Singen in der Gemeinde: Wie zeitgenössische Gottesdienstmusik evangelische Gemeinschaft formt-

Ursprünglicher Text
Singing the Congregation: How Contemporary Worship Music Forms Evangelical Commu
Zebrasbooks-2
(4872)
Angemeldet als gewerblicher Verkäufer
Mehr Artikel des Verkäufers
Verkäufer kontaktieren
US $27,53
Ca.EUR 23,30
Artikelzustand:
Neuwertig
Ganz entspannt. Rückgaben akzeptiert.
Versand:
Kostenlos USPS Media MailTM.
Standort: Somerset, New Jersey, USA
Lieferung:
Lieferung zwischen Mo, 29. Sep und Sa, 4. Okt nach 94104 bei heutigem Zahlungseingang
Wir wenden ein spezielles Verfahren zur Einschätzung des Liefertermins an – in diese Schätzung fließen Faktoren wie die Entfernung des Käufers zum Artikelstandort, der gewählte Versandservice, die bisher versandten Artikel des Verkäufers und weitere ein. Insbesondere während saisonaler Spitzenzeiten können die Lieferzeiten abweichen.
Rücknahme:
30 Tage Rückgabe. Käufer zahlt Rückversand. Wenn Sie ein eBay-Versandetikett verwenden, werden die Kosten dafür von Ihrer Rückerstattung abgezogen.
Zahlungen:
   Diners Club 

Sicher einkaufen

eBay-Käuferschutz
Geld zurück, wenn etwas mit diesem Artikel nicht stimmt. Mehr erfahreneBay-Käuferschutz - wird in neuem Fenster oder Tab geöffnet

  • Gratis Rückversand im Inland
  • Punkte für jeden Kauf und Verkauf
  • Exklusive Plus-Deals
Mehr erfahren- eBay Plus - wird in neuem Fenster oder Tab geöffnet
Der Verkäufer ist für dieses Angebot verantwortlich.
eBay-Artikelnr.:226835869208
Zuletzt aktualisiert am 16. Sep. 2025 04:45:41 MESZAlle Änderungen ansehenAlle Änderungen ansehen

Artikelmerkmale

Artikelzustand
Neuwertig: Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine ...
ISBN
9780190499648
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0190499648
ISBN-13
9780190499648
eBay Product ID (ePID)
16038280895

