MOMENTAN AUSVERKAUFT

Complicated Women : Sex and Power in Pre-Code Hollywood by Mick LaSalle (2000, Hardcover)

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Product Identifiers

PublisherSt. Martin's Press
ISBN-100312252072
ISBN-139780312252076
eBay Product ID (ePID)1655647

Product Key Features

Book TitleComplicated Women : Sex and Power in Pre-Code Hollywood
Number of Pages304 Pages
LanguageEnglish
Publication Year2000
TopicWomen, General, Film / History & Criticism
IllustratorYes
GenrePerforming Arts, Biography & Autobiography
AuthorMick LaSalle
FormatHardcover

Dimensions

Item Height1.2 in
Item Weight20.4 Oz
Item Length9.6 in
Item Width6.5 in

Additional Product Features

Intended AudienceTrade
LCCN00-031668
Dewey Edition21
Dewey Decimal791.43/652042
SynopsisBetween 1929 and 1934, women in American cinema were modern! For five short years women in American cinema were modern! They took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, led unapologetic careers and, in general, acted the way many think women only acted after 1968. Before then, women on screen had come in two varieties - good or bad - sweet ingenue or vamp. Then two stars came along to blast away these common stereotypes. Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. Garbo and Shearer took the stereotypes and made them complicated. In the wake of these complicated women came others, a deluge of indelible stars - Constance Bennett, Ruth Chatterton, Mae Clarke, Claudette Colbert, Marlene Dietrich, Kay Francis, Ann Harding, Jean Harlow, Miriam Hopkins, Dorothy Mackaill, Barbara Stanywyck, Mae West and Loretta Young all came into their own during the pre-Code era. These women pushed the limits and shaped their images along modern lines. Then, in July 1934, the draconian Production Code became the law in Hollywood and these modern women of the screen were banished, not to be seen again until the code was repealed three decades later. Mick LaSalle, film critic for the San Francisco Chronicle, takes readers on a tour of pre-Code films and reveals how this was the true golden age of women's films and how the movies of the pre-Code are still worth watching. The bold, pioneering and complicated women of the pre-Code era are about to take their place in the pantheon of film history, and America is about to reclaim a rich legacy.
LC Classification NumberPN1995.9.W6L37 2000

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