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Gregg Redner Deleuze and Film Music (Paperback) (UK IMPORT) 2011 NEW
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- Sofort-KaufenGregg Redner Deleuze and Film Music (Paperback) (UK IMPORT) 2011 NEW
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Standort: Waterville, Maine, USA
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eBay-Artikelnr.:226521981628
Artikelmerkmale
- Artikelzustand
- Country of Origin
- United Kingdom
- Subtitle
- Building a Methodological Bridge between Film Theory and Music
- EAN
- 9781841503707
- ISBN
- 9781841503707
- Release Year
- 2010
- Book Title
- Deleuze and Film Music
- Title
- Deleuze and Film Music
- ISBN-10
- 1841503703
- Level
- Advanced
- Genre
- Music Dance & Theatre
- Topic
- Films & TV
- Release Date
- 12/15/2010
Über dieses Produkt
Product Identifiers
Publisher
Intellect, The Limited
ISBN-10
1841503703
ISBN-13
9781841503707
eBay Product ID (ePID)
84273740
Product Key Features
Number of Pages
194 Pages
Language
English
Publication Name
Deleuze and Film Music : Building a Methodological Bridge between Film Theory and Music
Publication Year
2010
Subject
Philosophy & Social Aspects, Printed Music / Musicals, Film & TV, General, Film & Video
Type
Textbook
Subject Area
Music, Art
Format
Trade Paperback
Dimensions
Item Height
0.1 in
Item Weight
14.1 Oz
Item Length
0.9 in
Item Width
0.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
22
Reviews
"In this wonderful study of music scoring for film, Gregg Redner turns to the philosopher Gilles Deleuze to seek a way in which to talk about music as a part of the mise-en-scène. Up until now, there have been two fundamental and somewhat opposing approaches to film scoring-the one emanating from musicologists, the other from specialists in film studies. Neither seemed to satisfy the needs of the other and certainly neither was able to fully explain what happens to music in film nor, indeed, what music causes to happen within film. Redner sets out to find a way of bridging these two opposing approaches and, in doing so, he offers us a new and fresh way to understand film music. Written with intellectual grace and scholarly elegance, these analyses of selected films will incite readers to revisit them with a new eye and ear."-Susan Hayward, University of Exeter, In this wonderful study of music scoring for film, Gregg Redner turns to the philosopher Gilles Deleuze to seek a way in which to talk about music as a part of the mise-en-scène. Up until now, there have been two fundamental and somewhat opposing approaches to film scoring--the one emanating from musicologists, the other from specialists in film studies. Neither seemed to satisfy the needs of the other and certainly neither was able to fully explain what happens to music in film nor, indeed, what music causes to happen within film. Redner sets out to find a way of bridging these two opposing approaches and, in doing so, he offers us a new and fresh way to understand film music. Written with intellectual grace and scholarly elegance, these analyses of selected films will incite readers to revisit them with a new eye and ear., In this wonderful study of music scoring for film, Gregg Redner turns to the philosopher Gilles Deleuze to seek a way in which to talk about music as a part of the mise-en-scne. Up until now, there have been two fundamental and somewhat opposing approaches to film scoring--the one emanating from musicologists, the other from specialists in film studies. Neither seemed to satisfy the needs of the other and certainly neither was able to fully explain what happens to music in film nor, indeed, what music causes to happen within film. Redner sets out to find a way of bridging these two opposing approaches and, in doing so, he offers us a new and fresh way to understand film music. Written with intellectual grace and scholarly elegance, these analyses of selected films will incite readers to revisit them with a new eye and ear., In this wonderful study of music scoring for film, Gregg Redner turns to the philosopher Gilles Deleuze to seek a way in which to talk about music as a part of the mise-en-scène. Up until now, there have been two fundamental and somewhat opposing approaches to film scoring-the one emanating from musicologists, the other from specialists in film studies. Neither seemed to satisfy the needs of the other and certainly neither was able to fully explain what happens to music in film nor, indeed, what music causes to happen within film. Redner sets out to find a way of bridging these two opposing approaches and, in doing so, he offers us a new and fresh way to understand film music. Written with intellectual grace and scholarly elegance, these analyses of selected films will incite readers to revisit them with a new eye and ear.
Illustrated
Yes
Dewey Decimal
781.542
Table Of Content
Foreword Susan Hayward, Cinema Studies, University of Exeter, UK Chapter One: Introduction Chapter Two: Methodology Chapter Three: Deleuzian Sensation and Maurice Jaubert's Score for L'Atalante Chapter Four: The Division of the One: Leonard Rosenman and the Score for East of Eden Chapter Five: Dmitri Shostakovich's Score for Kozinstev's Hamlet Chapter Six: Fragments of a Life: Becoming-Music/Woman In Kryzysztof Kieslowski's Blue Chapter Seven: The Changing Conception of Space As a Delineator In Film Score Style: A Comparative Analysis of the Scores for Things to Come and Scott of the Antarctic Chapter Eight: Conclusion References Corpus of Films Films Cited in Text
Synopsis
The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of persistent difficulties in this new area of study, Deleuze and Film Music also offers a solution -- a methodological bridge -- that will take film music analysis to a new level., The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies, but the lack of common language and methodology affects it. Drawing on the philosophy of Gilles Deleuze, Gregg Redner analyses the problem and offers a solution - a methodological bridge - that will take film music analysis to a new level.
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Sennebec's
100% positive Bewertungen•3.323 Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe. Mehr erfahrenMehr erfahren
Verkäuferbewertungen (1.454)
- p***e (65)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufItem arrived exactly as described, well-packaged, and ahead of schedule. Communication was excellent throughout the process. Very smooth transaction — would definitely buy from this seller again. Highly recommended!
- 8***r (180)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufExactly as described. Extremely quick delivery. Packaged very well. Great seller and value!! Highly recommendHelps to Every Day Holiness by A.C. Rose - 1870 hardcover pub. by W.C. Palmer (Nr. 226571722504)
- 9***k (1225)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufUnfortunately the seller decided to ship the item in a padded envelope. An inexpensive stiff cardboard envelope would have been far more adequate. Item arrived with unsightly creases almost everywhere, very different from the ad picture. Item condition was rated very good. I would rate what arrived as fair. Given the result, the eBay GSP shipping fee of US $21.91 is inadequate but in my opinion that is the seller's fault. Not seeking a refund. Definitely not recommended.Tragedy September 11 2001 Special Memorial Edition, Editorial Staff, NYC Pub. (Nr. 226371919134)