Product Key Features

Book Title
Singing the Congregation : How Contemporary Worship Music Forms Evangelical Community
Number of Pages
272 Pages
Language
English
Topic
History & Criticism, Christianity / Protestant, Genres & Styles / Blues, Religious / Contemporary Christian
Publication Year
2018
Illustrator
Yes
Genre
Music, Religion
Author
Monique M. Ingalls
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
14.1 Oz
Item Length
9.1 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2018-008017
Reviews
"This monograph is a highly dense and material-rich examination of what the author defines as 'contemporary worship music', partly following emic language, partly prudently discussing alternative wordings for this vast and transforming field of evangelical Christian music during and beyond religious services." -- Matthew C. Bagger, Northport, Alabama, Religion "[T]his sensitive, thorough study offers a much-needed extension of the discourses on congregational Christianity and opens up many opportunities for further discussions of contemporary evangelical congregations." -- Maria S. Guarino, University of Virginia, Reading Religion "Ingalls' descriptions of evangelical visual piety with regard to images in worship is fascinating, especially her interviews with the creators of amateur worship videos who explain their motivations and aesthetic values...Ingalls' contribution in this book is a substantive theoretical examination of how congregations, aided by CWM, arise in increasingly diverse spaces." -- John MacInnis, Dordt University, In All Things "Singing the Congregation is the much-anticipated monograph from one of the leading voices in the study of congregational music. Ingalls gives us a theoretically rich, comprehensive ethnography of the sites and practices of evangelical worship. Her book leads us through the assemblage of theologies, media, industries, and collective musical experiences of worship that shape evangelical religious and social identities. Reading Ingalls' book, one understands that congregating, wherever and however it happens, is fundamentally musical and, critically, that music studies has much to say about twenty-first-century evangelical Christianity." -- Jeffers Engelhardt, Associate Professor of Music, Amherst College "In the growing field of Contemporary Praise & Worship studies, Monique Ingalls is a trailblazer. Singing the Congregation only makes more firm her scholarly leadership in the field. Read it for either a general introduction to the phenomenon or a detailed path into several of its most illustrative manifestations."-- Lester Ruth, Research Professor of Christian Worship, Duke Divinity School "Singing the Congregation is a profoundly theological book. Those working in congregational studies will see 'congregations' as political and digital performances; liturgists will grapple with how liturgical worship can unfold in the public square; ecclesiologists here glimpse into the evolving nature of the 21st-century church; missiologists will debate issues about contextualization and acculturation in light of the commodification of the Christian music and worship industry; and theologians will have opportunity to revisit familiar dogmatic loci - e.g., theological anthropology, soteriology, and even pneumatology - through the lenses of ethnomusicology. All theologically oriented readers, meanwhile, will be given a range of scholarly and analytical perspectives on what many may experience on Sunday mornings, certainly also at their workstations or on their iPods."-- Amos Yong, Professor of Theology & Mission, Fuller Seminary "In this finely-wrought ethnomusicology of Christianity, Monique M. Ingalls sensitively captures the voices, intimate and global, that today fill the sacred soundscape of evangelicalism." -- Philip V. Bohlman, Ludwig Rosenberger Distinguished Service Professor in Jewish History, The University of Chicago "In her ground-breaking exploration of music in evangelical worship, Ingalls expands our understanding of contemporary Christian religious expression - a vivid and richly detailed examination of music, community and spiritual experience in the twenty-first century." -- Jeffrey A. Summit, Research Professor, Tufts University and author of Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism (OUP), "Singing the Congregation is the much-anticipated monograph from one of the leading voices in the study of congregational music. Ingalls gives us a theoretically rich, comprehensive ethnography of the sites and practices of evangelical worship. Her book leads us through the assemblage of theologies, media, industries, and collective musical experiences of worship that shape evangelical religious and social identities. Reading Ingalls' book, one understands that congregating, wherever and however it happens, is fundamentally musical and, critically, that music studies has much to say about twenty-first-century evangelical Christianity." -- Jeffers Engelhardt, Associate Professor of Music, Amherst College "In the growing field of Contemporary Praise & Worship studies, Monique Ingalls is a trailblazer. Singing the Congregation only makes more firm her scholarly leadership in the field. Read it for either a general introduction to the phenomenon or a detailed path into several of its most illustrative manifestations."-- Lester Ruth, Research Professor of Christian Worship, Duke Divinity School "Singing the Congregation is a profoundly theological book. Those working in congregational studies will see 'congregations' as political and digital performances; liturgists will grapple with how liturgical worship can unfold in the public square; ecclesiologists here glimpse into the evolving nature of the 21st-century church; missiologists will debate issues about contextualization and acculturation in light of the commodification of the Christian music and worship industry; and theologians will have opportunity to revisit familiar dogmatic loci - e.g., theological anthropology, soteriology, and even pneumatology - through the lenses of ethnomusicology. All theologically oriented readers, meanwhile, will be given a range of scholarly and analytical perspectives on what many may experience on Sunday mornings, certainly also at their workstations or on their iPods."