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eBay-Artikelnr.:235476901869
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780195141962
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195141962
ISBN-13
9780195141962
eBay Product ID (ePID)
1708782
Product Key Features
Number of Pages
240 Pages
Publication Name
Friendly Fire : American Images of the Vietnam War
Language
English
Subject
Subjects & Themes / Historical events, Poetry, American / General, Subjects & Themes / General
Publication Year
2000
Type
Textbook
Subject Area
Literary Criticism
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
10.6 Oz
Item Length
8.9 in
Item Width
5.8 in
Additional Product Features
Edition Number
10
Intended Audience
College Audience
LCCN
00-022892
Reviews
"This critical study offers a forceful, yet nuanced, reading of important literature and film concerning the Vietnam War....THrough powerful readings and analysis, Kinney deconstructs the John Wayne myth, the concept of the Other, and the loci of sense and senselessness permeating the literature....This is a major work of criticism in the field, offering in clear, well-written prose new and startling insights....Highly recommended."--Choice, "This critical study offers a forceful, yet nuanced, reading of important literature and film concerning the Vietnam War....THrough powerful readings and analysis, Kinney deconstructs the John Wayne myth, the concept of the Other, and the loci of sense and senselessness permeating theliterature....This is a major work of criticism in the field, offering in clear, well-written prose new and startling insights....Highly recommended."--Choice
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
810.9/358
Synopsis
Friendly Fire, in this instance, refers not merely to a tragic error of war, witnessed at least as much in Vietnam as in American wars before and since - it also refers, metaphorically, to America's war with itself during the Vietnam years. Starting from this point, Kinney's book considers the concept of 'friendly fire' from multiple vantage points, and portrays the Vietnam age as a crucible where America's cohesive image of itself shattered - pitting soldiers against superiors, doves against hawks, feminism against patriarchy, racial fear against racial tolerance. Through the use of extensive evidence from the film and popular fiction of Vietnam (e.g Kovic's Born on the Fourth of July, Didion's Democracy, O'Brien's Going After Cacciato, Rabe's Sticks and Stones and Streamers), Kinney draws a powerful picture of a nation politically, culturally, and socially divided, and a war that has been memorialized as a contested site for art, media, politics, and ideology., Hundreds of memoirs, novels, plays, and movies have been devoted to the American war in Vietnam. In spite of the great variety of media, political perspectives and the degrees of seriousness with which the war has been treated, Katherine Kinney argues that the vast majority of these works share a single story: that of Americans killing Americans in Vietnam. Friendly Fire, in this instance, refers not merely to a tragic error of war, it also refers to America's war with itself during the Vietnam years. Starting from this point, this book considers the concept of "friendly fire" from multiple vantage points, and portrays the Vietnam age as a crucible where America's cohesive image of itself is shattered--pitting soldiers against superiors, doves against hawks, feminism against patriarchy, racial fear against racial tolerance. Through the use of extensive evidence from the film and popular fiction of Vietnam (e.g. Kovic's Born on the Fourth of July, Didion's Democracy, O'Brien's Going After Cacciato, Rabe's Sticks and Bones and Streamers), Kinney draws a powerful picture of a nation politically, culturally, and socially divided, and a war that has been memorialized as a contested site of art, media, politics, and ideology., Hundreds of memoirs, novels, plays, and movies have been devoted to the American war in Vietnam. In spite of the great variety of media, political perspectives and the degrees of seriousness with which the war has been treated, Katherine Kinney argues that the vast majority of these works share a single story: that of Americans killing Americans in Vietnam. Friendly Fire , in this instance, refers not merely to a tragic error of war, it also refers to America's war with itself during the Vietnam years. Starting from this point, this book considers the concept of "friendly fire" from multiple vantage points, and portrays the Vietnam age as a crucible where America's cohesive image of itself is shattered--pitting soldiers against superiors, doves against hawks, feminism against patriarchy, racial fear against racial tolerance. Through the use of extensive evidence from the film and popular fiction of Vietnam (e.g. Kovic's Born on the Fourth of July , Didion's Democracy , O'Brien's Going After Cacciato , Rabe's Sticks and Bones and Streamers ), Kinney draws a powerful picture of a nation politically, culturally, and socially divided, and a war that has been memorialized as a contested site of art, media, politics, and ideology.
LC Classification Number
PS228.V5K56 2000
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