Additional Product Features
Intended AudienceCollege Audience
LCCN2012-286452
Reviews"This book comes at a potential tipping point for those of us who study and practise theatre. In the age of Web 2.0, immersive practice looks forward to a rich style of developing affective storytelling and connection via theatrical performance. At the heart of this book is an assessment of the state of theatre at the outset of an existential crisis, looking for ways to bring its audience back into the fold." (William Lewis, New Theatre Quarterly, Vol. 31 (3), August, 2015), 'A uniquely comprehensive and valuable text that I would have no hesitation in recommending to my students. The critical commentary combines with the rich collection of interviews to make an excellent resource for undergraduates, postgraduates, researchers and general interest readers.' - Sita Popat, Chair in Performance and Technology, University of Leeds, "This book comes at a potential tipping point for those of us who study and practise theatre. In the age of Web 2.0, immersive practice looks forward to a rich style of developing affective storytelling and connection via theatrical performance. At the heart of this book is an assessment of the state of theatre at the outset of an existential crisis, looking for ways to bring its audience back into the fold." -- William Lewis, New Theatre Quarterly, Vol. 31 (3)
Number of Volumes1 vol.
IllustratedYes
Table Of ContentList of Illustrations Acknowledgements Preface Contributing Artists and their Practice Introduction: Immersive Theatres Intimacy and Immediacy in Contemporary Performance PART I 1. Definitions and Details 2. Features & Finer Details: A Scale of Immersivity 3. Immersive Perspectives PART II 4. Introduction: Immersion, intimacy and Immediacy in Practice 5. Michael Morris of Artangel 6. Felix Barrett of Punchdrunk 7. Bruce Gladwin of Back To Back Theatre 8. Lundahl & Seitl 9. Silvia Mercuriali 10. Tassos Stevens of Coney 11. Sam Holdsworth of Nimble Fish 12. Punchdrunk Enrichment 13. Louise Ann Wilson 14. Bill Mitchell and Sue Hill of WildWorks 15. Adrian Howells 16. Tristan Sharps of dreamthinkspeak 17. Conclusion: Immersive Theatres Recommended Reading and Research Bibliography Index.
SynopsisCharting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes original interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies., This comprehensive text is the first survey to explore the theory, history and practice of immersive theatre. Charting the rise of the immersive theatre phenomenon, Josephine Machon shares her wealth of expertise in the field of contemporary performance, inviting the reader to immerse themselves within this abundantly illustrated text. The first section of the book introduces concepts of immersion, situating them within a historical context and establishing a clear critical vocabulary for discussion. The second section then presents contributions from a wealth of immersive artists. Assuming no prior knowledge with its critical commentary, this is a rich resource for lecturers and students at all levels and internationally, including undergraduates and post-graduates, as well as practitioners and researchers of contemporary performance. This would also be an ideal text for general enthusiasts and readers with an interest in immersive theatre.
LC Classification NumberHM621-HM656