductions of the drawings, arranged to follow the New Testament narrative from the lives of Joachim and Anna (Christ's grandparents) through the acts of Peter and Paul. The accompanying text includes the biblical passages depicted in each drawing, synopses of the stories that Domenico tells, and commentaries. A reference section provides further information on the traditions of iconography and on the biblical and historical sources reflected in Domenico T, This book represents a contribution of the highest value to our knowledge of art and the artistic imagination at a critical moment in its history, the culmination of the long Renaissance tradition of thematic invention and variation." --David Rosand, Meyer Schapiro Professor of Art History, Columbia University A landmark in the history of art." --John W. O'Malley, S.J., Weston Jesuit School of Theology Gealt and Knox have undertaken an investigatory enterprise at once physical, intellectual, historical, and artistic, altogether rare in the recent annals of modern art history." --William Barcham, Fashion Institute of Technology In this major new work of art history, Adelheid M. Gealt and George Knox assemble, present, and document for the first time a cycle of 313 drawings of scenes from the New Testament by the 18th-century Venetian draftsman Domenico Tiepolo (1727-1804). When Domenico died in 1804, the drawings were dispersed among various purchasers. Locating, identifying, and documenting them required years of detective work by Gealt and Knox. This book presents the fruit of their labors and is a treasure that any art lover will wish to own. The book will accompany an exhibition to open October 2006 at The Frick Collection in New York. Introductory chapters by Knox and Gealt provide a history of the drawings and a discussion of the literary and pictorial traditions in which Domenico worked and the complexities of his narrative approach. The heart of the book is a catalog of full-color reproductions of the drawings, arranged to follow the New Testament narrative from the lives of Joachim and Anna (Christ's grandparents) through the acts of Peter and Paul. The accompanying text includes the biblical passages depicted in each drawing, synopses of the stories that Domenico tells, and commentaries. A reference section provides further information on the traditions of iconography and on the biblical and historical sources reflected in Domenico T
LC Classification Number
NC257.T5A4 2006

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