-- Amos Yong, Professor of Theology & Mission, Fuller Seminary "In this finely-wrought ethnomusicology of Christianity, Monique M. Ingalls sensitively captures the voices, intimate and global, that today fill the sacred soundscape of evangelicalism." -- Philip V. Bohlman, Ludwig Rosenberger Distinguished Service Professor in Jewish History, The University of Chicago "In her ground-breaking exploration of music in evangelical worship, Ingalls expands our understanding of contemporary Christian religious expression - a vivid and richly detailed examination of music, community and spiritual experience in the twenty-first century." -- Jeffrey A. Summit, Research Professor, Tufts University and author of Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism (OUP), Singing the Congregation is the much-anticipated monograph from one of the leading voices in the study of congregational music. Reading Ingalls' book, one understands that congregating, wherever and however it happens, is fundamentally musical and, critically, that music studies has much to say about twenty-first-century evangelical Christianity., "Ingalls' descriptions of evangelical visual piety with regard to images in worship is fascinating, especially her interviews with the creators of amateur worship videos who explain their motivations and aesthetic values...Ingalls' contribution in this book is a substantive theoretical examination of how congregations, aided by CWM, arise in increasingly diverse spaces." -- John MacInnis, Dordt University, In All Things "Singing the Congregation is the much-anticipated monograph from one of the leading voices in the study of congregational music. Ingalls gives us a theoretically rich, comprehensive ethnography of the sites and practices of evangelical worship. Her book leads us through the assemblage of theologies, media, industries, and collective musical experiences of worship that shape evangelical religious and social identities. Reading Ingalls' book, one understands that congregating, wherever and however it happens, is fundamentally musical and, critically, that music studies has much to say about twenty-first-century evangelical Christianity." -- Jeffers Engelhardt, Associate Professor of Music, Amherst College "In the growing field of Contemporary Praise & Worship studies, Monique Ingalls is a trailblazer. Singing the Congregation only makes more firm her scholarly leadership in the field. Read it for either a general introduction to the phenomenon or a detailed path into several of its most illustrative manifestations."-- Lester Ruth, Research Professor of Christian Worship, Duke Divinity School "Singing the Congregation is a profoundly theological book. Those working in congregational studies will see 'congregations' as political and digital performances; liturgists will grapple with how liturgical worship can unfold in the public square; ecclesiologists here glimpse into the evolving nature of the 21st-century church; missiologists will debate issues about contextualization and acculturation in light of the commodification of the Christian music and worship industry; and theologians will have opportunity to revisit familiar dogmatic loci - e.g., theological anthropology, soteriology, and even pneumatology - through the lenses of ethnomusicology. All theologically oriented readers, meanwhile, will be given a range of scholarly and analytical perspectives on what many may experience on Sunday mornings, certainly also at their workstations or on their iPods."-- Amos Yong, Professor of Theology & Mission, Fuller Seminary "In this finely-wrought ethnomusicology of Christianity, Monique M. Ingalls sensitively captures the voices, intimate and global, that today fill the sacred soundscape of evangelicalism." -- Philip V. Bohlman, Ludwig Rosenberger Distinguished Service Professor in Jewish History, The University of Chicago "In her ground-breaking exploration of music in evangelical worship, Ingalls expands our understanding of contemporary Christian religious expression - a vivid and richly detailed examination of music, community and spiritual experience in the twenty-first century." -- Jeffrey A. Summit, Research Professor, Tufts University and author of Singing Gods Words: The Performance of Biblical Chant in Contemporary Judaism (OUP), "Singing the Congregation is the much-anticipated monograph from one of the leading voices in the study of congregational music. Reading Ingalls' book, one understands that congregating, wherever and however it happens, is fundamentally musical and, critically, that music studies has much to say about twenty-first-century evangelical Christianity." -- effers Engelhardt, Associate Professor of Music, Amherst College "In this finely-wrought ethnomusicology of Christianity, Monique M. Ingalls sensitively captures the voices, intimate and global, that today fill the sacred soundscape of evangelicalism." -- Philip V. Bohlman, Ludwig Rosenberger Distinguished Service Professor in Jewish History, The University of Chicago, "This monograph is a highly dense and material-rich examination of what the author defines as 'contemporary worship music', partly following emic language, partly prudently discussing alternative wordings for this vast and transforming field of evangelical Christian music during and beyond religious services." -- Matthew C. Bagger, Northport, Alabama, Religion "[T]his sensitive, thorough study offers a much-needed extension of the discourses on congregational Christianity and opens up many opportunities for further discussions of contemporary evangelical congregations." -- Maria S. Guarino, University of Virginia, Reading Religion "Ingalls' descriptions of evangelical visual piety with regard to images in worship is fascinating, especially her interviews with the creators of amateur worship videos who explain their motivations and aesthetic values...Ingalls' contribution in this book is a substantive theoretical examination of how congregations, aided by CWM, arise in increasingly diverse spaces." -- John MacInnis, Dordt University, In All Things "Singing the Congregation is the much-anticipated monograph from one of the leading voices in the study of congregational music. Ingalls gives us a theoretically rich, comprehensive ethnography of the sites and practices of evangelical worship. Her book leads us through the assemblage of theologies, media, industries, and collective musical experiences of worship that shape evangelical religious and social identities. Reading Ingalls' book, one understands that congregating, wherever and however it happens, is fundamentally musical and, critically, that music studies has much to say about twenty-first-century evangelical Christianity." -- Jeffers Engelhardt, Associate Professor of Music, Amherst College "In the growing field of Contemporary Praise & Worship studies, Monique Ingalls is a trailblazer. Singing the Congregation only makes more firm her scholarly leadership in the field. Read it for either a general introduction to the phenomenon or a detailed path into several of its most illustrative manifestations."