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CHOREOGRAPHY AND THE SPECIFIC IMAGE By Daniel Nagrin **BRAND NEW**
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Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
ISBN-10
0822957507
Book Title
Choreography And The Specific Image
Genre
PERFORMING ARTS
ISBN
9780822957508
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of Pittsburgh Press
ISBN-10
0822957507
ISBN-13
9780822957508
eBay Product ID (ePID)
1895846

Product Key Features

Number of Pages
288 Pages
Language
English
Publication Name
Choreography and the Specific Image
Publication Year
2001
Subject
General, Dance / Choreography & Dance Notation
Type
Workbook
Subject Area
Performing Arts
Author
Daniel Nagrin
Format
Trade Paperback

Dimensions

Item Height
1 in
Item Weight
21 Oz
Item Length
9 in
Item Width
8 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2001-002663
Reviews
"Daniel Nagrin is one of the genuinely interesting figures in American modern dance.  in the volume, informed by the wisdom and experience of an unusually long and productive creative life, he turns his insightful gaze upon the making of dances." --Robby Barnett, Pilobolus Dance Theatre, Nagrin ... brings to his writing the same vitality, directness, wry humor, and dramatic intensity that characterized his long and brilliant performing career, and the diverse and rich insights he shares here will inspire a wide readership., Daniel Nagrin is one of the genuinely interesting figures in American modern dance.  in the volume, informed by the wisdom and experience of an unusually long and productive creative life, he turns his insightful gaze upon the making of dances." —Robby Barnett, Pilobolus Dance Theatre, Daniel Nagrin asks the right questions and offers insight and meaningful information to guide performers, teachers, and audience members toward a greater connection with the self and the art of dance. He is a master., Daniel Nagrin asks the right questions and offers insight and meaningful information to guide performers, teachers, and audience members toward a greater connection with the self and the art of dance. He is a master." —Linda C. Smith, Artistic Director, Repertory Dance Theatre, Salt Lake City, An extraordinary and indispensable resource for choreographers, from budding to veteran. Here is a book that I can keep close by, reread and refer to again and again for comfort, inspiration, and contemplation for the years to come., Not a day goes by where I do not call on Daniel's brillance as an artist and educator, a writer,a thinker, and a person to aid me in my job as a choreographer, performer, and teacher." —David Dorfman, "Daniel Nagrin is one of the genuinely interesting figures in American modern dance. in the volume, informed by the wisdom and experience of an unusually long and productive creative life, he turns his insightful gaze upon the making of dances." --Robby Barnett, Pilobolus Dance Theatre, An extraordinary and indispensable resource for choreographers, from budding to veteran.  Here is a book that I can keep close by, reread and refer to again and again for comfort, inspiration, and contemplation for the years to come." —Li Chiao-Ping, Daniel Nagrin is one of the genuinely interesting figures in American modern dance. in the volume, informed by the wisdom and experience of an unusually long and productive creative life, he turns his insightful gaze upon the making of dances., "Not a day goes by where I do not call on Daniel's brillance as an artist and educator, a writer,a thinker, and a person to aid me in my job as a choreographer, performer, and teacher." --David Dorfman, Daniel Nagrin has been an inspiration to us for many years. He is as engaged and sraightforward in the book as he has been on the stage.", "Daniel Nagrin asks the right questions and offers insight and meaningful information to guide performers, teachers, and audience members toward a greater connection with the self and the art of dance. He is a master." --Linda C. Smith, Artistic Director, Repertory Dance Theatre, Salt Lake City, "An extraordinary and indispensable resource for choreographers, from budding to veteran.  Here is a book that I can keep close by, reread and refer to again and again for comfort, inspiration, and contemplation for the years to come." --Li Chiao-Ping, ... a book that fills a need in choreographic pedagogy. ...Nagrin's book vibrates with energy and passion of dance itself., Nagrin's book is packed with fuel for the imagination...It is a thoughtful, funny, and very rich source book., "An extraordinary and indispensable resource for choreographers, from budding to veteran. Here is a book that I can keep close by, reread and refer to again and again for comfort, inspiration, and contemplation for the years to come." --Li Chiao-Ping, Not a day goes by where I do not call on Daniel's brillance as an artist and educator, a writer,a thinker, and a person to aid me in my job as a choreographer, performer, and teacher.
