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CITIZEN AZMARI: ÄTHIOPISCHE MUSIK MACHEN IN TEL AVIV (MUSIK von Ilana Webster-kogen-
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eBay-Artikelnr.:226908417204
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- Sehr gut
- Hinweise des Verkäufers
- ISBN-10
- 0819578339
- Book Title
- Citizen Azmari: Making Ethiopian Music in Tel Aviv (Music /
- ISBN
- 9780819578334
Über dieses Produkt
Product Identifiers
Publisher
Wesleyan University Press
ISBN-10
0819578339
ISBN-13
9780819578334
eBay Product ID (ePID)
24038759808
Product Key Features
Number of Pages
248 Pages
Publication Name
Citizen Azmari : Making Ethiopian Music in Tel Aviv
Language
English
Publication Year
2018
Subject
History & Criticism, General, Middle East / Israel & Palestine, Religious / Jewish, Jewish Studies
Type
Textbook
Subject Area
Music, Social Science, History
Series
Music / Culture Ser.
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
13.6 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2018-003966
Reviews
"Webster-Kogan provides a rich discussion of Ethiopian-Israeli musical life at the intersection of national and global social histories, skillfully mining musical sound to reveal ideologies of belonging."--Kay Kaufman Shelemay, G. Gordon Watts Professor of Music, Harvard University, "Webster-Kogen provides a rich discussion of Ethiopian-Israeli musical life at the intersection of national and global social histories, skillfully mining musical sound to reveal ideologies of belonging."--Kay Kaufman Shelemay, G. Gordon Watts Professor of Music, Harvard University "Weaving together ethnographic and theoretical narratives, the author gives voice to her subjects and to their music creators and territories where sound and silence speak--often more loudly than words."--Amy Horowitz, author of Mediterranean Israeli Music and the Politics of the Aesthetic "Webster-Kogan provides a rich discussion of Ethiopian-Israeli musical life at the intersection of national and global social histories, skillfully mining musical sound to reveal ideologies of belonging."--Kay Kaufman Shelemay, G., Gordon Watts Professor of Music, Harvard University "Weaving together ethnographic and theoretical narratives, the author gives voice to her subjects and to their music creators and territories where sound and silence speak--often more loudly than words."--Amy Horowitz, author of Mediterranean Israeli Music and the Politics of the Aesthetic
Dewey Edition
23
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
780.8992805964
Table Of Content
List of Illustrations Acknowledgments Note on Transliteration Introduction: Symbolic Codes of Citizenship Afrodiasporic Myths: Ester Rada and the Atlantic Connection Ethiopianist Myths of Dissonance and Nostalgia Zionist Myths and the Mainstreaming of Ethiopian-Israeli Music Embodying Blackness through Eskesta Citizenship "What about My Money": Themes of Labor and Citizenship in Ethiopian-Israeli Hip-Hop Levinski Street, Tel Aviv's Horn Mediascape Conclusion Notes Bibliography Index
Synopsis
An examination of popular Ethiopian music styles in Tel Aviv 2019 Winner of Society of Ethnomusicology's Special Interest Group Award for Jewish Music In the thirty years since their immigration from Ethiopia to the State of Israel, Ethiopian-Israelis have put music at the center of communal and public life, using it alternatingly as a mechanism of protest and as appeal for integration. Ethiopian music develops in quiet corners of urban Israel as the most prominent advocate for equality, and the Israeli-born generation is creating new musical styles that negotiate the terms of blackness outside of Africa. For the first time, this book examines in detail those new genres of Ethiopian-Israeli music, including Ethiopian-Israeli hip-hop, Ethio-soul performed across Europe, and eskesta dance projects at the center of national festivals. This book argues that in a climate where Ethiopian-Israelis fight for recognition of their contribution to society, musical style often takes the place of political speech, and musicians take on outsize roles as cultural critics. From their perch in Tel Aviv, Ethiopian-Israeli musicians use musical style to critique a social hierarchy that affects life for everyone in Israel/Palestine., In the thirty years since their immigration from Ethiopia to the State of Israel, Ethiopian-Israelis have put music at the center of communal and public life, using it alternatingly as a mechanism of protest and as appeal for integration. Ethiopian music develops in quiet corners of urban Israel as the most prominent advocate for equality, and the Israeli-born generation is creating new musical styles that negotiate the terms of blackness outside of Africa. For the first time, this book examines in detail those new genres of Ethiopian-Israeli music, including Ethiopian-Israeli hip-hop, Ethio-soul performed across Europe, and eskesta dance projects at the center of national festivals. This book argues that in a climate where Ethiopian-Israelis fight for recognition of their contribution to society, musical style often takes the place of political speech, and musicians take on outsize roles as cultural critics. From their perch in Tel Aviv, Ethiopian-Israeli musicians use musical style to critique a social hierarchy that affects life for everyone in Israel/Palestine.
LC Classification Number
ML3917.I77W43 2018
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