-- Lester Ruth, Research Professor of Christian Worship, Duke Divinity School "Singing the Congregation is a profoundly theological book. Those working in congregational studies will see 'congregations' as political and digital performances; liturgists will grapple with how liturgical worship can unfold in the public square; ecclesiologists here glimpse into the evolving nature of the 21st-century church; missiologists will debate issues about contextualization and acculturation in light of the commodification of the Christian music and worship industry; and theologians will have opportunity to revisit familiar dogmatic loci - e.g., theological anthropology, soteriology, and even pneumatology - through the lenses of ethnomusicology. All theologically oriented readers, meanwhile, will be given a range of scholarly and analytical perspectives on what many may experience on Sunday mornings, certainly also at their workstations or on their iPods."-- Amos Yong, Professor of Theology & Mission, Fuller Seminary "In this finely-wrought ethnomusicology of Christianity, Monique M. Ingalls sensitively captures the voices, intimate and global, that today fill the sacred soundscape of evangelicalism." -- Philip V. Bohlman, Ludwig Rosenberger Distinguished Service Professor in Jewish History, The University of Chicago "In her ground-breaking exploration of music in evangelical worship, Ingalls expands our understanding of contemporary Christian religious expression - a vivid and richly detailed examination of music, community and spiritual experience in the twenty-first century." -- Jeffrey A. Summit, Research Professor, Tufts University and author of Singing Gods Words: The Performance of Biblical Chant in Contemporary Judaism (OUP), "[T]his sensitive, thorough study offers a much-needed extension of the discourses on congregational Christianity and opens up many opportunities for further discussions of contemporary evangelical congregations." -- Maria S. Guarino, University of Virginia, Reading Religion "Ingalls' descriptions of evangelical visual piety with regard to images in worship is fascinating, especially her interviews with the creators of amateur worship videos who explain their motivations and aesthetic values...Ingalls' contribution in this book is a substantive theoretical examination of how congregations, aided by CWM, arise in increasingly diverse spaces." -- John MacInnis, Dordt University, In All Things "Singing the Congregation is the much-anticipated monograph from one of the leading voices in the study of congregational music. Ingalls gives us a theoretically rich, comprehensive ethnography of the sites and practices of evangelical worship. Her book leads us through the assemblage of theologies, media, industries, and collective musical experiences of worship that shape evangelical religious and social identities. Reading Ingalls' book, one understands that congregating, wherever and however it happens, is fundamentally musical and, critically, that music studies has much to say about twenty-first-century evangelical Christianity." -- Jeffers Engelhardt, Associate Professor of Music, Amherst College "In the growing field of Contemporary Praise & Worship studies, Monique Ingalls is a trailblazer. Singing the Congregation only makes more firm her scholarly leadership in the field. Read it for either a general introduction to the phenomenon or a detailed path into several of its most illustrative manifestations."-- Lester Ruth, Research Professor of Christian Worship, Duke Divinity School "Singing the Congregation is a profoundly theological book. Those working in congregational studies will see 'congregations' as political and digital performances; liturgists will grapple with how liturgical worship can unfold in the public square; ecclesiologists here glimpse into the evolving nature of the 21st-century church; missiologists will debate issues about contextualization and acculturation in light of the commodification of the Christian music and worship industry; and theologians will have opportunity to revisit familiar dogmatic loci - e.g., theological anthropology, soteriology, and even pneumatology - through the lenses of ethnomusicology. All theologically oriented readers, meanwhile, will be given a range of scholarly and analytical perspectives on what many may experience on Sunday mornings, certainly also at their workstations or on their iPods."-- Amos Yong, Professor of Theology & Mission, Fuller Seminary "In this finely-wrought ethnomusicology of Christianity, Monique M. Ingalls sensitively captures the voices, intimate and global, that today fill the sacred soundscape of evangelicalism." -- Philip V. Bohlman, Ludwig Rosenberger Distinguished Service Professor in Jewish History, The University of Chicago "In her ground-breaking exploration of music in evangelical worship, Ingalls expands our understanding of contemporary Christian religious expression - a vivid and richly detailed examination of music, community and spiritual experience in the twenty-first century." -- Jeffrey A. Summit, Research Professor, Tufts University and author of Singing Gods Words: The Performance of Biblical Chant in Contemporary Judaism (OUP), "In the growing field of Contemporary Praise & Worship studies, Monique Ingalls is a trailblazer. Singing the Congregation only makes more firm her scholarly leadership in the field. Read it for either a general introduction to the phenomenon or a detailed path into several of its most illustrative manifestations." --Lester Ruth, Research Professor of Christian Worship, Duke Divinity School "Singing the Congregation is a profoundly theological book. Those working in congregational studies will see 'congregations' as political and digital performances; liturgists will grapple with how liturgical worship can unfold in the public square; ecclesiologists here glimpse into the evolving nature of the 21st-century