Illustrated
Yes
Dewey Decimal
792.82
Edition Description
Workbook
Synopsis
Spiced with wit and strong opinions, the third installment in Daniel Nagrin's trilogy explores the art of choreography through the life's work of an important artist. This is the first book to approach choreography through content rather than structure., "The world outside has burst into the studio," writes the influential dancer, teacher, and choreographer Daniel Nagrin. Many dancers want passionately to confront concrete, difficult subjects. But their formalistic training hasn't prepared them for what they need to say. This book, the first on choreography approached through content rather than structure, is designed with them in mind. Spiced with wit and strong opinions, Choreography and the Specific Image explores, in nineteen far-ranging essays, the art of choreography through the life's work of an important artist. A career of performance, creativity, and teaching spanning five decades, Nagrin reveals the philosophy and strategy of his work with Helen Tamiris, a founder of modern American dance, and of Workgroup, his maverick improvisation company of the 1970s. During an era when many dancers were working with movement as abstraction, Nagrin turned instead toward movement as metaphor, in the belief that dance should be about something. In Choreography and the Specific Image , Nagrin shares with the next generation of dancers just how that turn was accomplished. "It makes no sense to make dances unless you bring news," he writes. "You bring something that a community needs, something from you: a vision, an insight, a question from where you are and what churns you up." In a workbook following the essays, Nagrin lays out a wealth of clear, effective exercises to guide dancers toward such constructive self-discovery. Unlike all other choreography books, Nagrin addresses the concerns of both modern and commercial (show dance) choreographers. "The need to discover the inner life," he maintains, "is what fires the motion." This is Nagrin's third book of a trilogy, following Dance and the Specific Image: Improvisation and The Six Questions: Acting Technique for Dance Performance . Each focuses on a different aspect of dance--improvisation, performance, and choreography--engaging the specific image as a creative tool. Part history, part philosophy, part nuts-and-bolts manual, Choreography and the Specific Image will be an indispensable resource for all those who care passionately about the world of dance, and the world at large., "The world outside has burst into the studio," writes the influential dancer, teacher, and choreographer Daniel Nagrin. Many dancers want passionately to confront concrete, difficult subjects. But their formalistic training hasn't prepared them for what they need to say. This book, the first on choreography approached through content rather than structure, is designed with them in mind. Spiced with wit and strong opinions, Choreography and the Specific Image explores, in nineteen far-ranging essays, the art of choreography through the life's work of an important artist. A career of performance, creativity, and teaching spanning five decades, Nagrin reveals the philosophy and strategy of his work with Helen Tamiris, a founder of modern American dance, and of Workgroup, his maverick improvisation company of the 1970s. During an era when many dancers were working with movement as abstraction, Nagrin turned instead toward movement as metaphor, in the belief that dance should be about something. In Choreography and the Specific Image, Nagrin shares with the next generation of dancers just how that turn was accomplished. "It makes no sense to make dances unless you bring news," he writes. "You bring something that a community needs, something from you: a vision, an insight, a question from where you are and what churns you up." In a workbook following the essays, Nagrin lays out a wealth of clear, effective exercises to guide dancers toward such constructive self-discovery. Unlike all other choreography books, Nagrin addresses the concerns of both modern and commercial (show dance) choreographers. "The need to discover the inner life," he maintains, "is what fires the motion." This is Nagrin's third book of a trilogy, following Dance and the Specific Image: Improvisation and The Six Questions: Acting Technique for Dance Performance. Each focuses on a different aspect of dance--improvisation, performance, and choreography--engaging the specific image as a creative tool. Part history, part philosophy, part nuts-and-bolts manual, Choreography and the Specific Image will be an indispensable resource for all those who care passionately about the world of dance, and the world at large.
LC Classification Number
GV1588.3.N34 2001

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