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Canned Laughter : The Best Stories from Radio and Television Pete

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“Used book that is in excellent condition. May show signs of wear or have minor defects. 100% ...
Publication Name
Oxford University Press, Incorporated
ISBN
9780195068368

Über dieses Produkt

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
019506836X
ISBN-13
9780195068368
eBay Product ID (ePID)
2309335832

Product Key Features

Book Title
Canned Laughter : the Best Stories from Radio and Television
Number of Pages
272 Pages
Language
English
Topic
Life Sciences / Botany, Media Studies
Publication Year
1992
Genre
Social Science, Science
Author
Peter Hay
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
21.6 Oz
Item Length
9.5 in
Item Width
6.4 in

Additional Product Features

Intended Audience
Trade
LCCN
92-006011
Dewey Edition
20
Dewey Decimal
791.44
Synopsis
Jack Benny, Jackie Gleason, Milton Berle, Lucille Ball, Walter Winchell, Walter Cronkite--the giants of the airwaves, with all their quips, quotes, foibles, and insights, have now been gathered together in one delightful book. Peter Hay, best-selling author of Broadway Anecdotes and Movie Anecdotes, has collected stories of journalists and jokesters, inventors and investors, sportsmen and sponsors, presidents and producers, providing a riotous ride through the whole history of radio and television. By turns hilarious and insightful, these anecdotes offer revealing portraits of the personalities behind the scenes. Here, for instance, is the origin of Jackie Gleason's nickname (Gleason once was reciting Shakespeare on demand for Orson Welles, then switched with ease to Aeschylus, leading Welles to call him "the Great One"). Hay gives us stories from every area of the topsy-turvy world of radio and television. What was the ratings system in the days before Nielsen? One early broadcaster would name individual radio-set owners on the air and ask them to call if they were listening; later, Amos 'n' Andy became so popular that the New York water department noticed a sharp drop in pressure as seemingly the entire city rushed to the bathroom during commercial breaks. There is memorable fan mail: A Frenchwoman once wrote a British announcer, "I am fervent of your emissions"; a little girl wrote to Linda Ellerbee, "When I grow up I want to do exactly what you do. Please do it better." And Hay offers rousing examples of executive courage: The top brass at CBS, for example, congratulated Edward Murrow on his landmark exposé on Senator McCarthy with, "Great Show, Ed. Sorry you did it." Along the way, we see the wild improbabilities of the entertainment world. The title role of Columbo, immortalized by Peter Falk, was first offered to Bing Crosby; and the first TV interview with the victorious Fidel Castro in 1959 was conducted by Tonight Show host Jack Paar: Castro offered to sell him Batista's mansion, but Paar looked at Castro's beard and asked for the Norelco shaving concession instead. And Hay highlights the role of the broadcast media in the great events of our century, from the impact of FDR's "Fireside Chats" to LBJ's reflection that when he lost Walter Cronkite's confidence in the war in Vietnam, he lost Middle America. In Broadway Anecdotes, Theatrical Anecdotes, and Movie Anecdotes, Peter Hay has shown that he has an ear for good stories and a gifted voice for retelling them. In this volume, he gathers the greatest tales of the classic age of radio and television and beyond, from Marconi to Monty Python's Flying Circus, offering endless insight, enjoyment, and laughter., Jack Benny, Jackie Gleason, Milton Berle, Lucille Ball, Walter Winchell, Walter Cronkite--the giants of the airwaves, with all their quips, quotes, foibles, and insights, have now been gathered together in one delightful book. Peter Hay, best-selling author of Broadway Anecdotes and Movie Anecdotes , has collected stories of journalists and jokesters, inventors and investors, sportsmen and sponsors, presidents and producers, providing a riotous ride through the whole history of radio and television. By turns hilarious and insightful, these anecdotes offer revealing portraits of the personalities behind the scenes. Here, for instance, is the origin of Jackie Gleason's nickname (Gleason once was reciting Shakespeare on demand for Orson Welles, then switched with ease to Aeschylus, leading Welles to call him "the Great One"). Hay gives us stories from every area of the topsy-turvy world of radio and television. What was the ratings system in the days before Nielsen? One early broadcaster would name individual radio-set owners on the air and ask them to call if they were listening; later, Amos 'n' Andy became so popular that the New York water department noticed a sharp drop in pressure as seemingly the entire city rushed to the bathroom during commercial breaks. There is memorable fan mail: A Frenchwoman once wrote a British announcer, "I am fervent of your emissions"; a little girl wrote to Linda Ellerbee, "When I grow up I want to do exactly what you do. Please do it better." And Hay offers rousing examples of executive courage: The top brass at CBS, for example, congratulated Edward Murrow on his landmark exposé on Senator McCarthy with, "Great Show, Ed. Sorry you did it." Along the way, we see the wild improbabilities of the entertainment world. The title role of Columbo , immortalized by Peter Falk, was first offered to Bing Crosby; and the first TV interview with the victorious Fidel Castro in 1959 was conducted by Tonight Show host Jack Paar: Castro offered to sell him Batista's mansion, but Paar looked at Castro's beard and asked for the Norelco shaving concession instead. And Hay highlights the role of the broadcast media in the great events of our century, from the impact of FDR's "Fireside Chats" to LBJ's reflection that when he lost Walter