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Quentin Tarantino Interviews, PB, Gespräche mit Filmemachern Serie, keine Spuren-
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eBay-Artikelnr.:235548088941
Artikelmerkmale
- Artikelzustand
- Subtitle
- Interviews
- EAN
- 9781578060511
- ISBN
- 9781578060511
- Release Year
- 1998
- Contributor
- Gerald Peary (Edited by)
- Title
- Quentin Tarantino
- Narrative Type
- Nonfiction
- Country/Region of Manufacture
- United States
- Edition
- First Edition
- Vintage
- Yes
- Release Date
- 08/30/1998
Über dieses Produkt
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1578060516
ISBN-13
9781578060511
eBay Product ID (ePID)
1062178
Product Key Features
Book Title
Quentin Tarantino : Interviews
Number of Pages
278 Pages
Language
English
Topic
Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production
Publication Year
1998
Illustrator
Yes
Genre
Performing Arts
Book Series
Conversations with Filmmakers Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
14 Oz
Item Length
9.1 in
Item Width
5.7 in
Additional Product Features
Intended Audience
Trade
LCCN
98-017837
Dewey Edition
21
Dewey Decimal
791.4/3/0233/092
Synopsis
Collected interviews with the controversial filmmaker whose films include Reservoir Dogs and Pulp Fiction, Not since Martin Scorsese with Mean Streets in the mid-1970s has a young American filmmaker made such an instant impact on international cinema as Quentin Tarantino. In many ways, Tarantino is the paradigmatic 1990s success story: from high school dropout, toiling anonymously in a California video store, taking acting lessons, to world acclaim, with Pulp Fiction as the Grand Prix winner at Cannes. With his first film, Reservoir Dogs, the then 29-year-old became an inspiration for filmmakers even younger than himself on how to produce stylish, subterranean cinema. (Not that his extra-violent imitators, labeled ""Tarantino school,"" could match the wit of his scripts, his talent with actors, and the vivacity, energy, and originality of his shooting style.) Tarantino, turning famous, remains the same manic talker who is obsessed with American pop culture and is endlessly enthusiastic about his favorite movies and moviemakers. Informal, gregarious, accessible, he has been a journalist's dream, for his wonderfully expressive, almost stream-of-consciousness chatter. This collection is the first book of Tarantino interviews to be published. The selections are his most uninhibited, far reaching, and revealing. They demonstrate conclusively that the source of his world-renowned pop-culture dialogue is his own brash, vivid, virtuosic conversation. ""I realized I didn't want to be an actor,"" he says. ""I wanted to be a director. My favorite actors were character actors and I realized they still had to read for parts. I didn't want to be fifty years old and still reading for parts. I wanted some control over my destiny, and it seemed to me that directors did."" Gerald Peary is a film critic and columnist for the Boston Phoenix, a professor of journalism and communications at Suffolk University, and a lecturer at Boston University. He is also Acting Curator of the Harvard University Film Archive., Not since Martin Scorsese with Mean Streets in the mid-1970s has a young American filmmaker made such an instant impact on international cinema as Quentin Tarantino. In many ways, Tarantino is the paradigmatic 1990s success story: from high school dropout, toiling anonymously in a California video store, taking acting lessons, to world acclaim, with Pulp Fiction as the Grand Prix winner at Cannes. With his first film, Reservoir Dogs, the then 29-year-old became an inspiration for filmmakers even younger than himself on how to produce stylish, subterranean cinema. (Not that his extra-violent imitators, labeled "Tarantino school," could match the wit of his scripts, his talent with actors, and the vivacity, energy, and originality of his shooting style.) Tarantino, turning famous, remains the same manic talker who is obsessed with American pop culture and is endlessly enthusiastic about his favorite movies and moviemakers. Informal, gregarious, accessible, he has been a journalist's dream, for his wonderfully expressive, almost stream-of-consciousness chatter. This collection is the first book of Tarantino interviews to be published. The selections are his most uninhibited, far reaching, and revealing. They demonstrate conclusively that the source of his world-renowned pop-culture dialogue is his own brash, vivid, virtuosic conversation. "I realized I didn't want to be an actor," he says. "I wanted to be a director. My favorite actors were character actors and I realized they still had to read for parts. I didn't want to be fifty years old and still reading for parts. I wanted some control over my destiny, and it seemed to me that directors did.", Not since Martin Scorsese with Mean Streets in the mid-1970s has a young American filmmaker made such an instant impact on international cinema as Quentin Tarantino. In many ways, Tarantino is the paradigmatic 1990s success story: from high school dropout, toiling anonymously in a California video store, taking acting lessons, to world acclaim, with Pulp Fiction as the Grand Prix winner at Cannes. With his first film, Reservoir Dogs , the then 29-year-old became an inspiration for filmmakers even younger than himself on how to produce stylish, subterranean cinema. (Not that his extra-violent imitators, labeled "Tarantino school," could match the wit of his scripts, his talent with actors, and the vivacity, energy, and originality of his shooting style.) Tarantino, turning famous, remains the same manic talker who is obsessed with American pop culture and is endlessly enthusiastic about his favorite movies and moviemakers. Informal, gregarious, accessible, he has been a journalist's dream, for his wonderfully expressive, almost stream-of-consciousness chatter. This collection is the first book of Tarantino interviews to be published. The selections are his most uninhibited, far reaching, and revealing. They demonstrate conclusively that the source of his world-renowned pop-culture dialogue is his own brash, vivid, virtuosic conversation. "I realized I didn't want to be an actor," he says. "I wanted to be a director. My favorite actors were character actors and I realized they still had to read for parts. I didn't want to be fifty years old and still reading for parts. I wanted some control over my destiny, and it seemed to me that directors did."
LC Classification Number
PN1998.3.H58
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GRANDPAWCLAY Books & More Store
99,7% positive Bewertungen•3.670 Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe. Mehr erfahrenMehr erfahren
Verkäuferbewertungen (1.525)
- j***c (524)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThe shipping was a great price, some times the shipping cost is a decision maker for me. this item was packaged like it was worth $500.00 (VERY GOOD) packaged in a box, and bubble mailer. the knife was as described and pictured, and was purchased as a great value. Would highly recommend this seller. Thank you seller.
- t***m (1506)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufGreat seller. Doesn't hold feedback hostage, gives it as soon as payment is made. Went out of their way to pad and safely package this horse. The horse was as beautiful as the description showed it to be. Seller also went out of their way to stay on FedEx about where the package was (FedEx was taking it for a national tour). Great communication and prompt responses. Couldn't ask for a better seller!White & Brown Ceramic Horse Decor Statue Signed Jewell 17" x 15" LARGE Beautiful (Nr. 234950234177)
- u***u (270)- Bewertung vom Käufer.Letzter MonatBestätigter KaufArrived ahead of time and well packed. The item turned out to be a “fake”. However, I reached out to the seller with a possible solution and they promptly squared me away with no muss or fuss. Hey, mistakes happen and neither of us knew, so no worries.I learned something new in the process. You can easily tell the character of a person by how they behave when things go a little sideways, yeah? I said all that to say…that I would have no problem doing business with them again. Thanks, Clay