church; missiologists will debate issues about contextualization and acculturation in light of the commodification of the Christian music and worship industry; and theologians will have opportunity to revisit familiar dogmatic loci - e.g., theological anthropology, soteriology, and even pneumatology - through the lenses of ethnomusicology. All theologically oriented readers, meanwhile, will be given a range of scholarly and analytical perspectives on what many may experience on Sunday mornings, certainly also at their workstations or on their iPods." -- Amos Yong, Professor of Theology & Mission, Fuller Seminary "Singing the Congregation is the much-anticipated monograph from one of the leading voices in the study of congregational music. Reading Ingalls' book, one understands that congregating, wherever and however it happens, is fundamentally musical and, critically, that music studies has much to say about twenty-first-century evangelical Christianity." -- Jeffers Engelhardt, Associate Professor of Music, Amherst College "In this finely-wrought ethnomusicology of Christianity, Monique M. Ingalls sensitively captures the voices, intimate and global, that today fill the sacred soundscape of evangelicalism." -- Philip V. Bohlman, Ludwig Rosenberger Distinguished Service Professor in Jewish History, The University of Chicago, "[T]his sensitive, thorough study offers a much-needed extension of the discourses on congregational Christianity and opens up many opportunities for further discussions of contemporary evangelical congregations." -- Maria S. Guarino, University of Virginia, Reading Religion "Ingalls' descriptions of evangelical visual piety with regard to images in worship is fascinating, especially her interviews with the creators of amateur worship videos who explain their motivations and aesthetic values...Ingalls' contribution in this book is a substantive theoretical examination of how congregations, aided by CWM, arise in increasingly diverse spaces." -- John MacInnis, Dordt University, In All Things "Singing the Congregation is the much-anticipated monograph from one of the leading voices in the study of congregational music. Ingalls gives us a theoretically rich, comprehensive ethnography of the sites and practices of evangelical worship. Her book leads us through the assemblage of theologies, media, industries, and collective musical experiences of worship that shape evangelical religious and social identities. Reading Ingalls' book, one understands that congregating, wherever and however it happens, is fundamentally musical and, critically, that music studies has much to say about twenty-first-century evangelical Christianity." -- Jeffers Engelhardt, Associate Professor of Music, Amherst College "In the growing field of Contemporary Praise & Worship studies, Monique Ingalls is a trailblazer. Singing the Congregation only makes more firm her scholarly leadership in the field. Read it for either a general introduction to the phenomenon or a detailed path into several of its most illustrative manifestations."-- Lester Ruth, Research Professor of Christian Worship, Duke Divinity School "Singing the Congregation is a profoundly theological book. Those working in congregational studies will see 'congregations' as political and digital performances; liturgists will grapple with how liturgical worship can unfold in the public square; ecclesiologists here glimpse into the evolving nature of the 21st-century church; missiologists will debate issues about contextualization and acculturation in light of the commodification of the Christian music and worship industry; and theologians will have opportunity to revisit familiar dogmatic loci - e.g., theological anthropology, soteriology, and even pneumatology - through the lenses of ethnomusicology. All theologically oriented readers, meanwhile, will be given a range of scholarly and analytical perspectives on what many may experience on Sunday mornings, certainly also at their workstations or on their iPods."-- Amos Yong, Professor of Theology & Mission, Fuller Seminary "In this finely-wrought ethnomusicology of Christianity, Monique M. Ingalls sensitively captures the voices, intimate and global, that today fill the sacred soundscape of evangelicalism." -- Philip V. Bohlman, Ludwig Rosenberger Distinguished Service Professor in Jewish History, The University of Chicago "In her ground-breaking exploration of music in evangelical worship, Ingalls expands our understanding of contemporary Christian religious expression - a vivid and richly detailed examination of music, community and spiritual experience in the twenty-first century." -- Jeffrey A. Summit, Research Professor, Tufts University and author of Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism (OUP)
Dewey Edition
23
Dewey Decimal
264.2
Table Of Content
Acknowledgements List of Illustrations and Credits Introduction Contemporary Worship Music and Modes of Congregating within North American Evangelical Christianity Chapter 1 Making Jesus Famous: The Quest for an Authentic Worship Experience in the Concert Congregation Chapter 2 Singing Heaven Down to Earth: The Conference Congregation as Pilgrim Gathering and Eschatological Community Chapter 3 Finding the Church's Voice: Contemporary Worship as Musical Positioning in a Nashville Church Congregation Chapter 4 Bringing Worship to the Streets: The Praise March as Public Congregation Chapter 5 Worship on Screen: Building Networked Congregations Online and Offline through Audiovisual Worship Media Conclusion Worship Music on the Global Stage: The Mainstream Model and Its Alternatives Bibliography
Synopsis
Music Making Congregations explores how contemporary worship music has brought new modes of congregating into being within evangelical Christianity. Through ethnographies of concert, conference, church, public, and networked congregations, this book shows how music shapes evangelical community relative to other groups in North America and beyond., Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations-- Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond., Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes - concert, conference, church, public, and networked congregations - Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice - in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond., Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
LC Classification Number
ML3187.5.I65 2018