Cronkite's confidence in the war in Vietnam, he lost Middle America. In Broadway Anecdotes , Theatrical Anecdotes , and Movie Anecdotes , Peter Hay has shown that he has an ear for good stories and a gifted voice for retelling them. In this volume, he gathers the greatest tales of the classic age of radio and television and beyond, from Marconi to Monty Python's Flying Circus , offering endless insight, enjoyment, and laughter., Jack Benny, Jackie Gleason, Milton Berle, Lucille Ball, Walter Winchell, Walter Cronkite--the giants of the airwaves, with all their quips, quotes, foibles, and insights, have now been gathered together in one delightful book. Peter Hay, best-selling author of Broadway Anecdotes and Movie Anecdotes, has collected stories of journalists and jokesters, inventors and investors, sportsmen and sponsors, presidents and producers, providing a riotous ride through the whole history of radio and television. By turns hilarious and insightful, these anecdotes offer revealing portraits of the personalities behind the scenes. Here, for instance, is the origin of Jackie Gleason's nickname (Gleason once was reciting Shakespeare on demand for Orson Welles, then switched with ease to Aeschylus, leading Welles to call him "the Great One"). Hay gives us stories from every area of the topsy-turvy world of radio and television. What was the ratings system in the days before Nielsen? One early broadcaster would name individual radio-set owners on the air and ask them to call if they were listening; later, Amos 'n' Andy became so popular that the New York water department noticed a sharp drop in pressure as seemingly the entire city rushed to the bathroom during commercial breaks. There is memorable fan mail: A Frenchwoman once wrote a British announcer, "I am fervent of your emissions"; a little girl wrote to Linda Ellerbee, "When I grow up I want to do exactly what you do. Please do it better." And Hay offers rousing examples of executive courage: The top brass at CBS, for example, congratulated Edward Murrow on his landmark expose on Senator McCarthy with, "Great Show, Ed. Sorry you did it." Along the way, we see the wild improbabilities of the entertainment world. The title role of Columbo, immortalized by Peter Falk, was first offered to Bing Crosby; and the first TV interview with the victorious Fidel Castro in 1959 was conducted by Tonight Show host Jack Paar: Castro offered to sell him Batista's mansion, but Paar looked at Castro's beard and asked for the Norelco shaving concession instead. And Hay highlights the role of the broadcast media in the great events of our century, from the impact of FDR's "Fireside Chats" to LBJ's reflection that when he lost Walter Cronkite's confidence in the war in Vietnam, he lost Middle America. In Broadway Anecdotes, Theatrical Anecdotes, and Movie Anecdotes, Peter Hay has shown that he has an ear for good stories and a gifted voice for retelling them. In this volume, he gathers the greatest tales of the classic age of radio and television and beyond, from Marconi to Monty Python's Flying Circus, offering endless insight, enjoyment, and laughter.", Jack Benny, Jackie Gleason, Milton Berle, Lucille Ball, Walter Winchell, Walter Cronkite--the giants of the airwaves, with all their quips, quotes, foibles, and insights, have now been gathered together in one delightful book. Peter Hay, best-selling author of Broadway Anecdotes and Movie Anecdotes, has collected stories of journalists and jokesters, inventors and investors, sportsmen and sponsors, presidents and producers, providing a riotous ride through the whole history of radio and television. By turns hilarious and insightful, these anecdotes offer revealing portraits of the personalities behind the scenes. Here, for instance, is the origin of Jackie Gleason's nickname (Gleason once was reciting Shakespeare on demand for Orson Welles, then switched with ease to Aeschylus, leading Welles to call him "the Great One"). Hay gives us stories from every area of the topsy-turvy world of radio and television. What was the ratings system in the days before Nielsen? One early broadcaster would name individual radio-set owners on the air and ask them to call if they were listening; later, Amos 'n' Andy became so popular that the New York water department noticed a sharp drop in pressure as seemingly the entire city rushed to the bathroom during commercial breaks. There is memorable fan mail: A Frenchwoman once wrote a British announcer, "I am fervent of your emissions"; a little girl wrote to Linda Ellerbee, "When I grow up I want to do exactly what you do. Please do it better." And Hay offers rousing examples of executive courage: The top brass at CBS, for example, congratulated Edward Murrow on his landmark expose on Senator McCarthy with, "Great Show, Ed. Sorry you did it." Along the way, we see the wild improbabilities of the entertainment world. The title role of Columbo, immortalized by Peter Falk, was first offered to Bing Crosby; and the first TV interview with the victorious Fidel Castro in 1959 was conducted by Tonight Show host Jack Paar: Castro offered to sell him Batista's mansion, but Paar looked at Castro's beard and asked for the Norelco shaving concession instead. And Hay highlights the role of the broadcast media in the great events of our century, from the impact of FDR's "Fireside Chats" to LBJ's reflection that when he lost Walter Cronkite's confidence in the war in Vietnam, he lost Middle America. In Broadway Anecdotes, Theatrical Anecdotes, and Movie Anecdotes, Peter Hay has shown that he has an ear for good stories and a gifted voice for retelling them. In this volume, he gathers the greatest tales of the classic age of radio and television and beyond, from Marconi to Monty Python's Flying Circus, offering endless insight, enjoyment, and laughter.
LC Classification Number
PN1990.87.H38 1992

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