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CLASSIC CHIC: MUSIK, MODE UND MODERNISMUS von Mary E. Davis **Neuwertig**-

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CLASSIC CHIC: MUSIC, FASHION, AND MODERNISM By Mary E. Davis **Mint Condition**
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“Book is in Like New / near Mint Condition. Will include dust jacket if it originally came with ...
ISBN-10
0520256212
Book Title
Classic Chic: Music, Fashion, and Modernism
ISBN
9780520256217

Über dieses Produkt

Product Identifiers

Publisher
University of California Press
ISBN-10
0520256212
ISBN-13
9780520256217
eBay Product ID (ePID)
63343103

Product Key Features

Number of Pages
360 Pages
Language
English
Publication Name
Classic Chic : Music, Fashion, and Modernism
Subject
History / Modern (Late 19th Century to 1945), Genres & Styles / Classical, Fashion & Accessories, Popular Culture, General, Genres & Styles / Pop Vocal
Publication Year
2008
Type
Textbook
Author
Mary E. Davis
Subject Area
Music, Design, Art, Social Science
Series
California Studies in 20th-Century Music Ser.
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
20.8 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2005-035586
Dewey Edition
22
Reviews
"A refreshing look at Parisian culture at the turn of the century. . . . A fine addition to the interdisciplinary realm."-- Music Research Forum, "Engaging . . . . A good book, one certainly worth reading for the wealth of information it contains."-- Modernism/Modernity, A refreshing look at Parisian culture at the turn of the century. . . . A fine addition to the interdisciplinary realm., "Engaging . . . . A good book, one certainly worth reading for the wealth of information it contains."--"Modernism/modernity", "An important and ambitious in-depth study and no one will come away from reading it without a greater understanding of a fascinating period in the history of modernism and fashion."-- Costume, Engaging . . . . A good book, one certainly worth reading for the wealth of information it contains., An important and ambitious in-depth study and no one will come away from reading it without a greater understanding of a fascinating period in the history of modernism and fashion.
Series Volume Number
6
Illustrated
Yes
Dewey Decimal
700.9041
Table Of Content
List of Illustrations Acknowledgments 1. Magazines, Music, and Modernism 2. Paul Poiret 3. La Gazette du Bon Ton 4. Germaine Bongard 5. Vanity Fair 6. Coco Chanel 7. Vogue Notes Works Cited Illustration Credits Index
Synopsis
Music and fashion: the deep connection between these two expressive worlds is firmly entrenched. Yet little attention has been paid to the association of sound and style in the early twentieth century--a period of remarkable and often parallel developments in both high fashion and the arts, including music. This beautifully written book, lavishly illustrated with fashion plates and photographs, explores the relationship between music and fashion, elegantly charting the importance of these arts to the rise of transatlantic modernism. Focusing on the emergence of the movement known as Neoclassicism, Mary E. Davis demonstrates that new aesthetic approaches were related to fashion in a manner that was perfectly attuned to the tastes of jazz-age sophisticates. Looking in particular at three couturiers--Paul Poiret, Germaine Bongard, and Coco Chanel--and three breakthrough fashion magazines-- La Gazette du Bon Ton, Vanity Fair, and Vogue --Davis illuminates for the first time the ways in which fashion's imperatives of originality and constant change influenced composers such as Erik Satie, Igor Stravinsky, and Les Six. She also considers the role played by the Ballets Russes, and explores the contributions of artists including costume and set designer Léon Bakst, writer and director Jean Cocteau, Amédée Ozenfant, and Pablo Picasso. The first study to situate music in this rich context, Classic Chic demonstrates the profound importance of the linked endeavors of composition and couture to modernist thought. In addition to its innovative approach to this important moment in history, Davis's focus on the social aspects of the story makes the book a tremendously engaging read., Music and fashion: the deep connection between these two expressive worlds is firmly entrenched. Yet little attention has been paid to the association of sound and style in the early twentieth century--a period of remarkable and often parallel developments in both high fashion and the arts, including music. This beautifully written book, lavishly illustrated with fashion plates and photographs, explores the relationship between music and fashion, elegantly charting the importance of these arts to the rise of transatlantic modernism. Focusing on the emergence of the movement known as Neoclassicism, Mary E. Davis demonstrates that new aesthetic approaches were related to fashion in a manner that was perfectly attuned to the tastes of jazz-age sophisticates. Looking in particular at three couturiers--Paul Poiret, Germaine Bongard, and Coco Chanel--and three breakthrough fashion magazines-- La Gazette du Bon Ton, Vanity Fair, and Vogue --Davis illuminates for the first time the ways in which fashion's imperatives of originality and constant change influenced composers such as Erik Satie, Igor Stravinsky, and Les Six. She also considers the role played by the Ballets Russes, and explores the contributions of artists including costume and set designer L on Bakst, writer and director Jean Cocteau, Am d e Ozenfant, and Pablo Picasso. The first study to situate music in this rich context, Classic Chic demonstrates the profound importance of the linked endeavors of composition and couture to modernist thought. In addition to its innovative approach to this important moment in history, Davis's focus on the social aspects of the story makes the book a tremendously engaging read., Music and fashion: the deep connection between these two expressive worlds is firmly entrenched. Yet little attention has been paid to the association of sound and style in the early twentieth century--a period of remarkable and often parallel developments in both high fashion and the arts, including music. This beautifully written book, lavishly illustrated with fashion plates and photographs, explores the relationship between music and fashion, elegantly charting the importance of these arts to the rise of transatlantic modernism. Focusing on the emergence of the movement known as Neoclassicism, Mary E. Davis demonstrates that new aesthetic approaches were related to fashion in a manner that was perfectly attuned to the tastes of jazz-age sophisticates. Looking in particular at three couturiers--Paul Poiret, Germaine Bongard, and Coco Chanel--and three breakthrough fashion magazines--"La Gazette du Bon Ton, Vanity Fair," and "Vogue"--Davis illuminates for the first time the ways in which fashion's imperatives of originality and constant change influenced composers such as Erik Satie, Igor Stravinsky, and Les Six. She also considers the role played by the Ballets Russes, and explores the contributions of artists including costume and set designer Leon Bakst, writer and director Jean Cocteau, Amedee Ozenfant, and Pablo Picasso. The first study to situate music in this rich context, "Classic Chic "demonstrates the profound importance of the linked endeavors of composition and couture to modernist thought. In addition to its innovative approach to this important moment in history, Davis's focus on the social aspects of the story makes the book a tremendously engaging read.
LC Classification Number
ML3470.D37 2008

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