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Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
ISBN
9781938235863

Über dieses Produkt

Product Identifiers

Publisher
Hub City Press
ISBN-10
193823586X
ISBN-13
9781938235863
eBay Product ID (ePID)
16050395542

Product Key Features

Book Title
Reparations Now!
Number of Pages
80 Pages
Language
English
Publication Year
2021
Topic
Women Authors, American / African American, Anthologies (Multiple Authors), American / General
Genre
Poetry
Author
Ashley M. Jones
Format
Trade Paperback

Dimensions

Item Height
0.3 in
Item Weight
4.6 Oz
Item Length
9 in
Item Width
6.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2021-006386
Dewey Edition
23
Reviews
"Reparations Now! offers a diverse, complex collection of poems in response to historical and contemporary racism. In a few lines, she can slip from weary to witty to wary--but never defeated." --Ron Charles, The Washington Post Book World "In poems that showcase a wide formal range, Jones (Magic City Gospel) expertly juxtaposes historical moments and incidents with personal history in her impressive third collection. This entry is full of heartbreaking and memorable observations, providing a necessary portrait of the ceaseless violence endured by Black Americans, and the long struggle for justice." --Publishers Weekly, starred review "Jones clearly has come into her own, offering, perhaps, the most unabashed version of her incisive observations about what it means to be Black, a woman, and sensitive to the connection between history and the contemporary moment." --Jacqueline Allen Trimble, The Rumpus "Every poem sings an aria in this collection, be it somber, enraged or joyously boastful. From structure to flourish, Jones manifests space to feel all of the feelings that come with being Black in a world that constantly seeks to snuff out Blackness." --Ashia Ajani, EcoTheo Review "In a book that is balancing history, trauma, rage, and joy as brilliantly as Reparations Now! is, there must be something beyond language that grips and holds a reader in place. For this, I am thankful for the generosity of this book, how the poems are shaped, how they challenge the eye as well as the ear, with rich payoffs at the end. I am thankful for the population of this book -- how it bursts with ancestors and homages, places rendered so stunningly that they are present and touchable. What a massive undertaking, and what an achievement." --Hanif Abdurraqib, author of A Fortune For Your Disaster "Our present day, as well as the days at our backs, are stunned by their own particular sorrow. There is much lamentation to disorder the air. There are legions of hushed black bodies. There is that numbing loneliness, the taciturn breaking of hearts in the midst of chaos. But there is also, always, James Brown's unearthly squeal, his miraculous camelwalk. There is a mother's blaze-warm voice on the line from home. There is God in a father's hands, in Mahalia's reverent wail, in a sunlit home. Here in these pages of unerring witness, the poet reckons with a seemingly ceaseless grief while acknowledging the light that keeps us facing forward--the fact that being beautiful and black does not require a revolution." --Patricia Smith, author of Incendiary Art, Finalist for the Pulitzer Prize "Ashley M. Jones is a genius in how she wields, innovates, and wades through a bounty of poetic forms (sonnets, an aubade, a ghazal, a contrapuntal, anaphora, the subjunctive mode and so much more) with a sense of mastery, levity, and play. This collection is jam-packed with music, grace, and grit. I felt loved and seen by Reparations Now! The book is a personal mix CD in verse curated by Black bliss and brilliance. I kept dog-earring pages for prompts and poems I wanted to read again until I realized the whole collection was mangled by my enthusiastic appreciation and inspiration." --Tiana Clark, author of I Can't Talk About the Trees Without the Blood, "In a book that is balancing history, trauma, rage, and joy as brilliantly as Reparations Now! is, there must be something beyond language that grips and holds a reader in place. For this, I am thankful for the generosity of this book, how the poems are shaped, how they challenge the eye as well as the ear, with rich payoffs at the end. I am thankful for the population of this book -- how it bursts with ancestors and homages, places rendered so stunningly that they are present and touchable. What a massive undertaking, and what an achievement." --Hanif Abdurraqib, author of A Fortune For Your Disaster "Our present day, as well as the days at our backs, are stunned by their own particular sorrow. There is much lamentation to disorder the air. There are legions of hushed black bodies. There is that numbing loneliness, the taciturn breaking of hearts in the midst of chaos. But there is also, always, James Brown's unearthly squeal, his miraculous camelwalk. There is a mother's blaze-warm voice on the line from home. There is God in a father's hands, in