MOMENTAN AUSVERKAUFT
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Product Identifiers
PublisherUniversity Press of America, Incorporated
ISBN-100819176494
ISBN-139780819176493
eBay Product ID (ePID)339427
Product Key Features
Book Title'fenitschka' and 'deviations' : Two Novellas by Lou Andreas-Salome
Number of Pages94 Pages
LanguageEnglish
Publication Year1990
TopicReference, General
GenreLiterary Criticism, Fiction
AuthorDorothee Krahn
FormatHardcover
Dimensions
Item Height1.1 in
Item Weight17.8 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceTrade
LCCN89-024921
Dewey Edition20
Dewey Decimal833/.8
SynopsisThe author of these two novellas, Lou Andreas SalomÈ, is not as well known through her own writing as through her friendships with such men as Friedrich Nietzsche, Rainer Maria Rilke, Sigmund Freud, Martin Buber, et al. and on whom she had significant influence. As one of the first women to study at a European university, her relationships with men differed vastly from those of other women of her time, and one might count her among the avant-garde of the women's movement. Fenitschka , the first of the two stories in this volume, is based on an experience in Lou SalomÈ's life which gave rise to the libretto of the better known of two operas, Lulu by Alan Berg. The second opera entitled Deviations was written only a few years ago by the Italian composer and conductor Guiseppe Sinopoli. Whereas the first work bears only a very slightóand less than favorableóresemblance to the character of this exceptional woman, the second, though not a chronological account of her life, captures her spirit much more faithfully and once again bears witness to the fact that she aroused and stimulated the creativity of those whose lives she touched., The author of these two novellas, Lou Andreas SalomÈ, is not as well known through her own writing as through her friendships with such men as Friedrich Nietzsche, Rainer Maria Rilke, Sigmund Freud, Martin Buber, et al. and on whom she had significant influence. As one of the first women to study at a European university, her relationships with men differed vastly from those of other women of her time, and one might count her among the avant-garde of the women's movement. Fenitschka, the first of the two stories in this volume, is based on an experience in Lou SalomÈ's life which gave rise to the libretto of the better known of two operas, Lulu by Alan Berg. The second opera entitled Deviations was written only a few years ago by the Italian composer and conductor Guiseppe Sinopoli. Whereas the first work bears only a very slightóand less than favorableóresemblance to the character of this exceptional woman, the second, though not a chronological account of her life, captures her spirit much more faithfully and once again bears witness to the fact that she aroused and stimulated the creativity of those whose lives she touched., The author of these two novellas, Lou Andreas SalomÈ, is not as well known through her own writing as through her friendships with such men as Friedrich Nietzsche, Rainer Maria Rilke, Sigmund Freud, Martin Buber, et al. and on whom she had significant influence., The author of these two novellas, Lou Andreas Salom , is not as well known through her own writing as through her friendships with such men as Friedrich Nietzsche, Rainer Maria Rilke, Sigmund Freud, Martin Buber, et al. and on whom she had significant influence. As one of the first women to study at a European university, her relationships with men differed vastly from those of other women of her time, and one might count her among the avant-garde of the women's movement. Fenitschka, the first of the two stories in this volume, is based on an experience in Lou Salom 's life which gave rise to the libretto of the better known of two operas, Lulu by Alan Berg. The second opera entitled Deviations was written only a few years ago by the Italian composer and conductor Guiseppe Sinopoli. Whereas the first work bears only a very slight and less than favorable resemblance to the character of this exceptional woman, the second, though not a chronological account of her life, captures her spirit much more faithfully and once again bears witness to the fact that she aroused and stimulated the creativity of those whose lives she touched.
LC Classification NumberPT2601.N4F413 1990
