How We Write Now: Living with Black Feminist Theory (Paperback or Softback)

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Artikelmerkmale

Artikelzustand
Neuwertig: Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine ...
Brand
Duke University Press
Binding
TP
EAN
9781478030461
ISBN
1478030461
Book Title
How We Write Now: Living with Black Feminist Theor
Manufacturer
Duke University Press
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Duke University Press
ISBN-10
1478030461
ISBN-13
9781478030461
eBay Product ID (ePID)
11063402875

Product Key Features

Number of Pages
152 Pages
Language
English
Publication Name
How We Write Now : Living with Black Feminist Theory
Publication Year
2024
Subject
Feminism & Feminist Theory, Sociology / General, Semiotics & Theory, Ethnic Studies / African American Studies
Type
Textbook
Subject Area
Literary Criticism, Social Science
Author
Jennifer C. Nash
Series
Black Feminism on the Edge Ser.
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
9.6 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2023-040663
Dewey Edition
23
Reviews
"Jennifer C. Nash's brilliant monograph embraces what Christina Sharpe described as 'beauty as a method,' through which she delivers with stunning erudition and heart-rending intimacy what it means to theorize Black life in the twenty-first century. Nash provides an essential Black feminist rejoinder to the orthodoxy of Afropessism by insisting that Black women refuse to be defined and dehumanized by Black death. Rather, their long history of cultivating beauty, intimacy, care, and affection is a fierce and rigorous practice of Black survival and enduring humanity."-- Tina M. Campt, author of , A Black Gaze: Artists Changing How We See "Goodness, what a book: Jennifer C. Nash has managed to create work that is both urgent and also slow, ferocious, and quiet--which is to say that she has written a book that holds the world of ordinariness. Compellingly smart and beautifully written, How We Write Now is a transcendent read and an astonishing accomplishment that builds sublimely on Nash's singular consideration of Black feminism's affective work."-- Kevin Quashie, author of , Black Aliveness, or A Poetics of Being "Nash not only examines the beauty of Black women's feminist writing about loss but expertly demonstrates it with her loving, personal and poignant prose."-- Karla Strand , Ms. Magazine "Jennifer C. Nash presents a stimulating and personal examination of academic writing through Black feminist theory. . . . How We Write Now is a testament to the power of Black feminism."-- Montez Jennings , E3W Review of Books, Nash not only examines the beauty of Black women's feminist writing about loss but expertly demonstrates it with her loving, personal and poignant prose., Jennifer C. Nash's brilliant monograph embraces what Christina Sharpe described as 'beauty as a method' through which she delivers stunning erudition and heart-rending intimacy with what it means to theorize Black life in the twenty-first century. Nash provides an essential Black feminist rejoinder to the orthodoxy of Afropessism by insisting that Black women refuse to be defined and dehumanized by Black death. Rather, their long history of cultivating beauty, intimacy, care, and affection is a fierce and rigorous practice of Black survival and enduring humanity., Jennifer C. Nash's brilliant monograph embraces what Christina Sharpe described as 'beauty as a method,' through which she delivers with stunning erudition and heart-rending intimacy what it means to theorize Black life in the twenty-first century.Nash provides an essential Black feminist rejoinder to the orthodoxy of Afropessism by insisting that Black women refuse to be defined and dehumanized by Black death. Rather, their long history of cultivating beauty, intimacy, care, and affection is a fierce and rigorous practice of Black survival and enduring humanity., Jennifer C. Nash's brilliant monograph embraces what Christina Sharpe described as 'beauty as a method,' through which she delivers with stunning erudition and heart-rending intimacy what it means to theorize Black life in the twenty-first century. Nash provides an essential Black feminist rejoinder to the orthodoxy of Afropessism by insisting that Black women refuse to be defined and dehumanized by Black death. Rather, their long history of cultivating beauty, intimacy, care, and affection is a fierce and rigorous practice of Black survival and enduring humanity., Goodness, what a book: Jennifer C. Nash has managed to create work that is both urgent and also slow, ferocious, and quiet--which is to say that she has written a book that holds the world of ordinariness. Compellingly smart and beautifully written, How We Write Now is a transcendent read and an astonishing accomplishment that builds sublimely on Nash's singular consideration of Black feminism's affective work.
Illustrated
Yes
Dewey Decimal
305.4208996
Table Of Content
Preface: Beauty, or All about My Mother ix Acknowledgments xiii 1. Beauty, or All about Black Feminist Theory's Mothers 1 2. Staying at the Bone 25 3. An Invitation to Listen 48 4. Picturing Loss 69 Conclusion: New Furniture, or All About Black Feminist Theory's Fathers 91 Notes 99 Bibliography 117 Index 127
Synopsis
In How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field's central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture., Jennifer C. Nash examines how Black feminists have turned to beautiful writing as the voice that allows readers to stay close to the field's central object and preoccupation: loss.
LC Classification Number
HQ1197.N38 2024

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