Mahalia's reverent wail, in a sunlit home. Here in these pages of unerring witness, the poet reckons with a seemingly ceaseless grief while acknowledging the light that keeps us facing forward--the fact that being beautiful and black does not require a revolution." --Patricia Smith, author of Incendiary Art, Finalist for the Pulitzer Prize "Sister Ashley's words continue us on the holy meditation begun in the 1960s about what it means to be human, and I say amen. Awoman. Amen. Awoman. Amen. A womannnnnnnnnnnn." --Sonia Sanchez (about dark // thing) "Ashley M. Jones' is exact and exacting. Her intention is to name--and she does so in a way that renders into beauty all that is harsh about the American South. This is a poetry book that knows how to be a history book, a religious text, a book of redemption." --Jericho Brown, author of The New Testament (about Magic City Gospel) "Ashley Jones lays Alabama bare, wide, beautiful, terrifying and familiar in this wonderful collection thick with where form, history, and even the wind are all rendered blackly and masterfully. Jones' poems are alive with ghost and kin, God and Black girls, and all are sung, SANG really, under her capable hand. The red dirt is smeared all over this book, where we get to see Sammie Davis Jr. sing for Mike Brown & the Virgin Mary painted Black and Southern. Let Jones show you her land and her people, let me drive you across roads and time and show you what Alabama is about." --Danez Smith, Author of [insert] boy (about Magic City Gospel), "In a book that is balancing history, trauma, rage, and joy as brilliantly as Reparations Now! is, there must be something beyond language that grips and holds a reader in place. For this, I am thankful for the generosity of this book, how the poems are shaped, how they challenge the eye as well as the ear, with rich payoffs at the end. I am thankful for the population of this book -- how it bursts with ancestors and homages, places rendered so stunningly that they are present and touchable. What a massive undertaking, and what an achievement." --Hanif Abdurraqib, author of A Fortune For Your Disaster "Our present day, as well as the days at our backs, are stunned by their own particular sorrow. There is much lamentation to disorder the air. There are legions of hushed black bodies. There is that numbing loneliness, the taciturn breaking of hearts in the midst of chaos. But there is also, always, James Brown's unearthly squeal, his miraculous camelwalk. There is a mother's blaze-warm voice on the line from home. There is God in a father's hands, in Mahalia's reverent wail, in a sunlit home. Here in these pages of unerring witness, the poet reckons with a seemingly ceaseless grief while acknowledging the light that keeps us facing forward--the fact that being beautiful and black does not require a revolution." --Patricia Smith, author of Incendiary Art, Finalist for the Pulitzer Prize "Ashley M. Jones is a genius in how she wields, innovates, and wades through a bounty of poetic forms (sonnets, an aubade, a ghazal, a contrapuntal, anaphora, the subjunctive mode and so much more) with a sense of mastery, levity, and play. This collection is jam-packed with music, grace, and grit. I felt loved and seen by Reparations Now! The book is a personal mix CD in verse curated by Black bliss and brilliance. I kept dog-earring pages for prompts and poems I wanted to read again until I realized the whole collection was mangled by my enthusiastic appreciation and inspiration." --Tiana Clark, author of I Can't Talk About the Trees Without the Blood "Sister Ashley's words continue us on the holy meditation begun in the 1960s about what it means to be human, and I say amen. Awoman. Amen. Awoman. Amen. A womannnnnnnnnnnn." --Sonia Sanchez (about dark // thing) "Ashley M. Jones' is exact and exacting. Her intention is to name--and she does so in a way that renders into beauty all that is harsh about the American South. This is a poetry book that knows how to be a history book, a religious text, a book of redemption." --Jericho Brown, author of The New Testament (about Magic City Gospel) "Ashley Jones lays Alabama bare, wide, beautiful, terrifying and familiar in this wonderful collection thick with where form, history, and even the wind are all rendered blackly and masterfully. Jones' poems are alive with ghost and kin, God and Black girls, and all are sung, SANG really, under her capable hand. The red dirt is smeared all over this book, where we get to see Sammie Davis Jr. sing for Mike Brown & the Virgin Mary painted Black and Southern. Let Jones show you her land and her people, let me drive you across roads and time and show you what Alabama is about." --Danez Smith, Author of [insert] boy (about Magic City Gospel), "In a book that is balancing history, trauma, rage, and joy as brilliantly as Reparations Now! is, there must be something beyond language that grips and holds a reader in place. For this, I am thankful for the generosity of this book, how the poems