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The Psychology of Music : A Very Short Introduction Elizabeth Hel
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Standort: Mishawaka, Indiana, USA
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 - “Used book that is in clean, average condition without any missing pages. 100% Money-Back Guarantee.”
 
- Publication Name
 - Oxford University Press, Incorporated
 
- ISBN
 - 9780190640156
 
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0190640154
ISBN-13
9780190640156
eBay Product ID (ePID)
248489439
Product Key Features
Book Title
Psychology of Music : a Very Short Introduction
Number of Pages
160 Pages
Language
English
Publication Year
2018
Topic
Philosophy & Social Aspects, General
Illustrator
Yes
Genre
Music
Book Series
Very Short Introductions Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
4 Oz
Item Length
6.5 in
Item Width
4.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2018-010769
TitleLeading
The
Reviews
"[The Psychology of Music] is a vivid account of a theoretically intricate field, rich in pertinent examples. Margulis's excellent survey may be read as an invitation to be more open to other fields of investigation and disciplines that approach the field of musicology." -- Psychology of Music, "[The Psychology of Music] is a vivid account of a theoretically intricate field, rich in pertinent examples. Marguliss excellent survey may be read as an invitation to be more open to other fields of investigation and disciplines that approach the field of musicology." -- Psychology of Music
Table Of Content
List of illustrations Acknowledgments 1. The art and science of music psychology 2. The biological origins of music 3. Music as language 4. Listening in time 5. The psychology of music performance 6. Human musicality 7. The appetite for music 8. The future of the psychology of music References Further Reading Index
Synopsis
The Psychology of Music: A Very Short Introduction seeks to answer fundamental questions of enduring interest, such as "What is musicality?" and "How does music move us?" In doing so, it reveals what happens when science attempts to confront some of the deepest questions about music., Music has been examined from multiple perspectives: as a product of human history, for example, or a product of human culture. But there is also a long tradition, intensified in recent decades, of thinking about music as a product of the human mind. Whether considering composition, performance, listening, or appreciation, the constraints and capabilities of the human mind play a formative role. The field that has emerged around this approach is known as the psychology of music. Written in a lively and accessible manner, this volume connects the science to larger questions about music that are of interest to practicing musicians, music therapists, musicologists, and the general public alike. For example: Why can one musical performance move an audience to tears, and another compel them to dance, clap, or snap along? How does a "hype" playlist motivate someone at the gym? And why is that top-40 song stuck in everyone's head? ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable., Music has been examined from multiple perspectives: as a product of human history, for example, or a product of human culture. But there is also a long tradition, intensified in recent decades, of thinking about music as a product of the human mind. Whether considering composition, performance, listening, or appreciation, the constraints and capabilities of the human mind play a formative role. The field that has emerged around this approach is known as the psychology of music. Written in a lively and accessible manner, this volume connects the science to larger questions about music that are of interest to practicing musicians, music therapists, musicologists, and the general public alike. For example: Why can one musical performance move an audience to tears, and another compel them to dance, clap, or snap along? How does a "pump up" playlist motivate someone at the gym? And why is that top-40 song stuck in everyone's head?
LC Classification Number
ML3830.M29 2018
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