Orientals Hardcover Robert G. Lee

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Special Attributes
EX-LIBRARY
Publication Name
Temple University Press
ISBN
9781566396585
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Temple University Press
ISBN-10
1566396581
ISBN-13
9781566396585
eBay Product ID (ePID)
1010519

Product Key Features

Book Title
Orientals
Number of Pages
271 Pages
Language
English
Publication Year
1999
Topic
Discrimination & Race Relations, Ethnic Studies / Asian American Studies, Popular Culture
Illustrator
Yes
Genre
Social Science
Author
Robert G. Lee
Book Series
Asian American History and Cultu Ser.
Format
Hardcover

Dimensions

Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9.8 in
Item Width
5.9 in

Additional Product Features

LCCN
98-025853
Dewey Edition
21
Reviews
"Orientals is an indispensable book about the United States. In it, 'American culture' emerges as a site in which racial meanings about Asia and Asian-Americans are made and remade in relation to specific historical crises, whether the settling of the western frontier, the consolidation of the European immigrant working class, the establishment of the nuclear family and middle class domesticity, World War II, Cold War liberalism or the global restructuring of the economy." -Lisa Lowe, author of Immigrant Acts: On Asian-American Cultural Politics"Bob Lee makes a major contribution to cultural studies and to ethnic studies with this insightful, engaging, and original examination of anti-Asian imagery in the U.S. Lee shows how different historical moments produce markedly different images and how changes in ethnic stereotypes register and reflect broader structural and cultural transformations." -George Lipsitz, author of The Possessive Investment in Whiteness: How White People Profit from Identity Politics (Temple)"A compelling critique of race from an Asian American viewpoint.... Given the increasingly non-European composition of the U. S. population, Lee's work provides an excellent prism to view the flawed North American self-image." -Booklist"...an outstanding examination of Asian American stereotypes in nineteenth- and twentieth-century popular culture." -Journal of American Ethnic History
Dewey Decimal
305.895/073
Table Of Content
Preface: Where Are You From?Introduction: Yellowface1. The "Heathen Chinee" on God's Free Soil2. The Coolie and the Making of the White Working Class3. The Third Sex4. Inner Dikes and Barred Zones5. The Cold War Origins of the Model Minority6. The Model Minority as Gook7. After LA8. Disobediant Citizenship: Deconstructing the OrientalNotesIndex
Synopsis
This text examines the notion that Asian Americans are not real Americans, and that Orientals never stop being loyal to a foreign homeland. The study connects these stereotypes to particular historical moments, each marked by shifting class relations and cultural crises., Sooner or later every Asian American must deal with the question "Where do you come from?" It is probably the most familiar if least aggressive form of racism. It is a tip-off to the persistent notion that people of Asian ancestry are not real Americans, that "Orientals" never really stop being loyal to their foreign homeland, no matter how long they or their families have been in this country. Confronting the cultural stereotypes that have been attached to Asian Americans over the last 150 years, Robert G. Lee seizes the label "Oriental" and asks where it came from. The idea of Asians as mysterious strangers who could not be assimilated into the cultural mainstream was percolating to the surface of American popular culture in the mid-nineteenth century, when Chinese immigrant laborers began to arrive in this country in large numbers. Lee shows how the bewildering array of racialized images first proffered by music hall songsters and social commentators have evolved and become generalized to all Asian Americans, coalescing in particular stereotypes. Whether represented as Pollutant, Coolie, Deviant, Yellow Peril, Model Minority, or Gook, the Oriental is portrayed as alien and a threat to the American family -- the nation writ small. Refusing to balance positive and negative stereotypes, Lee connects these stereotypes to particular historical moments, each marked by shifting class relations and cultural crises. Seen as products of history and racial politics, the images that have prevailed in songs, fiction, films, and nonfiction polemics are contradictory and complex. Lee probes into clashing images of Asians as (for instance) seductively exotic or devious despoilers of (white) racial purity, admirably industrious or an insidious threat to native laborers. When Lee dissects the ridiculous, villainous, or pathetic characters that amused or alarmed the American public, he finds nothing generated by the real Asian American experience; whether they come from the Gold Rush camps or Hollywood films or the cover of Newsweek, these inhuman images are manufactured to play out America's racial myths. Orientals comes to grips with the ways that racial stereotypes come into being and serve the purposes of the dominant culture., Sooner or later every Asian-American must deal with the question "Where do you come from?" It is probably the most familiar if least aggressive form of racism. It is a tip-off to the persistent notion that people of Asian ancestry are not real Americans, that "Orientals" never really stop being loyal to a foreign homeland, no matter how long they or their families have been in this country. Confronting the cultural stereotypes that have been attached to Asian-Americans over the last 150 years, Robert G. Lee seizes the label "Oriental" and asks where it came from.The idea of Asians as mysterious strangers who could not be assimilated into the cultural mainstream was percolating to the surface of American popular culture in the mid-nineteenth century, when Chinese immigrant laborers began to arrive in this country in large numbers. Lee shows how the bewildering array of racialized images first proffered by music hall songsters and social commentators have evolved and become generalized to all Asian-Americans, coalescing in particular stereotypes. Whether represented as Pollutant, Coolie, Deviant, Yellow Peril, Model Minority, or Gook, the Oriental is portrayed as alien and a threat to the American family-the nation writ small.Refusing to balance positive against negative stereotypes, Lee connects these stereotypes to particular historical moments, each marked by shifting class relations and cultural crises. Seen as products of history and racial politics, the images that have prevailed in songs, fiction, films, and nonfiction polemics are contradictory and complex. Lee probes into clashing images of Asians as (for instance) seductively exotic or devious despoilers of (white) racial purity, admirably industrious or an insidious threat to native laborers. When Lee dissects the ridiculous, villainous, or pathetic characters that amused or alarmed the American public, he finds nothing generated by the real Asian-American experience; whether they come from Gold Rush camps or Hollywood films or the cover of Newsweek, these inhuman images are manufactured to play out America's racial myths.Orientals comes to grips with the ways that racial stereotypes come into being and serve the purposes of the dominant culture. Author note: Robert G. Lee is Associate Professor of American Civilization, Brown University.
LC Classification Number
E184.O6L48 1998

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