are shaped, how they challenge the eye as well as the ear, with rich payoffs at the end. I am thankful for the population of this book -- how it bursts with ancestors and homages, places rendered so stunningly that they are present and touchable. What a massive undertaking, and what an achievement." --Hanif Abdurraqib, author of A Fortune For Your Disaster "In a book that is balancing history, trauma, rage, and joy as brilliantly as Reparations Now! is, there must be something beyond language that grips and holds a reader in place. For this, I am thankful for the generosity of this book, how the poems are shaped, how they challenge the eye as well as the ear, with rich payoffs at the end. I am thankful for the population of this book -- how it bursts with ancestors and homages, places rendered so stunningly that they are present and touchable. What a massive undertaking, and what an achievement." - Hanif Abdurraqib, author of A Fortune For Your Disaster "Our present day, as well as the days at our backs, are stunned by their own particular sorrow. There is much lamentation to disorder the air. There are legions of hushed black bodies. There is that numbing loneliness, the taciturn breaking of hearts in the midst of chaos. But there is also, always, James Brown's unearthly squeal, his miraculous camelwalk. There is a mother's blaze-warm voice on the line from home. There is God in a father's hands, in Mahalia's reverent wail, in a sunlit home. Here in these pages of unerring witness, the poet reckons with a seemingly ceaseless grief while acknowledging the light that keeps us facing forward--the fact that being beautiful and black does not require a revolution." --Patricia Smith, author of Incendiary Art, Finalist for the Pulitzer Prize "Sister Ashley's words continue us on the holy meditation begun in the 1960s about what it means to be human, and I say amen. Awoman. Amen. Awoman. Amen. A womannnnnnnnnnnn." --Sonia Sanchez (about dark // thing) "Ashley M. Jones' is exact and exacting. Her intention is to name--and she does so in a way that renders into beauty all that is harsh about the American South. This is a poetry book that knows how to be a history book, a religious text, a book of redemption." --Jericho Brown, author of The New Testament (about Magic City Gospel) "Ashley Jones lays Alabama bare, wide, beautiful, terrifying and familiar in this wonderful collection thick with where form, history, and even the wind are all rendered blackly and masterfully. Jones' poems are alive with ghost and kin, God and Black girls, and all are sung, SANG really, under her capable hand. The red dirt is smeared all over this book, where we get to see Sammie Davis Jr. sing for Mike Brown & the Virgin Mary painted Black and Southern. Let Jones show you her land and her people, let me drive you across roads and time and show you what Alabama is about." --Danez Smith, Author of [insert] boy (about Magic City Gospel)
Dewey Decimal
811.6
Synopsis
Reparations Now! asks for what's owed. In formal and non-traditional poems, award-winning poet Ashley M. Jones calls for long-overdue reparations to the Black descendants of enslaved people in the United States of America. In this, her third collection, Jones deftly takes on the worst of today--state-sanctioned violence, pandemic-induced crises, and white silence--all while uplifting Black joy. These poems explore trauma past and present, cultural and personal: the lynching of young, pregnant Mary Turner in 1918; the current white nationalist political movement; a case of infidelity. These poems, too, are a celebration of Black life and art: a beloved grandmother in rural Alabama, the music of James Brown and Al Green, and the soil where okra, pole beans, and collards thrive thanks to her father's hands. By exploring the history of a nation where "Black oppression's not happenstance; it's the law," Jones links past harm to modern heartache and prays for a peaceful world where one finds paradise in the garden in the afternoon with her family, together, safe, and worry-free. While exploring the ways we navigate our relationships with ourselves and others, Jones holds us all accountable, asking us to see the truth, to make amends, to honor one another., Ashley M. Jones is the receipent of a Rona Jaffe Award, a finalist for the Ruth Lily Dorothy Sargent Rosenberg Fellowship, a National Poetry Seris finalist, the winner of the 2018 Lena-Miles Wever Todd Prize for Poetry from Pleiades Press, and the 2019 winner of the Lucille Clifton Legacy Award. She is the founding director of the Magic City Poetry Festival, board member of the Alabama Writers Cooperative and the Alabama Writers Forum, co-director of PEN Birmingham, and a faculty member in the Creative Writing Department of the Alabama School of Fine Arts. She is currently serving as a guest editor for Poetry Magazine. Blurbs forthcoming from Patricia Smith and Hanif Abdurraqib
LC Classification Number
PS3610.O595R47 2021

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