Artikelbeschreibung des Verkäufers

Rechtliche Informationen des Verkäufers

Ich versichere, dass alle meine Verkaufsaktivitäten in Übereinstimmung mit allen geltenden Gesetzen und Vorschriften der EU erfolgen.
Info zu diesem Verkäufer

Zebrasbooks-2

99,5% positive Bewertungen•16.534 Artikel verkauft

Mitglied seit Apr 2019
Angemeldet als gewerblicher Verkäufer
Shop besuchenKontakt

Detaillierte Verkäuferbewertungen

Durchschnitt in den letzten 12 Monaten
Genaue Beschreibung
4.9
Angemessene Versandkosten
5.0
Lieferzeit
5.0
Kommunikation
5.0

Verkäuferbewertungen (5.024)

Alle Bewertungen
Positiv
Neutral
Negativ
  • b***_ (1057)- Bewertung vom Käufer.
    Letzte 6 Monate
    Bestätigter Kauf
    No Communication Required. 15 Day Transatlantic Shipment. New Item in Excellent Condition as Described. A Satisfying Buy from a Reliable Seller.
    The Politics of Safety: The Black Struggle for Police Accountability in La Guard (Nr. 226369370109)
  • e***e (2543)- Bewertung vom Käufer.
    Letzte 6 Monate
    Bestätigter Kauf
    Beautiful book on Georg Jensen, very carefully packed, only down side was the seller did not answer question about condition of book and the description did not provide this information. But the book was in very fine condition and the price was good.
    Georg Jensen: A Tradition of Splendid Silver [A Schiffer Book for Collectors] (Nr. 226807952158)
  • s***7 (752)- Bewertung vom Käufer.
    Letzte 6 Monate
    Bestätigter Kauf
    Great to deal with, quick to respond and shipped quickly. Item received in great condition as described on the listing. Packaged neatly without sacrificing the value of the item.
    Alzheimer's & Dementia For Dummies (Nr. 226624775747)
Alle Bewertungen ansehen

Noch mehr entdecken: