The Colorblind Screen: Television in Post-Racial America by Turner, Sarah E.

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Book Title
The Colorblind Screen: Television in Post-Racial America
ISBN
9781479891535
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
New York University Press
ISBN-10
1479891533
ISBN-13
9781479891535
eBay Product ID (ePID)
175700105

Product Key Features

Number of Pages
363 Pages
Language
English
Publication Name
Colorblind Screen : Television in Post-Racial America
Publication Year
2014
Subject
Media & the Law, Television / History & Criticism, Discrimination & Race Relations, Television / General
Type
Textbook
Author
Sarah E. Turner
Subject Area
Law, Performing Arts, Social Science
Format
Trade Paperback

Dimensions

Item Height
1 in
Item Weight
13.2 Oz
Item Length
9 in
Item Width
5.9 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2013-043414
TitleLeading
The
Reviews
Collectively the essays document the dominance of colorblind ideology, which, the volume argues, has been enabling the continuation of 'racial apathy.' This volume contributes to postracial discourse and is also a valuable resource for those interested in media criticism., Overall, The Colorblind Screen is a timely anthology that joins a smallbut, I hope, growingnumber of works that address colorblind and post-race discourses in media. This collection demonstrates the continued need to consider the central role television plays in the articulation, construction, and contestation of contemporary racial politics . . . . This collection is essential for anyone interested in exploring current racial politics and representations of racial difference in media., "Overall, The Colorblind Screen is a timely anthology that joins a small-but, I hope, growing-number of works that address colorblind and post-race discourses in media. This collection demonstrates the continued need to consider the central role television plays in the articulation, construction, and contestation of contemporary racial politics . . . . This collection is essential for anyone interested in exploring current racial politics and representations of racial difference in media."-, International Journal of Communication, "Acknowledging both the way that the election of President Obama became a touchstone for those who wanted to herald a post-racial America and how, in the years that followed, thinly veiled and overt racism has experienced a troubling renaissance in multiple aspects of American culture, The Colorblind Screen forces readers to question the celebratory rationalizations rampant in various corners of American media culture and to examine how race, ethnicity, and the persistence of whiteness all still matter."-Bambi Haggins,author of Laughing Mad: The Black Comic Persona in Post Soul America, "Overall, The Colorblind Screen is a timely anthology that joins a smallbut, I hope, growingnumber of works that address colorblind and post-race discourses in media. This collection demonstrates the continued need to consider the central role television plays in the articulation, construction, and contestation of contemporary racial politics . . . . This collection is essential for anyone interested in exploring current racial politics and representations of racial difference in media."-, International Journal of Communication, "Collectively the essays document the dominance of colorblind ideology, which, the volume argues, has been enabling the continuation of 'racial apathy.' This volume contributes to postracial discourse and is also a valuable resource for those interested in media criticism." -, Choice, "Overall, The Colorblind Screen is a timely anthology that joins a small- but, I hope, growing- number of works that address colorblind and post-race discourses in media. This collection demonstrates the continued need to consider the central role television plays in the articulation, construction, and contestation of contemporary racial politics… This collection is essential for anyone interested in exploring current racial politics and representations of racial difference in media."-, International Journal of Communication
Dewey Edition
23
Dewey Decimal
791.45/6552
Table Of Content
Introduction Sarah Nilsen and Sarah E. TurnerPart I: Theories of Colorblindness1. Shades of ColorblindnessAshley ("Woody") Doane 2. Rhyme and ReasonRoopali Mukherjee3. The End of Racism? Colorblind Racism and Popular Media Eduardo Bonilla-Silva and Austin AshePart II: Icons of Post-Racial America4. Oprah Winfrey5. The Race Denial CardDavid J. Leonard and Bruce Lee Hazelwood 6. Representations of Arabs and Muslims in Post-9/11 Television DramasEvelyn Alsultany7. Maybe Brown People Aren't So Scary If They're Funny ComediesDina IbrahimPart III: Reinscribing Whiteness8. "Some People Just Hide in Plain Sight"Sarah Nilsen9. Watching TV with White SupremacistsC. Richard King10. BBFFsPart IV: Post-Racial Relationships11. Matchmakers and Cultural CompatibilityShilpa Dave12. Mainstreaming Latina IdentityPhilip A. Kretsedemas13. Race in Progress, No Passing ZoneJinny Huh About the Contributors Index
Synopsis
The election of President Barack Obama signaled for many the realization of a post-racial America, a nation in which racism was no longer a defining social, cultural, and political issue. This title helps you examine television's role as the major discursive medium in the articulation and contestation of racialized identities in the United States., The election of President Barack Obama signaled for many the realization of a post-racial America, a nation in which racism was no longer a defining social, cultural, and political issue. While many Americans espouse a "colorblind" racial ideology and publicly endorse the broad goals of integration and equal treatment without regard to race, in actuality this attitude serves to reify and legitimize racism and protects racial privileges by denying and minimizing the effects of systematic and institutionalized racism. In The Colorblind Screen, the contributors examine television's role as the major discursive medium in the articulation and contestation of racialized identities in the United States. While the dominant mode of televisual racialization has shifted to a "colorblind" ideology that foregrounds racial differences in order to celebrate multicultural assimilation, the volume investigates how this practice denies the significant social, economic, and political realities and inequalities that continue to define race relations today. Focusing on such iconic figures as President Obama, LeBron James, and Oprah Winfrey, many chapters examine the ways in which race is read by television audiences and fans. Other essays focus on how visual constructions of race in dramas like 24, Sleeper Cell, and The Wanted continue to conflate Arab and Muslim identities in post-9/11 television. The volume offers an important intervention in the study of the televisual representation of race, engaging with multiple aspects of the mythologies developing around notions of a "post-racial" America and the duplicitous discursive rationale offered by the ideology of colorblindness.
LC Classification Number
PN1992.8.M54C86 2014

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